Re: Their Own Worst Enemy???
Date: May 3, 2005 13:30
You are so right. Unfortunately. Ever since he started his solo career Mick has adressed his best musical ideas and efforts to his solo records. Being by his own, with no one to lean on, there he has seemed to be forced to work his ass off. Even though he has sometimes sounded too forced and calculated in his urge of working so hard. As the consenses is, the results weren't always been so great. The guys he has decided to work with are not always been the 'right' ones either. (But a good thing is that because his solo career never turned out to be the sort of phenomenon he perhaps dreamed of, there remained a room for the Rolling Stones to exist.)
But a sad thing is, starting seemingly with Dirty Work, that Jagger presence in the Stones album has never been so committed as it used to be (prior Undercover or something). As a good protestant he has a strong working ethics, he does his part and more, but somehow I feel that his creative ambition is lacking in the 'recent' Stones products. Some very important spark is missing. By contrast, just listen Some Girls: it is a Mick Jagger album; Jagger is using the Stones as his a vehicle of expression. And that's the best possible vehicle for him. Perhaps Keith is the boss inside the vehicle and the commander of it, but it all works for Mick, and everything is under his control and supervision. Some connection between Jagger and The Stones (that is, Keith) seriously broke down when Jagger committed himself to his solo career, and despite some occasional good signs of good ol' partnership, I don't believe Mick and Keith really have re-connected relationship after their World War III; they just seem to be faited to work together, being forced to tolarate each other, but the nature of their co-work is more like a business deal that works for both of them.
Mick's solo projects and the 'heretic uncommitment to the holy Stones' affected Keith. As a revange he did worked his lazy ass off to make his best album since Exile: Talk Is Cheap - an album that seems to be a sort of swang song of Keith Richards. Some great ideas were alro reserved for Main Offender, although the energy level weren't so high any more and the album turned out be quite repetive.
I don't know. What I tried to say is that since Dirty Work I have viewed Jagger just too easily playing a type role of Mick Jagger, and not really expressing himself anymore. He is present, as loud as ever, but still in some way not. He too easily is ready to make compromises, easy routes, even retro ones, and not really adding any new chapters to his adventures. Just good ol' simple role of Mick Jagger. An icon. But what I have learned of this man is that his ambition and artistic imagination is not to be reduced to that. And of course that almost total of lack of new Rolling Stones material speaks volumes. Jagger simply doesn't view The Stones anymore as his vehicle of expression, of new out-put. It is just a money machine, a sort of "sampo" as is told in Finnish folk-saga Kalevala.
Hmm.. I can only imagine what the Stones could have done with "Lonely At The Top", "Just Another Night", "Party Doll", "Evening Grown", "Sweet Thing", "God Gave Me Everything" (yes, that might have been an anthem in the hands of The Stones), etc. Moreover, if Keith could have used inspiring gems like "Make No MIstake" or "Hate It When You Leave" (a masterpiece!) in the context of his real band, instead doing those secondary repetitive ballads, there be more recent legendary songs in their repertuare these days. And of course, if many of those solo songs would have gotten a touch from another Glimmer Twin, the result might have been (even) better. I suppose that if we put the energy level and amount of ideas tthat made Talk Is Cheap and Primitive Cool together, it would have made much better album than Steel Wheels. The same goes for Wandering Spirit (Jagger's best effort since Tattoo You or Some Girls) and Main Offender.
And by the way the duet of "Mistake" with Lisa sounds a marvellous idea!
If and if...
- Doxa