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drewmaster
Gotta agree with some of the less enthusiastic posters here, this is messy and forgettable pop.
Drew
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Silver Dagger
Absolutely brilliant pop song that pre-dates punk and new wave by a good 10 years. This crazy ditty really captures the dizzy spin of what it must have been like trawling the clubs of Carnaby Street-era London with all the debutantes and early groupies trying to capture a pop star.
At the heart of the song is the misogyny that informed much of Aftermath and most of the Stones classic mid-60s singles, Jagger taking a pot shot at the 'debs' trying to make the scene.
And let's not forget the manic sound that Keith cranks out of his guitar, like a speeding sports car careering home in the early hours from some London club.
Fans recently remarked on the new found sense of danger when Mick Taylor rejoined the Stones for Midnight Rambler. Well there's plenty of danger on this track, especially in Keith's up and down guitar that sounds like it could crash and burn at any moment.
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MingSubu
I seem to recall this song in a movie. Am I correct? If so, what movie/movies has this song been in?
Wow.. It does remind me of Exile aside from the louder vocals.Quote
liddas
One of the pillars of my Stones' foundation. The seed of what would be Exile, the sexy chaos - yes the structure and the sound is 60 pop, but r'n'r is about to take over! Boogie bass lines, rock and roll guitar, Keith's bu vocals - A GREAT track!
C
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thabo
Always thought that this song was THE perfect song fitting for a live performance during the 1969 US tour, with the new line-up and new sound with the strong guitar work of Taylor and Keith I could easily imaging it having a heavy rocking live version on "Get Yer Ya-Ya's Out". Somehow the Stones never looked back at "Between the Buttons" and thus missed the obvious potential of this song for the 1969 US tour. It would have rocked the house (Madison Square Garden) without any doubt.
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jjsteve
did anyone see the 1980's movie, "some kind of wonderful".. lead character that lea thompson plays is amanda jones, after this song... the other main charachters are "keith" and the drummer chick "watts"... and there's a cover of miss amanda jones in the movie too...
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marvpeck
I always liked this track.
Simple perhaps but it rocks.
Another great cut on the "Charlie Watts solo LP"
as someone once said.
Never realized that Brian was not on the cut.
Imagine it what it might have been if Brian
had added his color.
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mitchmitchell
Supposedly this was written about one of Brian Jones' girlfriends singer Amanda Lear.
"Although she remained Dalí's confidante, protégée and mistress through the 1960s and 1970s, Lear was also romantically linked to Brian Jones, resulting in the ironic Rolling Stones track "Miss Amanda Jones" on the 1967 album Between the Buttons.
Ironic because Brian isn't even on the track.
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His MajestyQuote
mitchmitchell
Supposedly this was written about one of Brian Jones' girlfriends singer Amanda Lear.
"Although she remained Dalí's confidante, protégée and mistress through the 1960s and 1970s, Lear was also romantically linked to Brian Jones, resulting in the ironic Rolling Stones track "Miss Amanda Jones" on the 1967 album Between the Buttons.
Ironic because Brian isn't even on the track.
Not ironic and not about Amanda Lear.
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thabo
Always thought that this song was THE perfect song fitting for a live performance during the 1969 US tour, with the new line-up and new sound with the strong guitar work of Taylor and Keith I could easily imaging it having a heavy rocking live version on "Get Yer Ya-Ya's Out". Somehow the Stones never looked back at "Between the Buttons" and thus missed the obvious potential of this song for the 1969 US tour. It would have rocked the house (Madison Square Garden) without any doubt.
I don´t think the Stones consider this UK BtB as one of their highlights