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Stoneage
68-72 is it. Everything else is before or after.
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MileHigh
In another thread about the Stones as a business they talk about them reinventing themselves over and over. So for fun I thought that I would give you my take on the different Stones eras or phases, whatever you want to call it. I am splitting them into perhaps more phases than normal, call it at a finer resolution. Naturally there are no hard dividing lines, there is a certain amount of blending here and there. I also decided to leave out personnel changes, and focus more on the vibe and the feel and the music to define the eras.
Stones Eras V1.0
Early Blues Cover Stones
Swinging London Pop Stones
Psychedelic Stones
Return to Rock Roots Stones
Mid Seventies Malaise Stones
Some Girls Rebirth Stones
Mid-Eighties Nadir Stones
Vegas Stones
Last Hurrah Guitar Stones
MileHigh
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marcovandereijk
I think from Jumpin' Jack Flash onwards, they were very much relying on their own skills
for a while. Maybe that makes the albums from Beggar's Banquet unto Exile on Main St
so special to many of us. These albums were probably not as much influenced by what
happened around them, but on their own ideas. To me, that's the third era of the band.
Don't know how to call it, but during these years they were creative as hell.
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DandelionPowderman
We shouldn't forget that the «pop era» is loaded with rhythm and blues tracks as well. For instance, on Aftermath we got It's Not Easy, Flight 505, Doncha Bother Me, Going Home, High And Dry and Stupid Girl – all r&b/country tracks.
That's nearly half of the album.
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Stoneage
68-72 is it. Everything else is before or after.
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matxilQuote
DandelionPowderman
We shouldn't forget that the «pop era» is loaded with rhythm and blues tracks as well. For instance, on Aftermath we got It's Not Easy, Flight 505, Doncha Bother Me, Going Home, High And Dry and Stupid Girl – all r&b/country tracks.
That's nearly half of the album.
That's why I like Aftermath a lot more than Between The Buttons.
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Stoneage
68-72 is it. Everything else is before or after.
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Stoneage
68-72 is it. Everything else is before or after.
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powerage78Quote
Stoneage
68-72 is it. Everything else is before or after.
1968-1974
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DandelionPowdermanQuote
powerage78Quote
Stoneage
68-72 is it. Everything else is before or after.
1968-1974
What was different in 1976?
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matxilQuote
MileHigh
In another thread about the Stones as a business they talk about them reinventing themselves over and over. So for fun I thought that I would give you my take on the different Stones eras or phases, whatever you want to call it. I am splitting them into perhaps more phases than normal, call it at a finer resolution. Naturally there are no hard dividing lines, there is a certain amount of blending here and there. I also decided to leave out personnel changes, and focus more on the vibe and the feel and the music to define the eras.
Stones Eras V1.0
Early Blues Cover Stones
Swinging London Pop Stones
Psychedelic Stones
Return to Rock Roots Stones
Mid Seventies Malaise Stones
Some Girls Rebirth Stones
Mid-Eighties Nadir Stones
Vegas Stones
Last Hurrah Guitar Stones
MileHigh
I like this overview, and I think it's very accurate. The only part I don't really understand is the "Last Hurrah" part. When does that start and what does it consist of?
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Stoneage
68-72 is it. Everything else is before or after.
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68to72Quote
Stoneage
68-72 is it. Everything else is before or after.
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camper88
Loosely speaking I think the eras look a bit like this:
1. Experimental (1962-68) Formative Stage
-- Significant imitation of influencers (Berry, Waters, Reed, etc.)
-- Working across numerous styles (blues, R&B, pop, folk, psychedelic)
-- inconsistent or limited signature elements (riff, weave, arrangement, etc)
-- Relative to later work naive, not overtly self-aware or self-referential
2. Classic (1968-72) At their Peak
-- Consistent use of supporting musicians and production (Hopkins, Keys, Miller)
-- Nearly singular focus on core genre or sui generis material (blues-based rock n'roll)
-- Authentic and vibrantly elevated themes and expression
-- Significant consistency of style identifiable by fans and non-fans alike
3. Revisionist(1973-78) Questioning Tradition
-- Playful, sometimes cynical, sometimes tired reinterpretation of style (Silver Train)
-- Increasingly self-reflexive, self-obsessed lyrical focus (StarF*kr)
-- Near exhaustion of classic genres (blues based rock 'n roll) leading to new genres attempted through their own style (reggae, new wave, punk, etc).
-- Potential for vital reinvention through new styles (Some Girls)
4. Baroque (1979-Present) Parody of what was
-- Exaggerated forms, expression, and staging
-- Self-parody, self-importance, and some self-denigration
-- Nostalgia that combines legitimate feelings of loss and crass commercialism
-- Icon status ironically combined with has-been status (Sir Mick)
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slewan
very precise! Only two additions:
2.era => Mick Taylor (kind of blood transfusion/best guitarist the Stones ever had – at least from a technical point of view)