Re: "Dirty Work" Revisited
Date: May 3, 2006 03:11
Well regarding DW, a couple posts used the word "angry", and that's it: Jagger's vocals sound angry and real, even if some of the words on the Keith/Ron songs aren't all his...Like he has something to sing about, the state of the world and the state of the Stones, most likely: the band fractious, Charlie strung out (but playing great on 8 or 9 trax anyhow), Keith & Mick barely speaking, Bill all but absent. And while on the outs with Mick, Keith forges a solid guitar alliance with Ron Wood, just as he did in the early-to-mid '60s with Brian. 'Sleep' is marred by the extra backing vocals, but the album overall hits hard. SW for me has a canned sound even on the good songs, and Charlie sounds like a drum machine half the time. RAAHP musically just cant compete with 'Undercover' (especially the long 12 inch version of the latter); Wyman (and Wood on 4 songs) play some nice bass but thanks to the digital production it's soft, lacks impact. The recording is cheesey sounding, and even though I like 'Mixed Emotions' (made the top 5, their last big US hit) it really kicks ass live, a highlight for me on the '89-90 tours. 'Slipping Away' is a superb autumnal ballad, but again the overly slick production lessens its impact for me. And though 'Continental Drift' is a great idea, musically superb, the way it's mixed - and Matt Clifford's contribution - almost ruins it: the Jajouka Musicians are normally (check, for one example, 'Brian Jones Presents...') hard, in your face, loud. But here their impact is blunted, like why did the Stones bother going to Morocco if they were going to bury those guys in the mix like that?