Review: Rolling Stones dazzle at ‘Hackney Diamonds’ Bay Area concertBy Todd Inoue
July 18, 2024
Scott Strazzante/The Chronicle
Among his prodigious gifts and talents, Mick Jagger has a sharp olfactory memory for an 80-year-old.
While addressing a crowd of more than 50,000 at Levi’s Stadium in Santa Clara during the Rolling Stones’ one-night stop on Wednesday, July 17, the frontman reminisced about the band’s initial impressions of the Bay Area, flashing back to when they performed at the Cow Palace in Daly City in the mid-’60s.
“I can still smell it,” he quipped.
From young kids with ear protection to silver-haired boomers in faded tour shirts emblazoned with the iconic lips and tongue logo, every person strolling through the home of the San Francisco 49ers carried a memory of when they were first introduced to the Stones. A rare few watched the group on black-and-white television screens. For others, it was through terrestrial radio, MTV, commercials,movie soundtracks, even a software product launch.
The Stones’ swaggering bad boy rock ’n’ roll — a blueprint for the British Invasion — has 62 years of entry points. Their energizing and entertaining two-hour concert showed how they coalesce to create fresh memories and connections.
Following an upbeat opening set from Toronto indie rockers the Beaches, the Rock & Roll Hall of Famers took the stage a little after 8:45 p.m., opening with the perennial jock jam “Start Me Up.” Throughout the night there was something old (octogenarians Jagger and Keith Richards), something new (four tracks from the band’s 2023 album “Hackney Diamonds”), something borrowed (a cover of Bob Dylan’s “Like a Rolling Stone”), and a whole lot of blues.
The core trio of Jagger, guitarists Richards and Ronnie Wood, 77, were joined by a backing band that featured bassist Darryl Jones, 62, who took over for Bill Wyman in 1993; and drummer Steve Jordan, 67, who stepped in after the death of Charlie Watts in 2021. Both Jones and Jordan brought rock ’n’ roll intensity with jazz precision and sensibility.
But it was clear the stadium is where Mick Jagger thrives. He was a freak of nature, an elite showman strutting across every inch of the stage and its catwalk, shaking his size 28 waist, clapping along and waving his arms from side to side. His voice sounded strong and well-preserved across 19 familiar anthems and anthems-in-waiting.
Along with the dig about Cow Palace, Jagger took time between songs to humorously riff on robotaxis, airplane malfunctions and the region’s crime rate.
“It’s quite a hard place to get to sometimes, isn’t it?” he said with a chuckle, referring to the notorious backups around the stadium. “I booked a Waymo to come here, but it got hit by an aircraft wheel, and then someone slashed the tires.”
He made no mention of the band’s run-in with Santa Clara’s curfew ordinance during their last visit in 2019, but he did shout out a few out local cities and said he hopes the Niners win the Super Bowl.
“Maybe England wins the World Cup,” he added.
Tempos and high notes were recalibrated ever so slightly, but the musical muscle memory remained sharp throughout the night. Wood assumed the bulk of the lead guitar duties while Richards lent burnished rhythmic touches, eliciting a roar of recognition during famous intro riffs.
Normally when a foundational band like the Rolling Stones trots out new songs, it’s a cue to take a potty or smoke break. Not the case here. “Hackney Diamonds” tracks “Angry” and “Bite My Head Off” were propulsive and soaked with attitude. “Mess It Up” came with a pleasing singalong chorus, which Jagger and backup singers Chanel Haynes and Bernard Fowler helped along.
In fact, Haynes and Fowler were the secret sauce of the evening. Fowler, 64, is a longtime Stones associate, while newcomer Haynes, 45, has a colorful backstory. She was starring in a London production of the Tina Turner musical “Tina,” when the band suddenly needed someone to duet with Jagger on “Gimme Shelter” in Milan. Haynes jumped at the chance, nailed the duet and was sacked from the musical. Haynes was hired by the Stones for the 2024 North American tour, and her addition provides a key vocal and visual counterpart. On Wednesday, “Gimme Shelter” was an emotional high point, as expected. Jagger famously adored and emulated Turner, but it was clearly Haynes on stage — there was no attempt to recreate the 1985 Live Aid Tina/Mick moment.
After Richards gave Jagger a spell with a three-song turn, the Stones launched into a landslide of their most beloved hits from their classic rock canon, including “Sympathy for the Devil,” “Paint It Black” and “Jumpin’ Jack Flash.” They even extended “Midnight Rambler” into a bluesy stomp with Jagger on harmonica.
The evening ended, naturally, with the countercultural anthem “(I Can’t Get No) Satisfaction,” with five minutes to spare before the city-mandated curfew kicked in at 11 p.m., a special extension approved by the Santa Clara City Council in 2021 for up to five non-NFL events each year. The irony was delicious, proving rock’s resident rebels can sometimes play by the rules.
As one of the world’s greatest bands, the Stones remain a comforting thread in the fabric of life — albeit a thread that’s stained, tattered, and smelling faintly of sex and illicit substances. The extended warranty on their steel wheels expired long ago (that AARP is sponsoring the tour is a joke that writes itself), but the Stones continue to chug along, proving they still have a lot of gas-gas-gas left in the tank.
[
www.sfchronicle.com]