i can't picture major apocalyptic works during the b-stage transitions, or any of the seriously hot sweaty stuff. the transitions are basically nonserious moments, meant to include at a lot of interaction with the crowd on the way. maybe IORR could work in place of Miss You, but really i reckon the Stones have their reasons of which reason knows nothing. (what pitch does the b-stage mechanism emit?)
"What do you want - what?!"
- Keith