When I was growing up in Los Angeles every since I was about eleven or twelve I wanted to be a Disc Jockey I was fascinated with radio and everything about it. I would listen to all the great disc jockeys on the air in the L.A. radio market. Finally I passed middle school and was anxious to go to high school . One day I went to the high school radio station and began to lay it down I met a few people taught me a bit more about it, must of the people hanging out at high school station were musician types one friend in particular invite me over to try and write a song We never did finish the song . My friend’s dad came home and invited me over for dinner I still remember eating chicken and gravy drinking a beer, but what I remember more is my friends father’s story, about hanging out with Jim Morrison.
My friend Bob had heard the story a thousand times he was into Dylan at the time, other high school lackeys were listening to T-Rex, Bowie, Genesis, Punk rock was just around the corner by the time I was 13 yrs old I was already hooked on the Stones. I asked Bob’s dad if the Doors ever hung out with the Stones? He said “That could be possible”I was stunned that he wasn’t sure. I asked him how did you get to know them he said "I was going to school with them at UCLA I met Ray in class and he introduce me to Jim.”
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"The music was new black polish chrome and came over the summer like liquid metal the DJ's took pills and stayed awake and played for seven days they came to our home room party and played records.
Uh! Uha! Gedu! I live uptown I live downtown I live all around I had money, and I had none But I never been so broke That I couldn't leave town
I'm the air you breath Food you eat Friends your greet In the sullen street, wow See me change.
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Later that week I went over to Bob’s house and I asked Mr. Kuhn “Do you recall the meeting between Mick Jagger and the Doors?” His face began to puzzelize deep in thought and said “Yes I do recall that Mick was at the Doors Hollywood Bowl show.” I was shock he didn’t remember this bit of history the first time I asked him
Expert: Lisa Johnson
Question I know that Jim went to Phoenix in '70 to see the Stones and got in trouble on the flight. My quesion is, did Jim ever actually get to see the Stones or meet them? Did they ever play on the same bill? I have heard that Jim was referred to as Also, one unrelated question, at the end the movie HWY, Jim is in a bathroom urinating, is that his room at the Alta Cienega Motel and have you ever stayed there? I hear you can request his room 32. Thanks, I really appriciate all your wisdom and research. Devyn
Answer Hi Devyn. First of all, I want to apologize for the delay in getting back to you as I have had internet problems for about the past month. Anyway, I don't believe Jim ever did get to see that concert. I read that Jim went to a local dive bar and got drunk instead. I am not sure, however if they ever actually met. I don't believe they did, but I can't promise you that. I have the movie HWY and have watched it before but don't remember too much of it. I will plug in my vcr later and watch closely the end of it (as you got my curiosity going and see what I can find out for sure. Yes, you can request that room and no I have never been there, although I do plan on going on a trip to California next year and visiting all his famous sites (including the Whiskey-A-Go-Go, his home on Wonderland Ave with Pam, etc.). I would rather visit the places where he lived and thrived than where he died Sorry to get off of the subject. Anyway, I will get back to you again within a day or two and see what I find out after watching HWY. Thanks so much! ~Lisa
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MARIANNE FAITHFULL was party to a fabled cover-up surrounding the death of late THE DOORS frontman JIM MORRISON -but she "split" the rocker’s Paris, France hotel home when she realised what was going on.In a new U.S. TV documentary, chronicling the last day of Morrison’s life.
All of The Doors met Mick Jagger at Jim’s hotel room before The Hollywood Bowl. Apparently Mick was really cool to them despite the less than glamorous room they met in.
After the concert Mick seemed to give them a bad review by saying they played for a long time or something like that. Also, it was said that Jim’s girlfriend was getting a little too close with Mick which made Jim mad.
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I was getting no where with Mr. Kuhn and his fuzzy memories of drinking with Jim Morrison . I was getting frustrated but kept my cool, Mr. Kuhn got up from his filthy recliner but fell back and ask me if I ever heard of this groupie?
The Queen of the Hips and the Rocks As a teenager growing up in Reseda, California, Pamela Miller dreamed of falling in love and marrying a rock star. By the time she graduated high school, she was a regular on Sunset Strip, becoming a part of Hollywood’s local rock scene. “When it came right down to it, rock and roll groups were my life,” she wrote. Spending most of her nights at the local hot spots, making friends and meeting band members, Pamela Miller soon became known as “the Queen of the Hips and the Rocks” on the Strip. Over the next few years, she would have relationships and sordid love affairs with some of the world’s greatest rock stars, including Mick Jagger,
Jim Morrison, Jimmy Page, Waylon Jennings,Elton John , Jimi Hendrix's guitarist, Noel Redding,
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I wanna tell you about Texas radio and the BIG BEAT The spoken word lyrics, written by Morrison, come from a poem he wrote in 1968, three years before the music was written. These lyrics were published in a Doors souvenir book. It has gained considerable fame over the years and has been featured on several Doors compilation CDs. Inspiration. Texas Radio refers to high power Mexican radio stations that blasted into Texas in the 1950s. Not restricted by American regulations, said stations could have up to 150,000 watts. Morrison and Manzarek both heard Wolfman Jack on one of these Mexican stations.
The WASP refers to a Florida State University radio station, where Morrison attended from 1962 to 1963.
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wanna tell you about texas radio and the big beat Comes out of the virginia swamps Cool and slow with plenty of precision With a back beat narrow and hard to master
Some call it heavenly in it s brilliance Others, mean and ruthful of the western dream I love the friends I have gathered together on this thin raft We have constructed pyramids in honor of our escaping This is the land where the pharaoh died
The negroes in the forest brightly feathered They are saying, "forget the night Live with us in forests of azure Out here on the perimeter there are no stars Out here we is stoned - immaculate." Listen to this, and I'll tell you bout the heartache I'll tell you bout the heartache and the lose of god I'll tell you bout the hopeless night The meager food for souls forgot I'll tell you bout the maiden with raw iron soul I'll tell you this No eternal reward will forgive us now for wasting the dawn
I'll tell you bout texas radio and the big beat Soft drivin, slow and mad, like some new language Now, listen to this, and I'll tell you bout the texas I'll tell you bout the texas radio I'll tell you bout the hopeless night Wandering the western dream
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ROCK TALES: We've been having the time of our young life this week going all geezer with our romp back through the '60s and '70s and even the Space Age '80s in our quest for the best concerts in Long Beach's proud musical history. We may never come back into the cold, steely present. We may continue to write about old-guy stuff for weeks to come. You don't like it, you can get off our lawn. Today, we're dealing with some brisk little tales from readers who've shared their memories of rock's young years in this city, and we'll start with Mollie Tobin, who was in LB when the Stones were in town and her folks wouldn't let her go to the show (welcome to our pre- and early teen world) because of their music and crowd control. "When the concert was over a friend of our family who worked for the William Morris agency called to let my family know that a decoy limousine was heading to LAX, but the Stones were flying out of Long Beach, Ca."
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Our favorite story comes from Rita Wilde,(Program Director KLOS radio L.A.) now who was a student at Cerro Villa Junior High in Villa Park in 1970. On Feb. 7 of that year, she attended the Doors concert at the Long Beach Arena - a show that also featured Albert King and the Flying Burrito Brothers ("OMG," writes Wilde. "Two dead sex symbols!) So, Wilde's friend's mom drops the girls off at the Arena and they have a great time. "We actually snuck out of our nosebleed seats and slid into the third row for the entire set," writes Rita. "Back at school, my art teacher said I should go to the principal's office. I thought it was because of all the Doors albums I was bringing into class. Instead, I was sent off to talk to the big guy about my obsession with the Doors because he just so happened to be Jim Morrison's father-in-law. Yes, Mr. Courson, the principal, proceeded to tell me stories of the singer and how he was a good guy until he started drinking. After Morrison's death, his assets went to his wife. Pamela. When she died, "Corky" Courson became the controller of the Morrison estate."
Ronnie: Why don't you stop and ask for directions?
Charlie: Shut -up Ronnie!
Mick: Shhhh! be quite let me hear this.
Keith: Right!
Interview with Al Aronowitz
In the late 1950s and 1960s there were a number of journalists who wrote about the rock scene, the protest movement, and the literary underground--that maelstrom of social unrest that later became known as "the counterculture." Some of these journalists became pop (or semi-pop) idols themselves: Tom Wolfe (of New York magazine), Esquire's Gay Talese, and Jann Wenner, cofounder and editor of Rolling Stone. Far lesser known (as well as under appreciated) was a working reporter for the New York Post named Al Aronowitz.
Back in the 1950s Aronowitz tracked down and interviewed Jack Kerouac in a small Long Island town called Northport where the author had gone to live with his mother, Memere, to escape the hullabaloo following the publication of On the Road; the interview has been quoted by legions of Kerouac biographers. In 1960 Aronowitz did another seminal interview with Neal Cassady when the latter was in San Quentin for marijuana smuggling. Until the 1960s faded into the Age of Reagan, Aronowitz followed them all--Dylan, Mailer, the Stones--through the ups and downs of their careers. One legendary figure the reporter knew--but never formally interviewed--was Jim Morrison. Here, in an exclusive interview with American Legends--conducted over a period of several months via e-mail--Al Aronowitz recalls glimpses of Jim. This interview was posted shortly after AL went on-line in 1996. Al Aronowitz later became a strong friend and supporter. He died in 2005, leaving behind many friends and admirers
AL: Tell us about the first time you saw Jim Morrison. AA: I first saw his act when Brian Jones (of the Rolling Stones) and I went to catch the Doors at Steve Paul's The Scene--a club in midtown Manhattan. Brian hated Jim's performance. I didn't like it either. He kept opening his mouth to the mike without singing. It seemed like Jim was acting too much like a rock star poseur. This was when Light My Fire was catching ablaze. Brian and I left early without bothering to meet and talk to Jim.
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AL: You finally got to know Morrison. AA: I met him at Michael McClure's house in San Francisco. I forget the year, probably late 1960s. Jim acted like a distant relative whom I had never met before but with whom I had just been united. We got along fine. AL: McClure was a member of the San Francisco poetry Renaissance. Later, he and Jim talked about adapting McClure's play about Billy the Kid (The Beard) for the screen--with Jim in the starring role. AA: Jim considered himself a poet. That's why he engaged in a relationship with McClure--a well-known Beat poet. Jim admired the Beats and wanted his poetry recognized along with that of McClure and even Allen Ginsberg.
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In Los angeles Jim Morrison wrote "Ode to L.A. While thinking of Brian Jones Deceased"
here's the first few lines; "You've left your Nothing to complete with Silence I hope you went out smiling Like a child Into the cool remmant of a dream."
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Dead cats, dead rats Can’t see what they were at, all right Dead cat in a top hat, wow Sucking on the young man’s blood Wishing he could come, yeah Sucking on the soldier’s brain
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You gotta beep a gunk a chucha Honk konk konk You gotta each you puna Each ya bop a luba Each yall bump a kechonk Ease sum konk Ya, ride Let it roll baby, all night long
shidoobee!
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The human race was dieing out no one left to scream and shout People walking on the moon smog will get you pretty soon.
Jim Ladd Long time air personality L.A. radio market, " I once ask Ray Manzarek to describe the essence of the doors and without hesitation he answered in a single word " Freedom. "
40 years ago the doors where a new band who emerged in to time of great political social turmoil a time of war a time when it was dangerous to be different it was called the summer of love into the spurn-moment the Doors brought music that was as cerebral as it was sensual primal as it was poet’ tic and it in viewed us with an easy fascination the promise of a forbidden knowledge that could only be experience but never explained there was all so love joy humor intellect and a spiritual vision gleam from the other side of the vial and it was there ability to play upon these notes within humanity song that struck such a profound cord within all of us for there is both magic and madness
with in in there music the magic that they created in the studio and the madness that the conjured in the concert halls Not since Elvis shook his hips on the Ed Sullivan show had there been such on obvious affront to the sensibilities of middle class America, as the Doors.
He wore leather pants for godsakes! Jim Morrison skin tight leather pants and movie star good lucks sent a message that if you had a daughter this was not the guy you wanted her to bring home! this was your worse night mare
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And that beat that tribal beat Enticing young girls in to some dark Dionysus coven of corruption ,right there on daddy’s TV ! And worse of all these were well readied highly educated college graduates or as former VP Spiro Agnew refer to such people before he wa s ran out of office “an effete core of impudent snobs who call themselves intellectuals .” and in the tradition of other impudent snobs likes Lenny Bruce Bob Dylan,Mick Jagger John Lennon Martin Luther King the Doors were more than just rock stars they were dissidents because they lived it. Like many band of that era the Doors held up a mirror to our culture and what they saw was not always pleasant the difference is that somehow the door have transcendent those times because the things the wrote about are routed in the on going drama of the human experience, their songs with a mere substitution of locales are as relevant today as the moment when they were created and this bring us to why the Doors are still popular and why young people are so passionate about their music because young people are rebellious by nature they long for a voice the value arts and a poet to shout through the ding of those who follow leaders blindly eager to surrender our freedoms, that’s why the Doors are so inportant because freedom lives in the magnificent music they created ." Jim Ladd