A nice review - from The Hackney Gazette (haven't you heard of them?)
Date: April 14, 2008 09:29
The Rolling Stones
Shine A Light (12A)
"MY luck hasn't run out I guess," beams Keith Richards when asked the question he always get asked in the new Stones documentary - just how does he keeps going?
The 64-year-old guitarist adds with a smile: "The trick is not to keep asking how you do it, but just to keep doing it."
Anyone who sees Shine a Light, by Martin Scorsese, would not begrudge Richards playing on beyond pension age.
Of course, the band's years are given away by their wrinkled, weather-beaten faces and the manner in which white-haired drummer, Charlie Watts, is occasionally spotted gasping for breath.
But their driving rock and ramshackle blues sounds so good you could be forgiven for thinking it's their 1970s' heyday.
It was filmed over two nights at the intimate Beacon Theatre in New York in 2006, with Scorsese putting together an all-star crew of cinematographers to capture the band's raw energy.
The cameras come at the Stones from every possible angle, swooping in and out on Mick Jagger and capturing every jolt and jerk of his performance.
Scorsese has worked with some testing characters during his career, perhaps none more so than the Stones.
At the start of the film, we see footage of a beleaguered Scorsese struggling to get hold of the band's set-list.
Half an hour before the Stones goes on stage, the diminutive director is pacing around like a tetchy Woody Allen.
"I would really like to know what the first song is going to be, that's all I'm asking," he says.
The band, ever the jokers, succumb by handing Scorsese a sheet of paper with just minutes to go.
The lights go on, the cameras whirr and the band break into a raucous Jumpin' Jack Flash.
So begins a rapturous hour-and-a-half journey through the rock, blues and country of the Stones' bulging back catalogue.
Jagger is joined by a string of guests, including a clearly blown away Jack White, of White Stripes fame, on Loving Cup.
He twists and preens around blonde bombshell Christina Aguilera for Live With Me and duets with blues legend Buddy Guy on the Muddy Waters song, Reefer & Champagne.
"Keef", who looks like a gypsy Grim Reaper in lashings of mascara, glittery black bandana and earrings, looks delighted to get a stab at singing two songs himself.
Afterwards, Jagger emerges from the back of the auditorium chanting "Hoo-hoo, hoo-hoo" - cue a magnificent Sympathy for the Devil and an encore of crowd-pleasers, Brown Sugar, Satisfaction and Start It Up.
After the gig, Scorsese pans the camera back out of the concert hall and over the New York skyline.
Backstage Richards gazes across at bassist Ronnie Wood, who looks about a decade younger than him with fashionable indie hair-do.
"I am starting to wear him out," he laughs.
Stones' fans will adore Shine a Light - all the better if you can catch it at the huge screen at the IMAX cinema in the South Bank.
BY PETER SHERLOCK.