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sjs12
Yes, the right hand damping technique is very important, otherwise you will feel like you're in Hawaii! As I say, I play pedal steel which is a different beast, but try using finger picks. Though I suppose it depends on what style you're playing.
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71Tele
I've got a Gibson lap steel and matching BR-9 amp.
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NaturalustQuote
71Tele
I've got a Gibson lap steel and matching BR-9 amp.
Doesn't that guitar have numbers painted on the fretboard in case you forget the positions? lol peace
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71TeleQuote
sjs12
Yes, the right hand damping technique is very important, otherwise you will feel like you're in Hawaii! As I say, I play pedal steel which is a different beast, but try using finger picks. Though I suppose it depends on what style you're playing.
You play pedal steel? My hat is off to you. I always thought you have to be a little deranged to play that beast. Each limb doing something different, plus knee levers, yikes! I had a Sho Bud for years but finally gave up and sold it to keep my sanity intact.
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sjs12Quote
71TeleQuote
sjs12
Yes, the right hand damping technique is very important, otherwise you will feel like you're in Hawaii! As I say, I play pedal steel which is a different beast, but try using finger picks. Though I suppose it depends on what style you're playing.
You play pedal steel? My hat is off to you. I always thought you have to be a little deranged to play that beast. Each limb doing something different, plus knee levers, yikes! I had a Sho Bud for years but finally gave up and sold it to keep my sanity intact.
Yes I am a beast!
Claim to fame was playing for the deadstring brothers on their UK tour a couple of years ago. Since then I've been in demand with us acts touring UK but haven't got the time to do it due to work and there's not enough pedal steel work in the UK to quit the day job
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sjs12
He played an 11 string ZB custom on Torn and Frayed. I believe he had literally just acquired it and reckons he hadn't got the hang of it by the time he did the session. Hence, he had to hang back and play it safe.
[www.alperkinsmusic.com]
For pedal steel, it's not just the tuning that's important, but what we call the copedent! This includes not only the tuning of the strings "at rest" but also the various tuning changes assigned to the different pedals and knee levers.
I play an Emmons pedal steel with E9(chromatic) tuning and a fairly standard copedent. I have bought extra knee levers for experimentation but never got round to it!
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sjs12
He did just before the Exile session. That clip I posted earlier he would be playing an 8 string setup.
And what do you mean E9 was ALL you could manage? Respect yourself!
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Naturalust
Damn that was a real treat! That steel player makes it swing and his tone is fat. Thanks. Good thing there is only 12 notes cause I'm gonna try to cop a few of those licks for myself using a few less strings. peace