QuoteIrix QuoteBjorn The night time is the right time - played only once? Didn´t they play that one almost every night 2005? Yes, it was played very often in 2005-2006: - (Review). Personally I find Setlist.fm rather unreliable. setlist.fm has it (apart from this one entry) as "The Right Time (Nappy Brown cover)". Played 58 times
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QuoteMaindefender Quotemike567 QuoteJordyLicks96 Quotedandelion1967 QuoteJordyLicks96 Saving the best for last, the '100 Years Ago' piano demo gets the recognition of the standout bonus track. Nicky Hopkins plays a stunningly beautiful piano along with Mick's wistful and wonderfully sung vocals. Doesn't sound like Nicky's playing. Too many plain chords. In fact it&#
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QuoteJordyLicks96 Quotedandelion1967 QuoteJordyLicks96 Saving the best for last, the '100 Years Ago' piano demo gets the recognition of the standout bonus track. Nicky Hopkins plays a stunningly beautiful piano along with Mick's wistful and wonderfully sung vocals. Doesn't sound like Nicky's playing. Too many plain chords. In fact it's more than one piano. Mayb
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I'm really positively surprised by this deluxe treatment. The 100 years demo is fantastic and the two instrumentals are great. I was expecting them to be close to the album version (even fearing that it might be just the album take without vocals)...
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At first listen I did not really like Mick's new vocals, but now I'm getting more and more into it. Also a bit of a pity that Nicky's piano is buried in the mix, always loved that about the outtake version.
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Quotejbwelda Not at all clear what is going on here...does that twatter post somehow mean they are releasing a single of Criss Cross or something? Or just some "hey look at us" twaddle? jb It means that they're releasing a music video for Criss Cross tomorrow, which most probably will be the single for the GHS deluxe (as it was the case with PMS for Exile deluxe and no spare p
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the most obvious single for GHS deluxe and yeah it really looks quite fresh...
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QuoteCristiano Radtke Tracklist for the outtakes CD: Rarities&Alternative Mixes 1. Scarlet 2. All The Rage 3. Criss Cross 4. 100 Years Ago (Piano Demo) 5. Dancing With Mr D (Instrumental) 6. Heartbreaker (Instrumental) 7. Hide Your Love (Alternative Mix) 8. Dancing With Mr D (Glyn Johns 1973 Mix) 9. Doo Doo Doo Doo Doo (Heartbreaker) – (Glyn Johns 1973 Mix) 1
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QuoteNikkei QuoteRockingLonestar The music man silhouette and the marshall amps from the 1989/90 tours. I knew this would come up but so soon? I'd rather see Keith with the Vox guitar or the Gibson V or the plexiglass or even something Yamaha before that He played a dan Armstrong plexiglass for one or more shows in 2007
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Quoterollmops What ever he used in Toronto at the El Mocambo shows in 1977!! But I know that equipment is a part of a successful performance; the player is the key. Rockandroll, Mops yeah, bring back the mesa boogie
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Quoterollmops Lot of pictures that are not well known here. The 1969 ones, at The Olympic studio are amazing. It tells the story of Let it Bleed. Mick, Keith, Charlie and Bill working their instrument while Brian stands looking at them, hands in his pocket, not participating. But there is one where Brian is seating on the floor, guitar in hands with a smile on his face, probably getting ready to
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I've never seen this before, just stumbled over it on youtube yesterday. A music video by Michel Gondry for a live version of Gimme Shelter. video: The only information I found was on Nico Zentgraf's website: "981100A November: THE ROLLING STONES. Promotional CD-single (Virgin CDVDJX 2880). Producers: The Glimmer Twins. - Gimme Shelter (MJ/KR) -Port Chester 25.10.97;
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that's very interesting and seems to be another (final?) puzzle in the recording of exile. The Track Talk at Timeisonourside also has just about the same quote from bobby Whitlock (apparently send to them per email last year)
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QuoteFour Stone Walls To Erik Snow, re WTBG. respectable was great social satire and ofcourse e real- life exerience. Lies was a bit lightweight but unpretentious fun. Sorry Sir, I misread you post to someone else. Will amend later. Pardon. WTBG was silly because it was MJ doing a Jimmy Pursey impersonation and is totally unconvincing. Nor is it it convincing that he's one of the lads
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that looks great...I'm really looking forward to read it
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ratbag boogie guitar index A good reason to bring these threads (compiled by withsssoul) up again
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QuoteStoneage QuoteNilsHolgersson A very woke playlist Aha, almost all black artists (except Mozart). A statement maybe? Or not... More like general influences and music Mick listens to (the other stones as well) In a way that has always been a statement His 2017 current listening Spotify playlist is pretty similar in that respect btw
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From that interview (slewan just linked above): I: A reference to the Rolling Stones makes it into “I Contain Multitudes.” Just as a lark, which Stones songs do you wish you could’ve written? BD: Oh, I don’t know, maybe “Angie,” “Ventilator Blues” and what else, let me see. Oh yeah, “Wild Horses.” Interesting that he mentioned VB between the other two well known ballads
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QuoteStonedAsiaExile QuoteDGA35 QuoteStonedAsiaExile QuoteErik_Snow Cool picture. That's from Hollywood Palladium 01/72. Supposedly Keith was thrown off the stage by Chuck, as he didn't recognize him, but maybe it's just a legend keith claims Chuck punched him lol.....and is the only to get away with it!! I thought the punch in the face happened in the late 70s? Not sure the
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I'm really curious if this will be more like Exile and SG with a lot of new overdubs or more in the vein of SF with only half an LP of studio outtakes
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Maybe we're getting to hear these DW rehearsals sometime in the future. quite an exciting list of covers they did at theses sessions.
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QuoteSomeGuy And this may be where Keith 'nicked' it from, a Gregory Isaacs single from 1978: that sounds very likely thanks for the link
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QuoteElmo Lewis QuoteThe Joker QuoteTumblinDice76 The Tide is High is a 1967 song written by the Paragons. Blondie covered it in 1980. So unless The Paragons stole it from Keith in 1967, probably not a lot of truth to that story. Sorry, it's not what I suggested Rumour is Keith covered the Paragons'song during a studio session during the late seventies (ok then, not the Winos), mayb
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QuoteGasLightStreet Quotemike567 QuoteGasLightStreet Known and unverified from 1972 Kingston sessions... released in bold (excluding Criss Cross from the METAMORPHOSES soundtrack): - You Should Have Seen Her Ass (MJ/KR) -Nicky Hopkins on piano I really would love to see some of these ones in perfect quality. If we get an Exile/SomeGirls treatment my money is on either
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Given that Mick listens a lot to hip hop as it seems, its quite telling that he prefers to put rappers on songs instead of doing it himself (talk about knowing what you're good at), like with Skepta on England Lost or the then never realized collaboration with Missy Elliot on Hide Away
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TumblinDice76 if you don't know (or if you do always great to register to this stuff from time to time) the Start Me Up version with reggae vibe: Start me up early version And I just stumbled over this while looking for the Start me up version Blondie Start me up
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it just got me thinking now... all these demos Keith and Mick recorded over the years...there could be real gems among them (in the vein of the honeymoon tapes etc)
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QuoteGasLightStreet Known and unverified from 1972 Kingston sessions... released in bold (excluding Criss Cross from the METAMORPHOSES soundtrack): - You Should Have Seen Her Ass (MJ/KR) -Nicky Hopkins on piano I really would love to see some of these ones in perfect quality. If we get an Exile/SomeGirls treatment my money is on either "you should have seen her d
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If I remember correctly, Keith claimed that he had recorded a demo version of the song that was circulating around in NY in the end of the 70ies and Blondie somehow got the idea to cover this song in a more pop-oriented way from his demo. Maybe it was in Bockris Keith Bio. I don't know. I remember that it seemed quite questionable to me, when I first read it.
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Well I really like this new song and it reminds me of a lot of stones songs, apart from all those already mentioned in this thread, the part in the bridge reminded me on if I was a dancer (“the radio…”, I think it’s just mick’s pronunciation) But there’s another thing that’s on my mind since yesterday, which is the contrast between the stones’ current public image and their contemporary studio w
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