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BILLPERKS
EMOTIONAL RESCUE-6TH GRADE
COOLEST SONG EVER
STILL IS.
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triceratopsQuote
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stringpull
"Tell Me" Bills bass string hiccups. And then saw them on the Mike Douglas Show, I didnt know white people were allowed to play Chuck Berry. That was that. The Beatles were for the girls but the Stones were for boys.
My goodness - I've been loving the wrong band for fifty years!
Good for you but we all know the Beatles demographic always skewed more female than the Stones. The Stones wrote misogynist tunes that the Beatles never did. The Stones had an edge and then in the UK you had the refrain--
"Would you allow your daughter to marry a Rolling Stone?"
That's an amazing song - great pick. And as the duke said - never apologize - it's a sign of weakness. Rock on.Quote
tommyquinn
There were a lot that I liked before, but it is ROCKS OFF that really did it for me. What an opening track!! It is so perfect, I could listen to it over and over on repeat and never get sick of it.(The Exile version of course, not the abomination on the LIVE LICKS double LP) I still get goosebumps everytime I hear it. And probably will til the day I die. That song cemented my everlasting devotion to the Stones, their music and their live shows. And I even got sucked into the lifestyle for a while, but that is for another thread on another day.
I don't just listen to the Stones, I have a bunch of fave bands, but RS will always be #1. Going to the show tomorrow, just got to Toronto and as excited as can be.
Oops, sorry for "too much detail"... I got excited and my fingers were over-eager. Rock on, guys and gaLS!
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rtr
I bought "England's Newest Hit Makers" when it was released, but it was Around and Around, (also in '64), when I was 11. Actually, pretty much all of "12 X 5" and "Now" started me on the way to being a lifelong fan. I was in the 15th row at the unannounced '78 Ft. Worth, TX show at Will Rogers (tickets were for the London Green Shoed Cowboys)! It was incredible and finished the deal for me. It also made me a huge fan of Keith and Ronnie playing off of each other. (I didn't, and haven't missed M.T. at all)!
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tommyquinn
There were a lot that I liked before, but it is ROCKS OFF that really did it for me. What an opening track!! It is so perfect, I could listen to it over and over on repeat and never get sick of it.(The Exile version of course, not the abomination on the LIVE LICKS double LP) I still get goosebumps everytime I hear it. And probably will til the day I die. That song cemented my everlasting devotion to the Stones, their music and their live shows. And I even got sucked into the lifestyle for a while, but that is for another thread on another day.
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tiffjagger
I guess I've listened to the Stones since birth. Mom saw them in '65 at the San Jose Civic for $2.50. Dad was at Altamont. My parent's album collection stopped at around Satanic Majesties, not sure why. I used to play December's Children and Aftermath over and over by 3rd grade in 1977. I'm guessing "Paint it Black" is what really got me early on as a 9 year old.
Then in '78 we went to my parents friend's party and they had "Some Girls" and I went nuts, loved the whole album. A couple days later my Mom said she was going to the record store to buy that album from the party. I was thrilled until she brought back the "Eagles Greatest Hits". It was then that I realised I was way cooler then my Mom...
I once got in a bidding war with a shirtless scary biker at a flea market over a copy of "Sticky Fingers". I think I was 10 or 11. I won!
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Doxa
Yep, it was a pretty fertile time. What I find cool, or why I was hooked, was that how great the band was at the time, in that context. They were as relevant as any contemporary act at the time. Even though I said TATTOO YOU was "strange music", it was still formally okay. All those albums, SOME GIRLS, EMOTIONAL RESCUE, TATTOO YOU, and STILL LIFE were okay by day's standards, and even to a trained punk eye, which hates all the progressive rock, pseudo-artist, egomaniac solo guitarists, etc. Keith Richards and Ronnie Wood were perfect guitarists for the taste of the age. Keith was THE guitarist then, a real hero.
Funny feature - if I may continue going autobiographical - is that my initial impression in TATTOO YOU was that how "slow" the music was - I was used to more faster, way more faster tempos by then. And it was not the B-side, but A-side as well! But it was the thing called "groove" I wasn't familiar with earlier.
Anyway, for the Finns here, there is a little piece I wrote in Finnish about those times for one Stones happening in 2005. Pitäkää hauskaa!
[takamaapop.org]
I think that was Ronnies gift......he brought in the OTHER black music styles; I don't love disco, but he was funky as hell....good wwith reggae. I am currently wondering if it isn't time to move away from SG and more into "our" period. They have mined SG pretty heavily from NS on. Speaking of funky ronnie, I would trade Dance for Miss You in a heartbeat.
- Doxa