Without overanalyzing it: It's a great tune and it's great to see some output from Jagger & co.
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Many thanks for posting this relevant compilation.
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Thanks Jaap. Judging by the setlist DVD MT 1986.08.13 is actually the August 15, 1986 show (Davenport).
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As far as I know only 6 of the possible colour variations are in circulation (the four bright colour variations and two lighter colour variations).
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1982.07.09 Madrid 1982, 2nd Day (alternate) is indeed lossy and contains the July 7 Madrid show, probably combining tracks from the (incomplete) CD and LP bootlegs.
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In fact Zappa was quite normal. It's most other people that are weird.
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I rank Emotional very high in my top 50 of favourite Stones albums, so a Super Deluxe reissue would be highly appreciated.
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QuoteBritney You got me rigged you gotta blow my top. You got me wrecked you gotta blow my top?
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Maybe Carly Simon knows?
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You got me rigged you gotta blow my top.
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Gotta love Blondie though.
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QuoteCaptain Teague The Tide is High was released in 1980, long before the Winos existed! Don't think that's a valid excuse for stealin' Keef's song.
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A sad loss for this community. Condolences to family and friends.
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Don't think it's a glass harmonica, sounds more like a bass harmonica.
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Quotejlowe In the UK: On BBC4 20 March 2020 9pm The Story of Ready Steady Go 10pm The Best of Ready Steady Go No doubt the usual Stones clips, but maybe worth a watch. Both listed as 'New' so perhaps not shown before. Followed by a Roy Orbison documentary! Anybody out there capable and willing to record and share this for those who don't have direct acces to BBC4? Thanks
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Quotewiredallnight You cut one "ooh-ooh" too much between Under My Thumb and I'm Free. Listen to the audience version. The transition between UMT and I'm Free is missing half a second on the original Youtube source. To fix this ugly transition two more seconds were edited out. A fixed version of I'm Free with a sample/patch for the missing 0,5 second is on it's way..
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Is the 'Don't Space Out' version different from the 'regular' dub version?
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This is actually the same as the incomplete, lossy source. The february 21 Buenos Aires show was used here to 'complete' the show. Listen to the rough and clumsy edit at 1:43 into JJF. This is the point where the stereo February 21 source switches to the mono February 23 recording.
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QuoteStonedRambler QuoteHEILOOBAAS It seems to me Clearmountain is the curse of production. I've not heard all he's produced, but enough of it that it has a blandish, boring, same-sounding patina that all but destroys the individuality of the artist. The previous is just my opinion. Do you think that Tattoo You sounds blandish and boring? Because that was also mixed by Clearmountain
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Obviously we can't find love here.
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Good to see them youngsters pay tribute to the old master. Did anyone happen to film 'You Never Can Tell'?
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The versions uploaded by Jaap and Marko for the June 29 show are from the same tapesource. Only difference is that the version Jaap posted is a strict mono reduction (both channels identical). Marko's upload shows some variation in the L/R ballance but for some reason it goes to strict mono during the crowdnoise between tracks. The version I have also comes from the same tapesource and h
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Thanks for the effort of all involved. I hate to spoil the party but both Stonyroad's upload and the Blakeeik upload show a limited frequency response and have gaps between tracks. So I doubt these versions are losless copies of the original CBM release. So we're still searching for an upgrade for the November 18, 1997 show.
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QuoteStonyRoad arghhhh Someone played me a bad trick a few years ago ... I checked my version and it's VGP 157 and 158 sorry! Can you explain what's what and what's not?
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I think it would be most fitting to basically limit the contents of such an album to Brian Jones compositions and outtakes that showcase his talent, including his 'A Degree Of Murder' soundtrack.
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All pros and cons aside; this Tyler rendition of Brown Sugar is pretty horrendous.
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QuoteQuique-stone QuoteBritney Captain Acid is one of the few souls out there who knows how to do a proper remaster. Sure he is! Are we calling the Captain here....??? No we're not. Just agreeing with Tonstone and dcba. In this case we better find the pre-vinyl/pre-m4a master.
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Captain Acid is one of the few souls out there who knows how to do a proper remaster.
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Wasn't this a copy of OBR's 'Better Results'?
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