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Beelyboy
he's owed respect (and i suppose some mechanical royalties etc...)
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Beelyboy
he's owed respect (and i suppose some mechanical royalties etc...)
Some royalties ? Ever tried to calculate how much the Stones got paid in "transfer sums" since 1981 every time they changed record labels ? Technically speaking, Mick T is entitled to a percentage of those payments - namely
1/5 X tracks he played on / total tracks in the Stones catalogue (at the time of switching labels)
How much do you think that amounts to ?
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HelterSkelter
Hi, greetings from sunny LA.... Mick's over here right now, we're outside playing a game of tennis in the warm sun - Eric and Rod and Vedder are hanging out too. Mick read your post and agree's to all of it, so, no worries, your message has gotten through..... sorry man, gotta go back out and finish the game. We have some extra people here so the BBQ and Sangria are next, then everyone gets nekked and jumps in the pool - some of the babes have excellent racks, should be a sight for sore eyes....
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Rockman
some of the babes have excellent racks, should be a sight for sore eyes....
Hope ya havin' a goooooood time Helter ...........
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duke richardson
Mick Taylor has already achieved artistic validation that will last forever. Like Beelyboy says, his contributions to the 'golden' era assure him a prominent permanent reputation.
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Lightnin'
Stonewashed, it's okay if you don't get it but MT was not a hired hand. He was one of 5 directors in all the companies they founded, including Rolling Stones Records.
Why do you think musicians that are full bandmembers are not getting paid artist royalties ?
Every time the Red Hot Chili Peppers release an album the bandmembers get an equal share of the artist royalties, which in their case is the percentage negotiated with the record company when they signed. (This percentage will range from 9-13% for a new artist, but a superstar might be able to demand 20% from their major label). If their bassplayer Flea leaves tomorrow you think he won't get paid anymore for the albums that will continue to be sold all around the world ?
Even if he had never been given any credit as a composer he would still be entitled to royalties (just not to publishing royalties).
In the case of the Stones - they were their own recordcompany which means they get all the profit, not just a measly percentage. When they decided to take control of their business in 1970, the way they were going to split the proceeds was all set out in extensive legal documents. It was agreed that each bandmember receives a 1/5 share from each subcompany. The only exception is publishing royalties (which go to Jagger/Richards) - in UK this is 8,5 % of the publisher dealer price (PDP) of each copy pressed. After this is taken care of and the production costs, packaging etc is paid for the rest is profit. So Mick T is entitled to 1/5 of that over all the records he played on.
I don't know what you mean by "inventor rights", that is not a term that is used in royalty computations.
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Lightnin'
Because they told their accountants in 1981 to stop paying out his share of the recordsales (over the albums he was involved in). And it is true. It is one of the biggest scandals in the history of popular music. Mick T has been far too much of a gentleman about the apalling treatment he received.
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stoneswashed77
if all that was true, why is he not getting 1/5th ???????????????????
just because you play an instrument on a recording doesn´t mean you own that recording. if he would own what he played he would get the money and we wouldn´t have to talk about it.
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stoneswashed77
if all that was true, why is he not getting 1/5th ???????????????????
just because you play an instrument on a recording doesn´t mean you own that recording. if he would own what he played he would get the money and we wouldn´t have to talk about it.
The term own is relative when you work with a band of five. Each bandmember co-owns the copyright in the recording. The authors of the song own the copyright in the composition.
Mick T did not just play an instrument on a recording. He was not a session musician that was hired for the day.
He had exactly the same rights as MJ, KR, CW and BW when it comes to their companies and the profit generated. All of this was officially agreed on, documented and notarised etc.
If this is a new concept that you are trying to get your head around after having believed for years MT has no rights and was paid a salary or something, I can appreciate it is mind boggling.
The label the records were released on was called Rolling Stones Records - which he owned with the other four guys.
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duke richardson
Mick Taylor has already achieved artistic validation that will last forever. Like Beelyboy says, his contributions to the 'golden' era assure him a prominent permanent reputation.
That's all very well (and I agree with you) but he can't put any of that in the bank. Everlasting artistic validation does not pay the bills unfortunately. After helping to create some of the band's best records he should at least be financially secure and not be forced to do tours just to make ends meet. It's outrageous that he doesn't stand to earn a penny from the upcoming reissue of Exile for example.
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stoneswashed77
i don´think this is the biggest scandal ever. it happened and still happens every day. the role of mick taylor is more or less being a session musician.
nicky hopkins for example in my eyes would by your logic deserve a lot more than mick taylor.