That would be very smart if i used dylan's lyrics to say f**** you to all and not have the balls to say that but thats not the case.dylan's lyrics are the best medicine in the world and just as important as the riff,solo or hymm.
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Dylan's Positively 4th Street You got a lotta nerve To say you are my friend When I was down You just stood there grinning You got a lotta nerve To say you got a helping hand to lend You just want to be on The side that's winning You say I let you down You know it's not like that If you're so hurt Why then don't you show it You say you lost your
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yes my idea of a jam band are bands like the Allman Brothers,Gov,t Mule with the great current DUO of Warren Haynes and Derek Trucks what a young and gifted guitar player
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Knoplfler wanted billy gibbons from ZZ top and not taylor.I think that is in the book Behind the Shades by Clifton Heyton.dylan fired taylor one day on the tour and rehired him the next day.yeah dylan did not put foot of pride and blind willie 2 of his best songs of the 80's on infidels. Gazza,regarding the stones not improvising which is so true,even with taylor they were never a jam
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harlem shuffle, please listen to Idiot Wind and let your mind and soul just dive into dylan's vocals and lyrics.
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On one of those boots towards the end of the show taylor gets on the mike and speaks to the crowd and says now lets have a hand for Bob Dylan. When I first heard that I was shocked to hear him on the boot and to me that shows Taylor was confident and in control for that particular show and was not afraid to interact with the band and dylan.
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Smokey, Then did Taylor work with Dylan after 1984
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Yes I meet a guy at the Birchmere Club here in DC and he meet charlie sexton and larry campbell on the never ending tour.They said that Dylan would just show up before the gig and the band did not know the arrangements or keys and the band was expected to figure it all out when they went on stage.dylan uses alot of open tunings.Listen to Blood on The Tracks dylan gets the mood of the record w
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Good point you are most likely correct with the record label. Taylor did not work with Dylan again after 1984 so its my pipe dream.I think he played on one track on empire burlsque and that was taylor's last work with dylan.Over the years dylan was smart to get charlie sexton and larry campbell to play on the never ending tour.
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Dylans vocals are brilliant and strong and how he delivers those songs is better in 1966 then 1984 to me, the guitar playing and the band sure sound great on those boots.I was not there all i have is those boots which sound fantastic and to me 1984 are more enjoyable to listen to then 1966.Taylor provides the melody again thats what I focus on with all dylans songs.
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Dylan & Taylor I have read many articles about Dylan and his real live tour with Taylor in 1984 and the so called rock journalists would write that Taylor's long winded solos were disorganized and did not fit in with Dylan's live shows. That's so far from the truth all you have to do is take the time and listen to those recordings objectively with some music background. If
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yeah the glimmers wrote the great songs and arrangements but taylor put his stamp on them live something woody could not do to the extent Taylor did. Thats the whole point listening to the 69/72/73 boots one quickly discovers like me who grew up in the woody era the shocking difference in the level of musicianship.
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Its human nature to go back and discuss there best live and studio work and that was with Taylor in the band so we are ever linked to Taylor if you discuss the golden era and the stones in their prime
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Monkey Man, I was just watching the video it supported there last record 8 years ago and its sad to watch a guitar player just stand there and do nothing to support the band.Even Keith if you noticed KEPT is DISTANCE throughout the show. Monkey Man I have all the stones records and the period with Wood does not really interest me after Some Girls.There CREATIVE 20 year run was over IMO.
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people people can we all love each other - peace enjoy the 2005 shows
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gazza, if I leave this board then everyone will agree with you how boring
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yeah and you bore the daylights out of me.Gazza if you remember I made a post way back and noted that Dylan was the best white blues singer of all time and you actually agreed with me.
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Monkey Man - I think you have listened to much of the song and you are a fanatic just like all the rest who post here.I have been positive and never attacked anyone and in control your post shows the negative side of you for all to see and read. You can use a lemon squeezer right now.
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prolific songwriters they cant even get in the studio to make a new record for the licks tour they did the same thing for the 1981 tour and used outtakes to get out a record for the 1981 tour.
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hey gazza the stones have not put out a new record in 8 years so B2B is their last record to talk about and B2B tour supported the record.
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yeah then you all can talk about all those BUM NOTES
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its amazing jagger/richards shut down Taylor and his contributions to the band and he was forced to quit.This forum is about the stones and its current and prior members.you will have to ban me from the site to stop me from time to time in mentioning the greateness of taylor.
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Are you awake still listening to those Ron Wood solos.I am awake always listening to those brilliant solos from 35 years ago. don,t you get it those solos are ART and should always be appreciated.there are no time limits to appreciate ART.
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He is your guy out there playing all these great shows and you are stuck with him again for the 2005 tour.GOOD LUCK to all those bad notes
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For all you Ron Wood Fans I watched B2B Video last night and I must report That Ron Wood did not move on stage and stood there and barely played anything. Keith did all the work.How can Ron Wood do that to the band on stage.
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you don,t get it those scales are PLAYED WITH FLUIDITY AND VIBRATO I GIVE UP
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Taylor exposed to open tunings and new kinds of music was great for him to be in the stones.I Thank Keith to allow Mick Taylor to play those extended solos live and shine when the lights were on him.As far as studio stuff: Let it Bleed - It was all Keiths record with all those guitars and he proved to the world he could play both roles and he matured as a player and song writer as with beg
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Taylor's tone and playing is more distorted on 73 with all his hammers and pulloffs and he goes wild on SFM with his scales.
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HI Smokey, I have that boot of all Taylor's YCAGWYW solos from 72/73.Yes I notice all the subtle changes Taylor does with the solos but the amazing thing to me his how taylor influenced Keith's rhythm on that song when he slows down his solo and gets the whole band in a groove.I also have the boot of all Taylor's Love In Vain solos.
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Listen to taylor's runs on Sweet Virgina and his acoustic work on wild horses to name a few
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