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maidenlane
Hadn't the RS had just begun to move forward without him (unwillingly leaving behind a giant chunk of the artistic and monetary rights to everything they had done in their career up to the point of Brown Sugar)?
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maidenlane
Hadn't the RS had just begun to move forward without him (unwillingly leaving behind a giant chunk of the artistic and monetary rights to everything they had done in their career up to the point of Brown Sugar)?
Every time I'm reminded of this I get so mad.
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loog droog
Leon Russell said shortly afterwards that his original idea was for Mick to make an appearance during his "Jumpin'Jack Flash/Youngblood" medley, where Mick would suddenly jump over the amps and surprise everyone by singing along on JJF when it is performed a second at the end.
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loog droog
Leon Russell said shortly afterwards that his original idea was for Mick to make an appearance during his "Jumpin'Jack Flash/Youngblood" medley, where Mick would suddenly jump over the amps and surprise everyone by singing along on JJF when it is performed a second at the end.
That would have been so epic. I can't imagine it but it would have been insane.
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windmelody
Unfortunately I cannot answer the question why the Stones did not play at the concert for Bangladesh. All I can say is, if I remember correctly, that Apu Nahasapeemapetilon, a character in "The Simpsons", has an album called "The concert against Bangladesh" in his record collection.
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Mr. Jimi
August, 1971 Concert for Bangladesh- Madison Square Garden.
According to Peter Doggett in his book, You Never Give Me Your Money (The Beatles after the Breakup), in Chapter 5, the Rolling Stones and Crosby, Stills, and Nash were invited to play the concert and then disinvited?!?!
A simple Google search gives the answer that Jagger was worried that the band would be arrested in England after they left for France. Not sure what the truth is . . . Anyone have any insight?
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Mr. Jimi
did the Stones have to travel from France to England before going to New York?
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Mr. Jimi
Just fun to speculate.
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georgemcdonnell314
Didn't they do a benefit for Nicaragua?
I know I have a bootleg of this from 73.
The Stones did not play together at Live Aid. Bill stated in his book "The band mutually agreed not to play"
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maidenlane
Wasn't Allen Klein central to the Concert for Bangladesh?
Hadn't the RS had just begun to move forward without him (unwillingly leaving behind a giant chunk of the artistic and monetary rights to everything they had done in their career up to the point of Brown Sugar)?
And left England for tax exile because he hadn't paid their taxes for them?
Or maybe it was all just about a Stones versus Beatles rivalry?
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GasLightStreet
Quite strange - all they had to do were new recordings.
That's how you know EOMS was not only recorded in France.
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Doxa
Seemingly there was at a certain point a phone call made by George to Mick in France and no matter what was the reason Mick declined or how much there was a hippie brotherhood between him and George, I think there was no way in million years to surpass an obstacle called Allan Klein (George's manager and thereby organizer of the event).
Stuff from WikiPedia:
Klein hustled to get the invited artists, including Bob Dylan and Eric Clapton, to play for free while donating their shares of royalties to charity, and convinced Capitol Records to grant an unprecedented 50% royalty rate.
Oh yeah, imaging the scenario of this dude trying to hustle with Mick to play for free after having screwed him big time moneywise and stealing his songs... oh yeah...
And Klein not being Klein unless:
Most importantly, Klein had failed to register the event as a UNICEF benefit beforehand, and it was subsequently denied tax-exempt status by the US Government. As a result, most of the money was held in an Internal Revenue Service escrow account for ten years. In an interview with Derek Taylor for his autobiography in the late 1970s, Harrison put this figure at between $8 million and $10 million. Before then, in early 1972, New York magazine reported that some of the proceeds remained unaccounted for and had found their way into Klein's accounts. Klein responded by suing the magazine for $150 million in damages, and although the suit was later withdrawn, the accusations attracted unwelcome scrutiny at a time when questions were also being asked about Klein's mismanagement of the Beatles' finances.He also managed San Cooke’s song catalog
- Doxa
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retired_dog
Whenever discussions here revolve around "copyrights" the same people always confuse songwriting/publishing rights with neighboring rights (rights in sound recordings, rights of the performing artists) which are two entirely different legal subjects. GasLightStreet is usually amongst them, no matter how often the difference is explained here...
So for what it's worth, maidenlane is right.
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Rocky Dijon
ABKCO controls the publishing rights to all the songs on STICKY FINGERS (except "You Gotta Move") and several songs on EXILE that were listed with the copyright office prior to October 1970. The rights to the album are controlled by Promotone, but the ABKCO settlement allows for approved tracks to appear on compilations (HOT ROCKS, ROLLED GOLD, THE LONDON YEARS, FORTY LICKS Disc One, and SINGLES 1968-1971). Its worth noting ABKCO encountered no difficulty including STICKY FINGERS outtakes on METAMORPHOSIS either. "@#$%& Blues" was also included in early pressings of THE REST OF THE BEST box set through the ABKCO settlement as well.