Quoteelmod A friend of mine bought this recording years ago, also on ebay, for a lot of money. It is about “Leeds”. The money was transferred back. Thanks for clearing that up again, as I clearly missed it when you reported this years ago.
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A reel-to-reel tape purportedly of one of the Newcastle 1971 shows sold in 2017. Has anyone heard anything of this reel? Has any of this stuff surfaced? 1971 Rolling Stones Newcastle Reel-to-Reel Tape Sale
Forum: Tell Me

Quotesnoopy2 I get "bad gateway" on Tell Me Forum sometimes, come back later and it's fine. Live in Southeastern U.S. I, too, am in SE US, and I get "bad gateway" on occasion.
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Was the authenticity of this ever verified? Has anything off of it surfaced? 1971 Rolling Stones Newcastle Reel-to-Reel Tape Sale
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I missed this. I'd be ever grateful would someone re-post, please! Many thanks!
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Hey Y'all! A few of you herein know I collect Rolling Stones' records. I am presently ISO Stones' (and maybe others') TMOQ or K&S 1970s era bootleg LPs, preferably colored or splattered wax, but black wax, too. If you have any titles available, I am interested! Please email me cjs@ggsattorney
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I first spun this amazing song in 1978 when I bought the US Shattered 45. I have long thought this should have been on Some Girls in lieu of Lies, but it is still an amazing B-side and next to the 8:36 Miss You my favorite track from Some Girls.
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Thank you so much!
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QuoteRnT Great article in the Washington Post about Wolf's new book. cannot access due to paywall
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this is tragic, because he was among the best rhythm and jive players that has ever been. Get better, Brian!
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Many thanks!
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Quotewiredallnight Both the Rattlesnake box and Work Sucks are only loud and compressed and have no dynamics. If you like that - OK, but not my cup of tea. (That's the way music usually is today, so maybe you're used to it.) The Philadelphia Specials (both old vinyl and TSP) are much better. Take a look at the waveforms if you don't believe it. I recommend a quiet song like Love In
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QuoteLiveAtHidepark Quotestonesstein QuoteLiveAtHidepark Again: RSVP ? OOPS! Good catch! My mistake in getting acronyms mixed up. Click on the Discogs link to see that I was referring to the RSGL acronym which appears in the matrix of the LPs' dead wax. Thanks so much to you for pointing out my mistake! Definitely Not on label with RSGL- matrix! exact matrix : (RSGL 72-A
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Thank you for sharing!
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for those looking for a download of the Work Sucks 8 CD set of the 1972 STP Tour with the Philadelphia Special tracks, I think this link will enable y'all to download it (or get you to where you can): Works Sucks, Let's Go on Tour - Guitars 101 Download
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QuoteLiveAtHidepark Quotestonesstein QuoteLiveAtHidepark Quotestonesstein For starters, check out Discogs: Philadelphia Special - Discogs the best and cleanest presentation of the music has always been the original RSVP 2LP vinyl release from 1985. Digitally, the best has always been the elusive "Work Sucks, Let's Go On Tour" 8CD rework of the glamourous (but sonically sh!te
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QuoteMathijs Quotestonesstein Digitally, the best has always been the elusive "Work Sucks, Let's Go On Tour" 8CD rework of the glamourous (but sonically sh!te) Rattlesnake 7CD Box Set from the 1972 Tour. What? The Rattlesnake box was made from a very early generation tape and was sonically the absolutely best available at the time. I know, because the tapes were mine. Ma
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Quotedph The first release of the '72 soundboard recordings were US vinyl bootlegs on the RSVP label: "Mick Taylor We Miss You" and "Jack Daniel's On Tour." The West German "Philadelphia Special" 2 LP set sounds better than either of those. Not sure if they had better tapes or a better record pressing. Maybe both. I couldn't agree more. Those ti
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QuoteLiveAtHidepark Quotestonesstein For starters, check out Discogs: Philadelphia Special - Discogs the best and cleanest presentation of the music has always been the original RSVP 2LP vinyl release from 1985. Digitally, the best has always been the elusive "Work Sucks, Let's Go On Tour" 8CD rework of the glamourous (but sonically sh!te) Rattlesnake 7CD Box Set from the 19
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For starters, check out Discogs: Philadelphia Special - Discogs the best and cleanest presentation of the music has always been the original RSVP 2LP vinyl release from 1985. Digitally, the best has always been the elusive "Work Sucks, Let's Go On Tour" 8CD rework of the glamourous (but sonically sh!te) Rattlesnake 7CD Box Set from the 1972 Tour. Hope this helps!
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Quotemariano wt please .. thank you in advance !! m Yes! and thank you again in advance!
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OK, I'll bite at a concept I've thought about over & over for eons. Longest (known) set list is 28 songs (Knebworth or 1981 Tour?), so I'll use 3 songs (this is my ULTIMATE gig, so I can get 2 more songs, right?): 1. Jumpin Jack Flash (Leeds, 1971) 2. Start Me Up (Still Life 1981) 3. Tumbling Dice (L&G, 1972) 4. Let's Spend the Night Together (Hampton 1981)
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Capt. Acid - We all owe you for all you do for all of us! Many thanks for all past and thanks in advance for all to come! Brilliant 2025 to you!
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Would really dig it if someone herein could post a picture of the old rare Broadway LP boot cover & label! Thanks in advance!
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Quotegotdablouse - Automatic Charger was an acetate prepared for Let it Bleed before the LA sessions, with Sister Morphine and Loving Cup but without You Can't Always Get. I'm surprised that acetate has never leaked ? There is an acetate out there that has these tracks and no YCAGWYW. Popsike - Let It Bleed acetate - 2006
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Thank you!
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QuoteStoneZP Previously Posted by: CaptainAcid () Date: November 23, 2024 18:23 Thanks!
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Capt, thanks for your generosity! Could anyone who has downloaded this be so kind as to upload it to We Transfer and post a link? Thanks in advance!
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QuoteStonyRoad Ronald Starcjewski comments: …. From Muscle Shoals 12/3/69. They took a short break while Keith and Mick played around with the arrangement, but only made a couple of small changes. This was the next take after the break. There are two sources for the recordings at Muscle Shoals. Stanley Booth, using a portable tape recorder, made recordings all three nights. The Maysles were o
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