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Doxa
Thanks kleermaker for that youtube interview!
Some interesting points there. The first time I hear him saying he had "always liked" them and speaking of their early blues-cover period. That is nice to hear. It is also highly interesting the way he says how much he learned of "different aspects of music and or recording" during his time with The Stones. It could be very well that he really was an amateur as far as making records go. He basically was a live musician, and the experiences he had with Mayall in a studio, might not have helped much. I guess those sessions were, like most blues recordings, just one take live at the studio kind of things. And this might the reason reason why Keith once claimed that Taylor is "useless in studio". He surely wasn't accustomed to the nerve-taking waiting to get the 'right' feel or the sound or the take The Stones, especially Keith, were accustomed at those times. This is also something to do with him finding them being such a sloppy band but still making wonderful records. The way The Stones worked surely was a new world for him.
When Taylor says that Mick and Keith had an unique way to write, I think he also refers - not just to blues origins - to the recording techniques. They all seemed to go hand in hand in those days. Rememer, Keith saw his profession primaly as "making records" at the time and that was a big and long process. It started perhaps from listening authentic blues and c&w, making guitar experiments, song sketches, then arranging, changing, deveoloping them in the studio, and ending up mixing the stuff, etc. This method - that also included the pleasure and privilege to spend a lot of useless hours in the expensive studio - to work surely was news to Taylor at the time. He was wittnessing Mick and Keith in their creative peak - a peak that was partly only possible having the luxury of the status and the means they had at the time. I'm with teh poster who says that any capable blues guitarist at the time could have done the contribution he did in most of the classical pieces the Stones were then producing, such as "Honky Tonk Women", "Brown Sugar", etc. All in all, the quality of the golden period from BEGGARS to EXILE does not change whoever the 'fifth' Stone in studio is. As far as the standard of quality goes one can not even notice the band changing one member.
Like Keith, I would say that the true Mick Taylor contribution, his greatness and especially uniqueness as a guitar player is to be heard live. That's was the realm where Taylor's importance and great musicianship was really shown to the Stones sound. But this does not mean that I claim that Taylor was not significiant in studio as well, of course he was - but the difference of his role within the band and making contribution to their sound was such a huge one between studio and live. One can listen almost any studio version of the song and compare it to its live version to see it. But of course, this has much to do the band thinking the songs with a different approach when recorded in studio and when played live - even though those two aspects came closer each other as the years go by.
But I am sure that ever pragmatic Jagger loved the way Taylor worked not just on stage but in studio as well. Namely, as some technician once has said, Taylor always did his part just in one or two takes. He was very quick and didn't make mistakes. A pro guy.
- Doxa
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loog droog
The thing that I always wonder is, if Mick T. hadn't left when he did (just as the band was about to start sessions for the next album) and the Stones didn't have to go through the whole audition-a-new-guitarist scene, would the record that became Black and Blue have been completed and released before the '75 tour, since they usually hit the road with new product?
I think it would have really changed the dynamic of the '75 shows to have heard "Hot Stuff" (or maybe "Worried About You" ) a year (or six) earlier.
Perhaps with Taylor they would have even played "Time Waits For No One" which got a lot of airplay on the FM Rock stations when IORR came out.
As far as his regrets, it has to be said that no one, I mean NO ONE back then ever imagined that the Stones would be Rolling this long, and that there could be another tour in 2011. That would have been dismissed as a joke, something impossible.
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His Majesty
Leaving the band was the right thing to do for a number of reasons, staying alive being one. That's good survival instincts.
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Shawn20
Taylor was probably bored with the Stones - however, Jagger stated Taylor would have had the time to pursue solo interests. He didn't have to quit to indulge his expanding tastes. Taylor might not regret it, but I do. Ronnie Wood may have helped the Stones with his amiable nature and his what me worry attitude, but he left his guitar skills at the door. Wood defenders will point to his guitar work on the 78 and 81 tours, but I think he hit his Rolling Stones' stride with the 89 tour.
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Shawn20
Taylor was probably bored with the Stones - however, Jagger stated Taylor would have had the time to pursue solo interests. He didn't have to quit to indulge his expanding tastes. Taylor might not regret it, but I do. Ronnie Wood may have helped the Stones with his amiable nature and his what me worry attitude, but he left his guitar skills at the door. Wood defenders will point to his guitar work on the 78 and 81 tours, but I think he hit his Rolling Stones' stride with the 89 tour.
In 81 Ronnie was fooling around on-stage drunk. If I remember well Mick was almost ready to kick him out.
I feel the same way, AND Keith was very, very good on this tour too still. Sure the sound was glossier, but the actual playing was very, very cool. Their guitars still had the power to excite 1n 89/90.Quote
Shawn20
...but I think he hit his Rolling Stones' stride with the 89 tour.
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riverrat
I'm sure it saved his life. The drugs were in such heavy use and musicians were dropping like flies back then. He could have been the next casualty.
He probably felt like an outsider in the Stones and didn't make a "love connection" with Keith, who can make anyone's life miserable if he's not FOR you. I think MJ appreciated his talent and contributions, and he's the one who said how quickly and easily MT's recording on Plundered My Soul went in the studio.
MT's a more intellectual blues musician, as he said in his interview, and the Stones just fly by the seat of their pants and feel the music and do retakes ad infinitum, trial and error, until they find what they're looking for. Maybe that style of song writing and recording drove Mick nuts. Obviously, he wasn't happy. But then again, has he been happy since?? We all have to live and learn. At least he's alive. He has certainly left a legacy. I believe he did what he felt he had to do at that time. God bless him to find Peace in HIS soul.
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His Majesty
Leaving the band was the right thing to do for a number of reasons, staying alive being one. That's good survival instincts.
You should read Jack Bruce,"composing himself",chapter 11.
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Mathijs
"Sure I've could have done some solo projects aside the Stones, you know, like Bill Wyman did, and like Wood did, and Richards did, and Jagger did, And even Watts did. Oh yeah, even Hopkins did, and Keys did, and MacLagan did. What the hell, even Ian Stewart did solo projects! I could have made some albums, do some guest spots, and in the meantime earn three hundred million dollars with the Stones. Instead I choose to have no carreer at all, sit on the couch and indulge in drugs and alcohol, then do some tour with Dylan, and then sit on the couch again, do lots more drugs and indulge in kentucky Fried Chicken. Now I do my solo show, singing and playing the same lame 10 songs since 1992".
- Mick Taylor, 20111.
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mitchflorida
The Mick Taylor who existed in 1974 is long gone . and he isn't coming back again.
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Shawn20
Taylor was probably bored with the Stones - however, Jagger stated Taylor would have had the time to pursue solo interests. He didn't have to quit to indulge his expanding tastes. Taylor might not regret it, but I do. Ronnie Wood may have helped the Stones with his amiable nature and his what me worry attitude, but he left his guitar skills at the door. Wood defenders will point to his guitar work on the 78 and 81 tours, but I think he hit his Rolling Stones' stride with the 89 tour.
In 81 Ronnie was fooling around on-stage drunk. If I remember well Mick was almost ready to kick him out.
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His Majesty
Stu has said he had Ronnie in mind as a replacement for Brian circa May 1969, but I think he said that after Ronnie was a member.
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His Majesty
Stu has said he had Ronnie in mind as a replacement for Brian circa May 1969, but I think he said that after Ronnie was a member.
As Wood states it, Stu called the studio where The Small Faces where rehearsing to ask if Ronnie would join the Stones. They answered that Ronnie Lane would not leave the Small Faces.
It sounds unbelievable as Lane wasn't a pro guitarist.
Mathijs
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His Majesty
Stu has said he had Ronnie in mind as a replacement for Brian circa May 1969, but I think he said that after Ronnie was a member.
As Wood states it, Stu called the studio where The Small Faces where rehearsing to ask if Ronnie would join the Stones. They answered that Ronnie Lane would not leave the Small Faces.
It sounds unbelievable as Lane wasn't a pro guitarist.
Mathijs