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buttons67
maybe they are waiting till they stop, who knows.
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1962
I really hope an early (1963-1967) outtakes, demos, covers, lives box-release!
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BluerangerQuote
pepganzo
Hasn't got the ABKCO Music & Records, Inc.the rights/copyrights on Let It Bleed and BB (and the older albums)?. I think that they'll release a deluxe edition of Tattoo You or SW.
But I'd like to listen to some live concerts from 1970 or 1972 in good quality not an outtakes disc with the original one.
Anyway I think that their best deluxe edition is Some Girls.
For the zillionth time:
ABKCO vs. Stones is not an issue anymore and hasn't been for years.
ABKCO published material was used on Exile Deluxe as well, without any issues.
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buttons67
i feel that the stones may have missed a good commercial opportunity by not releasing a lot of stuff that has surfaced on bootlegs. maybe they are waiting till they stop, who knows.
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MattClifford
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NaturalustQuote
BluerangerQuote
NaturalustQuote
BluerangerQuote
pepganzo
Hasn't got the ABKCO Music & Records, Inc.the rights/copyrights on Let It Bleed and BB (and the older albums)?. I think that they'll release a deluxe edition of Tattoo You or SW.
But I'd like to listen to some live concerts from 1970 or 1972 in good quality not an outtakes disc with the original one.
Anyway I think that their best deluxe edition is Some Girls.
For the zillionth time:
ABKCO vs. Stones is not an issue anymore and hasn't been for years.
ABKCO published material was used on Exile Deluxe as well, without any issues.
While they are obviously sharing a cooperative spirit with ABKCO, releasing a record with a majority of or all ABKCO owned songs isn't probably going to happen when other releases they could do would put more money it their pockets. They aren't releasing this stuff to please the fanbase, it's all about business, imo, and it doesn't make as good business sense to promote songs you don't own vs. ones you do. That is the issue and it's unfortunate because I'd love nothing more than to hear outtakes and alternates from the BB/LIB sessions.
You do know that every ABKCO release these days are blessed by The Stones themselves, right? ABKCO can't just release what they want and a new ABKCO release will have to be signed off by them. The Stones may not own the songs, but they are getting a big royality percent from every new release. It is without doubt, also a way to get get money.
It's my understanding that publishing and copyright royalties are split between the Stones and ABKCO so you could also say any Stones release from that period is blessed by ABKCO. Both parties have to agree to the releases which is not stopping releases like it did in the past but my point was that they have to share the pot for those early songs and no doubt that factors into their business decision of what to release next.
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GasLightStreet
So I guess no one likes my idea of reissuing REWIND, eh? Makes total Stones sense to me. Hell, they finally released JUMP BACK in the US in 2004. Brilliant, right? Right after FORTY LICKS?
Well it was. Damn thing charted for quite some time. Blew my mind.
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Turner68Quote
NaturalustQuote
BluerangerQuote
NaturalustQuote
BluerangerQuote
pepganzo
Hasn't got the ABKCO Music & Records, Inc.the rights/copyrights on Let It Bleed and BB (and the older albums)?. I think that they'll release a deluxe edition of Tattoo You or SW.
But I'd like to listen to some live concerts from 1970 or 1972 in good quality not an outtakes disc with the original one.
Anyway I think that their best deluxe edition is Some Girls.
For the zillionth time:
ABKCO vs. Stones is not an issue anymore and hasn't been for years.
ABKCO published material was used on Exile Deluxe as well, without any issues.
While they are obviously sharing a cooperative spirit with ABKCO, releasing a record with a majority of or all ABKCO owned songs isn't probably going to happen when other releases they could do would put more money it their pockets. They aren't releasing this stuff to please the fanbase, it's all about business, imo, and it doesn't make as good business sense to promote songs you don't own vs. ones you do. That is the issue and it's unfortunate because I'd love nothing more than to hear outtakes and alternates from the BB/LIB sessions.
You do know that every ABKCO release these days are blessed by The Stones themselves, right? ABKCO can't just release what they want and a new ABKCO release will have to be signed off by them. The Stones may not own the songs, but they are getting a big royality percent from every new release. It is without doubt, also a way to get get money.
It's my understanding that publishing and copyright royalties are split between the Stones and ABKCO so you could also say any Stones release from that period is blessed by ABKCO. Both parties have to agree to the releases which is not stopping releases like it did in the past but my point was that they have to share the pot for those early songs and no doubt that factors into their business decision of what to release next.
you're confusing how royalties are divided up with who actually has the ability to issue a release. totally different things.
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GasLightStreet
So I guess no one likes my idea of reissuing REWIND, eh? Makes total Stones sense to me. Hell, they finally released JUMP BACK in the US in 2004. Brilliant, right? Right after FORTY LICKS?
Well it was. Damn thing charted for quite some time. Blew my mind.
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treaclefingersQuote
GasLightStreet
So I guess no one likes my idea of reissuing REWIND, eh? Makes total Stones sense to me. Hell, they finally released JUMP BACK in the US in 2004. Brilliant, right? Right after FORTY LICKS?
Well it was. Damn thing charted for quite some time. Blew my mind.
rewind was reissued a few years ago, that and SITS. I imagine it didn't sell too well, and was rendered redundant when GRRR! came out.
I was also amazed at how well Jump Back did...maybe that's why Rewind's reissue did so poorly.
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GasLightStreetQuote
treaclefingersQuote
GasLightStreet
So I guess no one likes my idea of reissuing REWIND, eh? Makes total Stones sense to me. Hell, they finally released JUMP BACK in the US in 2004. Brilliant, right? Right after FORTY LICKS?
Well it was. Damn thing charted for quite some time. Blew my mind.
rewind was reissued a few years ago, that and SITS. I imagine it didn't sell too well, and was rendered redundant when GRRR! came out.
I was also amazed at how well Jump Back did...maybe that's why Rewind's reissue did so poorly.
REWIND has never been reissued except for the first time in came out on CD in 1986.
Only MADE IN THE SHADE and SUCKING IN THE SEVENTIES were reissued by VIRGIN. Ume only reissued JUMP BACK in 2009.
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Doc
Voodoo Lounge has loads of material available
As the album was a commercial success, it might be a good idea
Too bad they missed the 20th anniversary opportunity last year
I
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Thrylan
I remember listening to Rewind on cassette when it came out, on a trip to the beach. Even then it was an odd mish mash of songs. Don't forget Video Rewind.......there's a candidate for blue ray.....
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treaclefingersQuote
GasLightStreetQuote
treaclefingersQuote
GasLightStreet
So I guess no one likes my idea of reissuing REWIND, eh? Makes total Stones sense to me. Hell, they finally released JUMP BACK in the US in 2004. Brilliant, right? Right after FORTY LICKS?
Well it was. Damn thing charted for quite some time. Blew my mind.
rewind was reissued a few years ago, that and SITS. I imagine it didn't sell too well, and was rendered redundant when GRRR! came out.
I was also amazed at how well Jump Back did...maybe that's why Rewind's reissue did so poorly.
REWIND has never been reissued except for the first time in came out on CD in 1986.
Only MADE IN THE SHADE and SUCKING IN THE SEVENTIES were reissued by VIRGIN. Ume only reissued JUMP BACK in 2009.
damn...you're right skippy. I hate when you're right!
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Thrylan
I remember listening to Rewind on cassette when it came out, on a trip to the beach. Even then it was an odd mish mash of songs. Don't forget Video Rewind.......there's a candidate for blue ray.....
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GasLightStreetQuote
treaclefingersQuote
GasLightStreetQuote
treaclefingersQuote
GasLightStreet
So I guess no one likes my idea of reissuing REWIND, eh? Makes total Stones sense to me. Hell, they finally released JUMP BACK in the US in 2004. Brilliant, right? Right after FORTY LICKS?
Well it was. Damn thing charted for quite some time. Blew my mind.
rewind was reissued a few years ago, that and SITS. I imagine it didn't sell too well, and was rendered redundant when GRRR! came out.
I was also amazed at how well Jump Back did...maybe that's why Rewind's reissue did so poorly.
REWIND has never been reissued except for the first time in came out on CD in 1986.
Only MADE IN THE SHADE and SUCKING IN THE SEVENTIES were reissued by VIRGIN. Ume only reissued JUMP BACK in 2009.
damn...you're right skippy. I hate when you're right!
Some things in life must be accepted.
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treaclefingersQuote
GasLightStreetQuote
treaclefingersQuote
GasLightStreetQuote
treaclefingersQuote
GasLightStreet
So I guess no one likes my idea of reissuing REWIND, eh? Makes total Stones sense to me. Hell, they finally released JUMP BACK in the US in 2004. Brilliant, right? Right after FORTY LICKS?
Well it was. Damn thing charted for quite some time. Blew my mind.
rewind was reissued a few years ago, that and SITS. I imagine it didn't sell too well, and was rendered redundant when GRRR! came out.
I was also amazed at how well Jump Back did...maybe that's why Rewind's reissue did so poorly.
REWIND has never been reissued except for the first time in came out on CD in 1986.
Only MADE IN THE SHADE and SUCKING IN THE SEVENTIES were reissued by VIRGIN. Ume only reissued JUMP BACK in 2009.
damn...you're right skippy. I hate when you're right!
Some things in life must be accepted.
True, and when it happens so rarely I mustn't really get my knickers in a twist.
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GasLightStreetQuote
Thrylan
I remember listening to Rewind on cassette when it came out, on a trip to the beach. Even then it was an odd mish mash of songs. Don't forget Video Rewind.......there's a candidate for blue ray.....
Friends had it in their car on CD. They LOVED it. At the time it was, perhaps, more invigorating than HOT ROCKS because it had the newer tunes on it like UOTN along side such brilliant tunes as Doo Doo Doo Doo Doo Doo Doo Doo Doo Doo Doo..., Emotional Rescue and Hang Fire (it would've been better if the UK and US versions were combined). It was a huge album to listen to in the mid-late 1980s. It really was a fantastic hits comp.
I was pleased as a pig in mud when SIT70s and MADE IN THE SHADE were reissued by Virgin.
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Thrylan
I think its due to the specific selections. Not only have we heard most of them, (in decent quality), but there was nothing "new". Most of us are yearning for new material. Or, to put it another way, I don't ever need another BS or DF, I need more Plundered or Yellow Cab, at least they feel new.
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GasLightStreetQuote
treaclefingersQuote
GasLightStreetQuote
treaclefingersQuote
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GasLightStreet
So I guess no one likes my idea of reissuing REWIND, eh? Makes total Stones sense to me. Hell, they finally released JUMP BACK in the US in 2004. Brilliant, right? Right after FORTY LICKS?
Well it was. Damn thing charted for quite some time. Blew my mind.
rewind was reissued a few years ago, that and SITS. I imagine it didn't sell too well, and was rendered redundant when GRRR! came out.
I was also amazed at how well Jump Back did...maybe that's why Rewind's reissue did so poorly.
REWIND has never been reissued except for the first time in came out on CD in 1986.
Only MADE IN THE SHADE and SUCKING IN THE SEVENTIES were reissued by VIRGIN. Ume only reissued JUMP BACK in 2009.
damn...you're right skippy. I hate when you're right!
Some things in life must be accepted.
True, and when it happens so rarely I mustn't really get my knickers in a twist.
Knickers In A Twist - sounds like a Keith solo album title.
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Thrylan
I'm not intentionally dogging BS with Clapton, but we've likely all heard it in at least decent quality- Concerning what IS on the CD, I find CYHMK to be the gem. Personally, I got a lot more out of PMS, So Divine, Pass The Wine and others you mentioned than the known stuff. No, I don't like the modern dubs, but it feels more new to me. I would also asert that most of us can come up with at least 12 previously unreleased tracks that we really want. Like PMS, there's likely a chestnut or two that none of us know about. That interests me more.