link to the video about the exhibition in Arles(thanks to SwayStone). Many photos
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videos.arte.tv]
There is the same exhibition in Milan now. It's the article in Italian with Google transl(sorry for that)
Mick Jagger, an icon that "rolls" for 50 yearsModel for generations of photographers, the leader of the Rolling Stones is a symbol that marks the ages.
by Luca Beatrice
The term "icon" refers to the fixity of the final image that goes down in history for being one and the same: According to Andy Warhol's Marilyn, the poster of Che Guevara, the first floor imago Christi 'Jim Morrison. If we take this principle for good, then Mick Jagger, the leader and voice of the Rolling Stones, is an icon for its outstanding dynamic performance which nearly half a century marks the history of rock and roll.
The exhibition 'Mick Jagger. The Photobook "which opens today at the Foundation Form of London (until 11 February, accompanied by the book published by contrast) thus confirms the extraordinary versatility of the musician, perfectly at home in front of the lens of the greatest fashion photographers and customs that had the courage to capture his charisma and his aura luciferin. Unlike other legends of rock emerged in the extraordinary and unique '60s, Jagger is an abstract particular, the so-called pars pro toto, or the lips and tongue become that in 1971, thanks to the invention of the young British designer John Pasche, the band's unique brand of London. In the first decade of the Stones, Jagger embodies the model of the Swinging London, a clever play on words that highlights the sinister aspect of r'n'r: a fashionable dandy wearing short pants cuffs and ankle ( are also used now), a long fur coat and tie even though not completely conceal the ambiguity. First great master is to portray Cecil Beaton, photographer of the stars, in a stunning set in white and black set in Marrakech and then on the set of Performance, Nicolas Roeg's film of 1968, which is the most convincing proof of Jagger film, which Unlike David Bowie has never shown great skill in the role of actor.
The 1971 is the service of David Montgomery to the release of Sticky Fingers, the first album after the death of Brian Jones illustrated by Andy Warhol with the famous cover of jeans on the flap opening, where Jagger, Richards & C. are photographed naked private parts hidden from their new LP, in a sort of ironic quotation of nature portrait of John Lennon and Yoko Ono, in the case of dissolution of the Beatles. As if to say, we are the Stones, the band r'n'r world's most important, and women do not do certain influence because we know how to treat them, us. In the same decade Mick ends in front of the machine to Francesco Scavullo, which enhances the full lips as a sexual symbol bipartisan, Guy Peellaert, painter and photographer who also collaborated with Bowie, who manipulates in a contemporary sort of Dorian Gray, even Andy Warhol until the meeting, truly exceptional, with Annie Leibovitz, which we have the only shot that exceeds the face to focus on the particular pulse marked by a long scar. An extraordinary picture, well in advance compared to the cycle of Andres Serrano The Morgue, an unusual violence, which praises the black soul singer.
The '80s, marked by the glamorous and kitsch, as well as an additional grace period of the Rolling Stones, capturing the soul of ironic and sarcastic Jagger, willing to gamble as a protagonist of the international jet set, and in portraits by Herb Ritts in 'illusionism psychedelic Enrique Badulescu. The rock does the miracle of eternal youth and indeed the signs of aging seem to neglect the physical Jagger, apart from digging a few wrinkles on the face to give him even more magnetism. Approaching the present, often collaborating with Anton Corbjin, the Dutch artist and filmmaker who became famous for reporting emotional about Ian Curtis, Bono, Michael Stipe of REM and Depeche Mode. With the Stone Corbjin becomes more performative, masquerades, disguises herself as a woman. And 1992 another historic step, the morphing of the face of Mick and the head of a leopard invented by Albert Watson.
Finally, in the current decade, poses Jagger tend to become scarce, almost returning to the origins of the 60's dandy, as you like Karl Lagerfeld. One of the most compelling portraits of this past sixty, incorruptible public despite the rubbish you read in the pages of Life, the autobiography of his close friend and rival Keith Richards, is precisely that of a colleague as an avid photographer Bryan Adams: a monument laughs and makes a mockery of the years, lucky man.
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www.ilgiornale.it]