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jamesfdouglas
I understand that this will get me lambasted for sure here by many. But we all know how difficult it is being a fan of The Rolling Stones - that's no secret. It's been a frustrating experience being a follower of them for sure. We've all invested our hearts, sweat and tears (and cash) for these guys for decades - that's no secret either.
We also know that some artists are considered 'timeless' due to their legacies. This is always carried over by younger generations, the creme rises to the top. Certain bands/artists have that 'cool' factor that keeps them in the ears and hearts of music fans for future generations. Yong people today STILL love The Beatles, Zeppelin, Pink FLoyd, The Doors, etc. During the youth of Generation X, The Stones were also VERY MUCH part of that elite bunch of classic groups. From what I see (as a musician and DJ), this is no longer the case, and hasn't been at all since the recession.
It's hard for hardcore fans to believe much less accept, but we're the only ones left who remember or care that they were once "The World's Greatest Rock and Roll Band". Today's youth are aware that a) they've been calling themselves that the whole time and b) they exist to be a Cash Cow Band - just like KISS.
The Beatles remain hugely popular, kids today drool over Zeppelin and Floyd as well with religious fervour. I feel that The Stones slipping out of this view is something brought upon themselves. Now since the Stones have sizeable resources, would they be aware of this? Do they sense the scoffing at their ticket prices? Their lack of good material in 30 years?
Their image now, to be frank, is a bunch of old, fruity millionaires who can't stand each other. Older people get off on the ridiculous soap opera, but for the newbie, it's a huge, HUGE turn-off - maybe that's it? Younger fans are choosing to not support a group that has no connection to reality whatsoever.
I'd like to hear some thoughts, especially from those who know what I'm talking about (the hard-cores will offer their Austin Powers "but that's rock and roll baby, yeaaaahhhhh", "Keef is the man, good to be gold rings anywhere" or "Jagger's highly prolific", etc - you can save those; I've heard them all).
Maybe it's a North American thing?
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lem motlow
absolute rubbish.the stones are more highly regarded today than any of those old bands and anyone who doesnt see it just isnt paying attention.
they a constant on the pop culture landscape, whether its keith appearing in the pirate movies and hanging with johnny depp or mick being name checked in multiple popular songs for his "jagger swagger" and bringing down the house at the grammy awards.
i was in a casino in vegas awhile back and they played alot of classic rock songs in the place mixed with todays hits,a sort of something for everybody kinda thing.
around four am people started wandering in from a night at the clubs and at various times i saw three drunk guys in the early 20s standing next to a roulette table singing in unison "i cant get no!! satisfaction!! and later during get off my cloud i looked around and sure enough people young and old singing along.
what DID sound dated and was robert plants shrieks and wails,ahh ahh oooooo. too hippy trippy and it got no reaction.i laughed to myself about that one,thinking about ol robert flipping his hair and posing-really no match for moves like jagger.
record sales mean nothing,people just download individual songs now and all those huge sales numbers put up by those old bands were from years ago.anyone wanna compare BOX OFFICE NUMBERS from the last 20 years?
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jamesfdouglas
I understand that this will get me lambasted for sure here by many. But we all know how difficult it is being a fan of The Rolling Stones - that's no secret. It's been a frustrating experience being a follower of them for sure. We've all invested our hearts, sweat and tears (and cash) for these guys for decades - that's no secret either.
We also know that some artists are considered 'timeless' due to their legacies. This is always carried over by younger generations, the creme rises to the top. Certain bands/artists have that 'cool' factor that keeps them in the ears and hearts of music fans for future generations. Yong people today STILL love The Beatles, Zeppelin, Pink FLoyd, The Doors, etc. During the youth of Generation X, The Stones were also VERY MUCH part of that elite bunch of classic groups. From what I see (as a musician and DJ), this is no longer the case, and hasn't been at all since the recession.
It's hard for hardcore fans to believe much less accept, but we're the only ones left who remember or care that they were once "The World's Greatest Rock and Roll Band". Today's youth are aware that a) they've been calling themselves that the whole time and b) they exist to be a Cash Cow Band - just like KISS.
The Beatles remain hugely popular, kids today drool over Zeppelin and Floyd as well with religious fervour. I feel that The Stones slipping out of this view is something brought upon themselves. Now since the Stones have sizeable resources, would they be aware of this? Do they sense the scoffing at their ticket prices? Their lack of good material in 30 years?
Their image now, to be frank, is a bunch of old, fruity millionaires who can't stand each other. Older people get off on the ridiculous soap opera, but for the newbie, it's a huge, HUGE turn-off - maybe that's it? Younger fans are choosing to not support a group that has no connection to reality whatsoever.
I'd like to hear some thoughts, especially from those who know what I'm talking about (the hard-cores will offer their Austin Powers "but that's rock and roll baby, yeaaaahhhhh", "Keef is the man, good to be gold rings anywhere" or "Jagger's highly prolific", etc - you can save those; I've heard them all).
Maybe it's a North American thing?
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Bliss
Another aspect is the stance they initially took when they started - the rebellious aspect of rock they espoused - is ridiculous when taken by mega-rich men pushing 70.
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slew
The only album that really damages the legacy is Dirty Work and every band has bad albums and as much as I don't like DW some bands would love to have that one in their own catalog. ABB did nothing to hurt the legacy I like it it's the most listenable album of the last 25 years at least to my ears.
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slew
The only album that really damages the legacy is Dirty Work and every band has bad albums and as much as I don't like DW some bands would love to have that one in their own catalog. ABB did nothing to hurt the legacy I like it it's the most listenable album of the last 25 years at least to my ears.
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BlissQuote
slew
The only album that really damages the legacy is Dirty Work and every band has bad albums and as much as I don't like DW some bands would love to have that one in their own catalog. ABB did nothing to hurt the legacy I like it it's the most listenable album of the last 25 years at least to my ears.
...Whereas a black blues guy can sing the same blues at 70 with the same authenticity as at 25, provided he hasn't become a fat cat multimillionaire in the intervening years.
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BlissQuote
slew
The only album that really damages the legacy is Dirty Work and every band has bad albums and as much as I don't like DW some bands would love to have that one in their own catalog. ABB did nothing to hurt the legacy I like it it's the most listenable album of the last 25 years at least to my ears.
C'mon.....lyrics like 'I was awful bad/awful sad' etc are just appalling. Compare them to the imagery created in SFTD, Midnight Rambler, etc.
I wasn't referring to their flirtation with devil worship; it was the aggressive sexuality and revolt against the constraints of bourgeois society in their lyrics that is truly incongruous with their current status. Whereas a black blues guy can sing the same blues at 70 with the same authenticity as at 25, provided he hasn't become a fat cat multimillionaire in the intervening years.
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treaclefingers
You point to some 'awful bad' lyrics Bliss, but so what does that prove?
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BlissQuote
treaclefingers
You point to some 'awful bad' lyrics Bliss, but so what does that prove?
It proves my point that ABB damaged their legacy because it was so far below the standard of their earlier work.
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treaclefingersQuote
BlissQuote
treaclefingers
You point to some 'awful bad' lyrics Bliss, but so what does that prove?
It proves my point that ABB damaged their legacy because it was so far below the standard of their earlier work.
hardly 'proof' of anything.
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BlissQuote
treaclefingersQuote
BlissQuote
treaclefingers
You point to some 'awful bad' lyrics Bliss, but so what does that prove?
It proves my point that ABB damaged their legacy because it was so far below the standard of their earlier work.
hardly 'proof' of anything.
Really? Are you saying that ABB enhanced their reputation, made them even bigger stars?
If someone had never heard their earlier work, only ABB, would they be impressed?
Would they think this is the greatest band in the history of rock music?
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BlissQuote
treaclefingers
You point to some 'awful bad' lyrics Bliss, but so what does that prove?
It proves my point that ABB damaged their legacy because it was so far below the standard of their earlier work.
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Bliss
TF, I really don't know why I am not succeeding in making my very simple point - that, in my opinion, ABB should not have been released because of its' noticeably poor quality relative to the RS' earlier work. To me, even more than Dirty Work, in terms of their studio releases, it is the low point in their career.
It will not sink their legacy - their solid 50 year body of work will see to that - but it does diminish it, because by comparison to their earlier work, it emphasises the degree to which their abilities have evidently declined. I find it hard to understand, because Mick and Keith are such seasoned composers and lyricists. Surely they do not think awful sad/awful bad is an example of great lyric writing.
But if anyone enjoys ABB, that's fine with me. As someone else would say - peace