Quotedcba QuoteMathijs Then the Wembley show...It just doesn't sound very nice in my opinion, it is just not very pleasant to listen to. They play like they are having a fight. Mathijs Fine description of this tour! I remember reading a contemporary interview in which Keith hissed that pitiful Jagger was out of breath after only 3 numbers. I always had the impression he rushed the
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Black and Blue + Paris 76 (Bob Clearmountain!!!) + El Mocambo (Bob Clearmountain!!!)
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QuoteMathijs I think that at this age, and at this stage in their career the Stones should not be judged on their musical abilities anymore. Mathijs Hey, my friend, they are professional musicians. What should we judge them by other than their musical qualities? By their dental status or their pension amount?
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Quoteerad Well after sampling some of the Wembley show via Spotify I am not so sure about springing for the Super Deluxe anymore. It sounds super thin, the drums in particular. Not much better than a standard 1981/82 SBD boot. Actually I had a boot of the Hampton show that I downloaded years ago which sounds 10x better than this release... Certainly not worth paying the extra $100+ for a book and
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Remarkable is that the Wembley mix is catastrophic on Amazon Music and Spotify, but is essentially better on the HomePods and Apple Music. Has Apple Music maybe an algorithm that corrects lousy mixes?
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Quotegeorgemcdonnell314 I agree with maindefender there is nothing else like YaYa's. The closest sound is Hampton at least the original bootleg I got in 1982. QuoteMaindefender QuoteRobertJohnson I had the chance meanwhile to hear Wembley on a good sound system. The old Sam Wheat-disease: Mick upfront in a grotesque way. The guitars in the background. It is the same messed-up sound like
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I had the chance meanwhile to hear Wembley on a good sound system. The old Sam Wheat-disease: Mick upfront in a grotesque way. The guitars in the background. It is the same messed-up sound like on Miami. A great performance and a lousy sound. Is Bob Clearmountain too expansive for a deluxe-project? So they pay for an absolutely deaf man.
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Yes, the Dartford meeting and lost guitar show with the superb version of Beast of Burden.
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Wembley is superb, a raw, rough and rowdy performance as I like it. Besides Leeds another testimonial of the greatest band on earth (and in heaven).
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QuoteDandelionPowderman QuoteRobertJohnson QuoteDandelionPowderman QuoteRobertJohnson Wembley seems to be a good mix. I can't judge it fully though, as I'm still at work and have a poor sound system here. I thought it sounded all right, too. Listened with headphones through a stereo system. A good show, too, seemingly. Is it as crisp and clear as Leeds 82? This is the benchmark for
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QuoteDandelionPowderman QuoteRobertJohnson Wembley seems to be a good mix. I can't judge it fully though, as I'm still at work and have a poor sound system here. I thought it sounded all right, too. Listened with headphones through a stereo system. A good show, too, seemingly. Is it as crisp and clear as Leeds 82? This is the benchmark for me.
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Wembley seems to be a good mix. I can't judge it fully though, as I'm still at work and have a poor sound system here.
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Quoteyeababyyea Two examples of the Stones accidentally playing songs in wrong keys: Tumbling Dice (Landover 2002): Sympathy For The Devil (Toronto 2002): I think Mick sounded pretty good on Tumbling Dice. It seems to be Chuck's mistake on Sympathy ...
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Thanks to all who shared the Beast of Burden take. An unique moment I guess. Great version!
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A different and nice way to play Beast of Burden. I like it.
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QuoteRocktiludrop Keith still yrying something new and different, gotta love him, now Keith surprise us with Coming Down Again and my life is complete Although I have a few other wishes for my life, it would be great to finally hear the song from Keith.
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I'm not hoping for any tour but for a new album with the last takes with Charlie. Then they can tour till doomsday ...
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Quotegeorgie48 QuoteRobertJohnson They are all such lousy musicians that they should not be allowed to join any other band. But they were ... Keith ... Expensive Winos, New Barabarians, Dirty Mac, ... Mick ... Super Heavy, Red Devils, ... Ronnie ... before he joined the Stones (Birds, Faces, ...), after ... New Barbarians, ... Charlie ... Tentet, Combo, Orchestre, Alexis Korner, ... Bil
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They are all such lousy musicians that they should not be allowed to join any other band.
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The sound of the band has changed, without any doubt, as far as I can judge from YouTube. Especially the drumming on Paint It Black is completely different, the character of the song has changed. But it was to be expected that Steve Jordan would not be a copy of Charlie. And that's a good thing, there are people at the instruments and not machines that could be cloned.
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That's what I fear: He plays too loud. The same problem like on "Talk is Cheap".
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One of the best versions! Fantastic! It was already posted here, but I'm always glad to see and hear it again.
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Great music - another plea for Mick Taylor to return to the Stones. Ronnie and Mick are a fantastic match.
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Great, fantastic, excellent!
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This is the first time I've heard this version. And it's the first time I've heard a version that repeats the intro at the end.They should do that more often.
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Mick Taylor - a genius ... nothing more to say ...
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The studio version of "Let Me Go".
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I didn't know. What a great setlist! This and the both Mocambo-performances ...
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No one here thought it could ever end.
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I'm quite happy with the new edition, under Lost and Found there are some strong titles like Shame, Shame, Shame. And promising is Wembley 1982, the 81/82 tour is one of the Stones' best for me and the last one that wasn't a Vegas tour. However, I hope that the sound quality is as good as Leeds 82.
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