For information about how to use this forum please check out forum help and policies.
Quote
smokeyduskyQuote
kleermaker
I enjoyed hearing Taylor break out his 60s-feedback thing. With the Stones, this type of playing was usually limited to the end of some SFMs on the '72 tour.
Quote
StrawberriesBlueberries
Listening to the performances of Dead Flowers, Ruby Tuesday and Street Fighting Man in a row is so great! Hope they realize, people loved it and take more chances like this in their future shows. To those, who attended, how was the audience reacting to this sequence? The videos seem to indicate, it was a success?
Keith's backing vocals on Dead Flowers and Ruby Tuesday are very nice. It seems, everybody enjoys playing with each other. Did you see the Mick-Keith moment after Dead Flowers, where Mick happily smiles at Keith and he smiles back?
And I enjoy the deep voiced Mick Jagger parts in Dead Flowers. Somehow it'S so unusual to hear him sing in this range for longer parts, because he doesn't do it very often, but he's good at it and I like it. His voice gets a very warm sound this way.
Quote
Captainchaos
Re midnight rambler, anyone gonna mention ronnie woods out of tune guitar lead on the end pickup? na though not
Quote
maumau
is there theodora richards? in the gs clip with red plastic cup and a red flower? in the pit at arounf 3:49 you can see her in between mick and lisa
It is painful for me to write such a critique but I do believe I am more right than wrong. While his accuracy has increased his ability to be spontaneous has not. This music is based on action and reaction, when Ronnie is in the pit saving the band from a mess up he's at his glory but when things are rocking hard he tends to slip behind not adding the element to keep it from a "Vegas" show.. Witness Taylor's feedback jamming, not Vegas but genuine improvisation. Of course we gratefully have Bobby Keys to save the day, after all this band is nothing without Tim and Bobby who are truly soulful.Quote
laertisflash
DoomandGloom, maybe your description about Ronnie does suit to many of his performances on the the european leg of Licks Tour, for example. But i thnik your comments are extremely unfair as for Ronnie's playing in the last years...
Quote
DoomandGloomIt is painful for me to write such a critique but I do believe I am more right than wrong. While his accuracy has increased his ability to be spontaneous has not. This music is based on action and reaction, when Ronnie is in the pit saving the band from a mess up he's at his glory but when things are rocking hard he tends to slip behind not adding the element to keep it from a "Vegas" show.. Witness Taylor's feedback jamming, not Vegas but genuine improvisation. Of course we gratefully have Bobby Keys to save the day, after all this band is nothing without Tim and Bobby who are truly soulful.Quote
laertisflash
DoomandGloom, maybe your description about Ronnie does suit to many of his performances on the the european leg of Licks Tour, for example. But i thnik your comments are extremely unfair as for Ronnie's playing in the last years...
Not really deadly but some of the best onstage stuff is played by Tim Ries, easy to take for granted but his B-3 playing is inspired, soprano sax on RT played with confidence and reverence. He and Bobby turn 2 horns into a giant section. Bobby is of course the heart and soul of Exile era Stones, perhaps more a part of that sound than even MT or Nicky Hopkins. Ron Wood is not a soloist like these players, he's more of a second rhythm guitarist which has come in handy as we know. A stylish gentleman, great Rolling Stone, playing million dollar guitars he is blessed. He learned to play harmonica for his own tour, why can't he bring it on as this band begins to jell?Quote
kleermakerQuote
DoomandGloomIt is painful for me to write such a critique but I do believe I am more right than wrong. While his accuracy has increased his ability to be spontaneous has not. This music is based on action and reaction, when Ronnie is in the pit saving the band from a mess up he's at his glory but when things are rocking hard he tends to slip behind not adding the element to keep it from a "Vegas" show.. Witness Taylor's feedback jamming, not Vegas but genuine improvisation. Of course we gratefully have Bobby Keys to save the day, after all this band is nothing without Tim and Bobby who are truly soulful.Quote
laertisflash
DoomandGloom, maybe your description about Ronnie does suit to many of his performances on the the european leg of Licks Tour, for example. But i thnik your comments are extremely unfair as for Ronnie's playing in the last years...
That's a hard and deadly judgement.