The 81/82 tour was indeed great. However, the mix here is very poor. No more Sam Wheat, please!
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The Sun is Shining (1969 Altamont): . A real gem!
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QuoteErik_Snow "Hey Sam. This is Mick. I've just been on IORR. You're fired. The release will be delayed with 2 weeks." ><
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No Sam Wheat, but Bob Clearmountain! We can hope! Maybe they do read our reviews on this website.
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Thank you very much for your efforts, friend. Signed, Thomas.
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QuoteSighunt QuoteRobertJohnson I agree completely. Many thanks for your efforts and your time. I would still emphasize as an argument for a complete release of all three concerts that the band never played the songs in the same way back then, so fundamental differences can be noticed even by a broader audience and not only by the fans. Interesting thoughts, I tried, without going overkill, to
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I agree completely. Many thanks for your efforts and your time. I would still emphasize as an argument for a complete release of all three concerts that the band never played the songs in the same way back then, so fundamental differences can be noticed even by a broader audience and not only by the fans.
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QuoteMuddyw Hopefully Bob Clearmountain will do the honors! And not Sam Wheat! I pay double if not ...
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QuoteRobertJohnson QuoteMathijs QuoteRobertJohnson Great share! Many thanks. Never heard the original MSG in this clear sound. It is evident for me that no overdubbing on Ya Ya's was necessary.They edited some great moments of Mick Taylor and Keith, unfortunately. Well, no not really, they didn't touch the guitars at all except for some minor rhythm guitar of Taylor during Carol.
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QuoteMathijs QuoteRobertJohnson Great share! Many thanks. Never heard the original MSG in this clear sound. It is evident for me that no overdubbing on Ya Ya's was necessary.They edited some great moments of Mick Taylor and Keith, unfortunately. Well, no not really, they didn't touch the guitars at all except for some minor rhythm guitar of Taylor during Carol. Mathijs The guita
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Great share! Many thanks. Never heard the original MSG in this clear sound. It is evident for me that no overdubbing on Ya Ya's was necessary.They edited some great moments of Mick Taylor and Keith, unfortunately.
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I support this idea. Especially the three concerts in New York in a boxset would be a document of music history. And according to some YouTube videos and some bootlegs other versions are even greater than the versions in New York.The guitar sound on this tour is unique. Sed cave (but beware)! No Sam Wheat bullshit, I'm willing to pay double if Sam Wheat doesn't mix the sound.
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Quotekkhoranstoned Good morning Does anyone follow this amazing artist. Great concert last night at funky biscuit boca raton Yes, I saw her in Bochum and Dortmund (Ruhr Area, Germany) in small venues. In the non-pandemic times, the good old days.
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The 75 tour was the last tour they played SFTD without any samples and without plink plonk Chuck, rough and dirty. This is the real interpretation of this song. I like 75 and 76 in the same way, Ronnie was on his peak in soloing. Ollie Brown and Billie Preston made essential contributions. Without them no medley If You can't Rock Me / Get Off of My Cloud, a gem in the catalogue.
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QuoteChristiaan QuoteChristiaan THIS TOPIC MUST BE THE LONGEST RUNNING JOKE ON IORR Or at least the most reactions….. Till Doomsday ...
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What stands out is the outstanding sound quality. I have never heard the Beatles so powerful. Why is that not also possible with recordings of the Stones? Instead, we've been getting the Sam Wheat crap for years. Most recently he screwed up Wembley 82. Miami 94 is an outrage. And Atlantic City is anything but good! QuoteIrix The Beatles: Get Back-The Rooftop Performance - complete, newl
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QuoteStonedRambler No matter what they release, let's just pray they get rid of Sam What as a mixer I hope so, too! Get rid of the deaf man! He can't tell a flute from a jackhammer!
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Anyway, nice compilation. And included in Amazon Music.
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How brilliant Ronnie and Keith were on guitars then!
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Interesting would be the setlist of their first appearance in July 1962 and to play it again in July 2022.
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Quoteexilestones I love the LA '73 No Expectations! Oh yes, a better rendition, Keith's phrasing is very interesting and musically far above the Hyde Park performance. Mick Taylor is his majesty as usual.
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A very nice song with the last notable work of Brian Jones in the studio. Mick Taylor plays a nice solo, but the out of tune guitars are unbearable.
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QuoteWitness QuoteRip This QuoteDoxa Quotewaterrats QuoteTestify I liked SSS, glad they played it is a song that I love. Listening again from the video posted above, it's not even that bad, some inaccuracies that the Stones usually do especially on songs that don't often play live, but all in all I liked it. So do I. I guess, nobody expected that glitch during the song, at least the
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QuoteGasLightStreet Quotewaterrats...Then, they play SSS and Keith completely misses the right key for the solo. The only thing that really puzzles me here is the fact that he didn't change his playing on the fretboard at once but kept on playing the wrong notes. Just like he had no good monitoring on stage and couldn't hear his own playing, but this I can't imagine to be true. Not
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QuoteRambler62 They have no good sologuitar player.A guest musician would be helpful (e.g. Waddy Wachtel,Earl Slick, Mick Taylor)Greetings They have extremely reduced solos over the years. Then at least the solos they play should be good or at least conform to occidental harmony theory. I would be happy if Mick Taylor was back, but to play halfway coherent solos, the skills of Keith and Ronnie
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Overall, that's a bit much screwed up solos. Ronnie has been screwing up Start Me Up and Tumbling Dice for years. That's only music to a certain extent. Doesn't even stand out anymore. Keith keeps screwing up new songs. I really don't find that amusing. I don't think the band should be given a gaga discount.
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Quotebitusa2012 QuoteRobertJohnson QuoteDandelionPowderman You mean like Rocks Off, All Down The Line, Tumbling Dice and Brown Sugar? It's what they do with those chords that matter. Personally, I think there are exciting things going on in Living In The Heart Of Love and Come To The Ball as well. And standard r&b, rockabilly and rock'n'roll chord patterns never get o
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QuoteDandelionPowderman You mean like Rocks Off, All Down The Line, Tumbling Dice and Brown Sugar? It's what they do with those chords that matter. Personally, I think there are exciting things going on in Living In The Heart Of Love and Come To The Ball as well. And standard r&b, rockabilly and rock'n'roll chord patterns never get old for my ears, when executed brill
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I have listened to the new songs several times now. The highlights are undoubtedly the cover versions. Of the original compositions, only Fast Talking Slow Walking is worth mentioning. This is the only self-composed song that has a certain musical architecture. Everything else are arbitrary chord progressions that could be different, and a lot of Jagger noise that could be different, too.
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QuoteMathijs QuoteRobertJohnson Quotedcba QuoteMathijs Then the Wembley show...It just doesn't sound very nice in my opinion, it is just not very pleasant to listen to. They play like they are having a fight. Mathijs Fine description of this tour! I remember reading a contemporary interview in which Keith hissed that pitiful Jagger was out of breath after only 3 numbers. I always h
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