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steffiestones
The Fabs wanted to write the score for the film.
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steffiestones
Having Mick and The Beatles involved in this movie would have really upped its coolness factor, don’cha think?
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RollingFreak
I just saw this movie yesterday, so I figured I'd respond while its fresh in my mind. I don't think Mick could have done it, and if he had the film would have suffered. That part needed a seriously dedicated actor, and while I can understand how maybe Jagger fits the bill lookwise and characterwise, he wouldn't have had the chops to play that character well. Also, at this point, I don't know how you can picture anyone playing it besides Malcolm McDowell.
As for the Beatles input, I feel that is doubtful to be accurate. They were broken up by the time the film was seriously being made.
Haha hey man! Good to hear from you! Thats really interesting to read. Like I said, I can't even picture there being different music or people in the film, and least of all Jagger so I'm shocked to hear thats true. Very cool indeed to know. Needless to say, with those things added, the film wouldn't be what it is today and that would be a huge disappoint.Quote
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RollingFreak
I just saw this movie yesterday, so I figured I'd respond while its fresh in my mind. I don't think Mick could have done it, and if he had the film would have suffered. That part needed a seriously dedicated actor, and while I can understand how maybe Jagger fits the bill lookwise and characterwise, he wouldn't have had the chops to play that character well. Also, at this point, I don't know how you can picture anyone playing it besides Malcolm McDowell.
As for the Beatles input, I feel that is doubtful to be accurate. They were broken up by the time the film was seriously being made.
The idea floated about of Jagger playing Alex and The Beatles scoring music dates from 1964, when Oldham was looking for a film vehicle suitable for The Stones to mirror more darkly the success The Beatles had just had with Hard Day's Night.
According to a 1972 retrospective article written by Anthony Burgess himself, a figure like Jagger was precisely the type he had in mind when writing the book:
Burgess article at: [www.johncoulthart.com]
But once Kubrick took control of the film, it appears that any notion of Jagger's portrayal or the involvement of other pop music and cultural elements were dropped.
That's a great movie, isn't it? Excellent to hear that it's fresh in your mind right now. I enjoyed watching that movie in my teens on cable TV, then later in my 20s in art house cinema and eventually on DVD.
Incidentally, funny how Burgess structures the book: 21 chapters, one chapter each for every year leading up to adulthood.
Funnily enough, I just happen to be eating a nice big "steaky-wakey" as I type this.
By the way, thanks again for that Townshend ticket! (Yes, it's me with my new user name.) I'm eternally grateful. Speaking of droogs, The Who seem to be the closest equivalent in rock n roll--you know, gangs, Mods, uniforms, youth cult, Quadrophenia, but that's a whole other (and great) movie....
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RollingFreak
Possibly my favorite Kubrick movie, but then again I love the Shining which a lot of people I have met recently hate so what do I know!
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stoneheartedQuote
RollingFreak
Possibly my favorite Kubrick movie, but then again I love the Shining which a lot of people I have met recently hate so what do I know!
Love The Shining! I think the thing that makes some people really dislike it--including Stephen King--is that it's different from the book. But I saw the movie first, then read the book years later. It is different from the book, but a film should be. You live with a book over a period of days or weeks, but you take in the entire story through a movie in just 90 minutes or 2 hours or whatever. So of course, for the sake of pacing, things need to be changed around or dropped altogether.
I love the desolate, snowbound atmosphere of the movie. When you're snowed in on a winter's night and there's no place you can go, then it makes for especially great viewing--with John Carpenter's The Thing as a double feature.
I recently bought The Shining on DVD, and it has a special feature on the making of The Shining, in which we find out about Jack Nicholson's rice and noodles and we watch him brush his teeth....
And here's an extended doc on making The Shining, titled Staircases to Nowhere.
I did. It was... interesting. It was cool to see people dissect the film that way with their different theories, although at least half of them were or seemed bogus. It was stuff like "hm, I never knew Jack was reading a playboy, and that is pretty funny that he just leaves it there in plain sight for his boss to see. But does that really have to do with the Holocaust or the genocide of the Native Americans?" Weird stuff like that, although it was an enjoyable hour and a half. Stuff like noticing the carpet changed direction or that a chair was removed from shot to shot was pretty interesting seeing as Kubrick was so meticulous its weird that stuff would slide. I saw it by myself and had fun. I took my dad a few weeks later, who loves the Shining, and he fell asleep. He thought it was too much bogus stuff. Guess it depends how you feel about that sort of stuff thats just conjecture.Quote
Cristiano Radtke
Has anyone here seen Room 237 (a documentary about The Shining)?