Ordered. "THE WILTERN" name always remind me of Tom Petty & The HeartBreakers live footage from 1985.
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Quotejahisnotdead I've probably written this on this thread before but this arrangement of satisfaction has always been my favorite. Wasn't The Rolling Stones covering Otis recreating Satisfaction ? My fave live version is the one from the next tour performed on the Les Paul.
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All that we need is every involved businessmen really willing to get the recorded material released.
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That said using formal english helps non native speakers. Sometimes I read some post written in street language and I wonder what does it means.
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I have forgoten the number of french rooted words is modern english but that is quite a lot. And french in its turn includes some arabian terms.
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"Exit on men's street" is a Rolling Stones album, "way out" an ABB song.
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We should consider GYYYO expanded release to be a miracle.
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There are very good things on John's Rock N Roll album.
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QuoteGasLightStreet Quoteds1984 7th of July and Rolling Stones '90 (Tokyo feb 26) sounded both like the real deal. I was left speechless by Flashpoint. OK. I'll take the bait for everyone else: In a good way? Doesn't seem like it. You read it right. I have heard Rolling Stones '90 bootleg month before and was anticipating the Flashpoint release as an improvemen
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If Canada becomes IORR speaking reference alors il faut inclure le french.
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7th of July and Rolling Stones '90 (Tokyo feb 26) sounded both like the real deal. I was left speechless by Flashpoint.
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AI will be able to do it soon but not yet.
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I'd like to see if a commercial exploitation in Europe of The Beatles Live at Stowe School by an established reissue label - such as for example Bear Family Records - will see the light. If they can do it without being sued or not.
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Quoteslewan Quoteds1984 Quoteslewan Quoteds1984 You mean an UNlawful fixation can become lawful? of course not. but once the copyright has expired the question of lawfully recorded or not has become irrelevant. The logic behind this is: Once the copyright has expired, you can no longer infringe it I would say if such a case happened, doing commercial exploitation of unlawful fixed work af
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Quoteslewan Quoteds1984 You mean an UNlawful fixation can become lawful? of course not. but once the copyright has expired the question of lawfully recorded or not has become irrelevant. The logic behind this is: Once the copyright has expired, you can no longer infringe it I would say if such a case happened, doing commercial exploitation of unlawful fixed work after 50 years, would end
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Quoteslewan Quoteds1984 Quoteslewan Note that it doesn't matter – (only) for the question of copyright expiration – whether the recording was/is made legally or illegally. Well in case of unlawful fixation the artist has the moral right to prevent the tape to be published. Unlawful fixation is not the point of the law about "copyright duration" By definition an unlawful fi
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Quoteslewan Note that it doesn't matter – (only) for the question of copyright expiration – whether the recording was/is made legally or illegally. Well in case of unlawful fixation the artist has the moral right to prevent the tape to be published. Unlawful fixation is not the point of the law about "copyright duration" By definition an unlawful fixation can't be cop
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QuoteTheflyingDutchman QuoteRicky 2,223 now Maybe if it reaches 2500... +1 +2
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My radio did broadcast the song and I surprised me doing foot tapping while listening to it.
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I don't get Darryl bashing Both Mick and Keith decided that he was good enough to play for them. Do these fans think that Doug Wimbish would have been a better option if he had not turned down the offer? I should remember that Mick T was also considered by somes as not fitting the Rolling Stones spirit.
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Note : The Rolling Stones disbanded after Dirty Works and went solo ventures before the taste of success made Sir Mick and Rebel Keith bury the hatchet. So The Kinks (1964-1996) are beating the Stones in uniterrupted logevity.
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Quoteslewan What you are adding is that the word 'legal copy' in this can't be found in he law. Even the word 'legal' (let alone 'legal copy' isn't used in the quote. The terms 'lawfully' and 'lawful' are referring to publishing and communicating. (The references to 'lawfulness' are important to ensure that the copyright is
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Quotefrankotero ds1984, you missed Chaos And Creation. Probably his best work since Band On The Run in my opinion. Excluded from my list as Chaos And Creation was released at the same time as A Bigger Bang.
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QuoteMKjan Quoteds1984 QuoteMKjan *Imagine it's 1962, and you go into a record shop and buy a new album by a band that formed in 1900. * rounded to 2024. 1962 ? Well there is this single just released by 4 northern guys... ** disqualified ** for an ersatz money grab. they are long gone, the Stones are here with a #1 album. Memory Almost Full New Egypt Station McCartney III All
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QuoteMKjan *Imagine it's 1962, and you go into a record shop and buy a new album by a band that formed in 1900. * rounded to 2024. 1962 ? Well there is this single just released by 4 northern guys...
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Quoteslewan Quoteds1984 Quoteslewan Quoteds1984 By making additionnal research I see that in my last post I may not have understood the 2011 EU directive in it's full extend - I was wrong about "public domain", this is not the right matter. That put light in the case of the Rolling Stone NOT publishing their own archive post 1970, they don't do it because they don't
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QuoteDoxa We need to also remember that the curtain set by 'Beatles Directive' - that of ANY recording reaching 70 years will be Public Domain - is getting closer and closer... Compared to that I think some non-officially released stuff is not really such a big deal... - Doxa Start january 1st 2034. Which artists will be still alive to be concerned ?
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Steel Wheel was at a time when the Rolling Stones were active in recording new music. The Rolling Stones creating active years almost ended with A Bigger Bang. Since that a blues cover album and a few singles went before Hackney Diamonds, otherwise they went a cashing machine on past material exploitation. So this statistic doesn't really moves me.
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Quoteslewan Quoteds1984 By making additionnal research I see that in my last post I may not have understood the 2011 EU directive in it's full extend - I was wrong about "public domain", this is not the right matter. That put light in the case of the Rolling Stone NOT publishing their own archive post 1970, they don't do it because they don't need to do it. T
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QuoteIrix Quoteds1984 The Rolling Stones becoming their own record producer are not affected by this article contrary to Pink Floyd or Bob Dylan. The Rolling Stones holding their own rights since 1971 (Promo-Group) while Pink Floyd and Bob Dylan sold recently their rights to Sony Music. Are you sure that the 2011 EU directive covers the exact same kind of rights. There are performer ri
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