New Bo Diddley box - get it while you can
Date: November 2, 2007 00:38
I know I'm not the only fan on this board, but here's my spiel anyway: As the greatest innovator from rock 'n' roll's first generation, Mr Diddley emphasized his own endlessly flexible and visionary concept of rhythm over melody - rooted in a variety of influences but striving for, resulting in what he proudly called "Jungle Music" - the sizzle of Jerome's maracas high in the mix, reverb, tom-toms and snares minus much in the way of cymbals, chugging, crunchy, piercing, anarchic guitars - a decade before James Brown. He and his great bands - including, almost unheard of in the '50s and early 60s, women guitar players plus the cream of Chess regulars - achieved a raw power and exitement the Stones fell in love with, and that is to this day part of their aesthetic. Rock 'n' roll is unimagineable without his influence, from the Yardbirds and Pretties and all the great '60s Brit bands, not to mention everyone else from Creedence to the Dolls to the White Stripes. Yet his 75th birthday went by without notice, never mind a reissue campaign, as did the 50th anniversary of his debut. Hell even Chuck took time off from watching home videos of women defecating to be feted on the boig screen when he turned 60. Bo? Only 1 - ONE!! - of the 12 or 14 Checker studio albums released during his fat years (1955 - 66) has been remastered for release in his home country since the thin, harsh early days of digital 20 years ago (the Chess Box of '90 is sonically lacking but worth it anyway for the revelatory essay by Robert Palmer)...The more recent 20-track comp sounds great but is hardly generous at under an hour. So I heartily recommend Hip-O's "I'm A Man" set, the complete studio recordings covering 1955 - 58, including amazing alternates (2 never-released versions of 'Bo Diddley' itself, each a sonic firecracker, and each very different from the hit AND each other) and rarities. Grunge godfather, crawdad of funk, and never tamed, Bo's work on this limited edition will give me years of pleasure. BUT, when I wrote Andy McKaie, who produced this set, about plans for subsequent volumes, he told me he's already outlined the second one for '08, but its release depends on how well this one sells...I'm telling everyone I can to get this, and play it loud. I like to share my enthusiasms but I'm also selfish enough to want "I'm A Man" to be the first in a series that treats - packaging, sound, annotation, aura of Major Event - Bo's body of work with the care it deserves, and that I can listen to. And thanks ROCKMAN as always for scanning the cover in a thread the other day.