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paulywaul
The one I heard from the security barrier right in front of the stage at Hyde Park on 13th July 2013 sounded pretty bloody awesome to me ......... I say that from the perspective of recollection as opposed to having heard it since c/o the iTunes download, because I haven't downloaded that gig. Waiting for the DVD, far more entertaining.
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MathijsQuote
nightskyman
Though likely very touched up by Mick and Keith, you really can't beat the 'Get Yer Ya Yas Out' version.
It's completely original and untouched.
Mathijs
Here we go again...you're telling me that the tuba and the trombone were actually there that day at MSG and not overdubbed at a later date? Really? C'mon
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Doxa
The most enjoyable version is the Brussells '73 from the bootlegs, which I consider the greatest live song and performance captured by anyone, anywhere. The official version lost some of its original dynamism, especially by mixing the guitar storm down. Even the better bass didn't compansate the loss. There are some other almost as good versions from 1972/73 tours, and the one in LA '75 is simply phenomenal as well, but the Brussels one is definitive. It - or rock and roll altogether - cannot sound any better.
- Doxa
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Doxa
What especially gives me chills is the moment when Keith starts to hit those power blues chords in Brussells '73 during the break, and Taylor and the rest follow him. And it lasts and lasts. Damn what a groove! I think that is the definitive moment in that version and I never heard anything comparable. White boy can no play blues better than that!
- Doxa
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rattler2004
about a week or so ago someone posted a Japanese broadcast from the 2005 tour that was a smoldering version of Midnight Rambler
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ChrisM
The Ya-Yas version gets my vote. The bit of feedback you hear as the band launches into the middle section sounds like a harbinger of meanace and the interplay between Keith and Mick T at this point is extraordinary. I've heard it more times than I have had hot dinners and I still get goosebumps. Woof!
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His Majesty
Hyde Park 1969 and Ya-Ya's version.
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Doxa
I don't quite buy that blues vs. rock versions distinction of this song. Yeah, during 1972/73 they speeded up certain parts of the song, but at the same time they put more weight to the so called "slow part", and thereby made it longer. And during that part they have never sounded bluesier as they do then.
What especially gives me chills is the moment when Keith starts to hit those power blues chords in Brussells '73 during the break, and Taylor and the rest follow him. And it lasts and lasts. Damn what a groove! I think that is the definitive moment in that version and I never heard anything comparable. White boy can no play blues better than that!
All in all, why I consider the 1972/73 versions better than the earlier ones is that by then they have discovered all the possible potentia the song has, and like serving that in perfect setting. All the ups and downs, highs and lows, each feature so strongly emphasized. The blues opera in full glory. Even the last verse is rushed, orgasm-like in almost punk-like speed, giving us a glimpse of music which didn't exist by then.
This is not to say that the earlier, especially YA-YA's one, weren't phenomenal. Yes, they were, but nowadays I tend to think them more like works in progress, and a bit boring, compared to the full glory masterpiece of Brussels' 73.
- Doxa
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CousinC
For some time I favoured the 73 Brüssel version as well when it came out.