I think you kind of answered your own question with that list. Most of those shows were festival events.
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Quotemaumau Quoteretired_dog When was the last time Mick did backing vocals on a Keith lead vocal tune? The Worst, that I recall This Place is Empty!
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My wife, who graciously tolerates my Stones listening habits, points out that the melody here is reminiscent of “Slipping Away.” Every time I giiiiive a little bit Each time that I faaaaaaaaaal asleep A good catch. I am ashamed that I missed it!
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QuoteDandelionPowderman Regarding Ronnie's slide playing. Seems like Andrew Watt has worked Ronnie hard. Compare his playing on Rouch Justice and other ABB-tracks with Depending On You and Dreamy Skies. He plays in a different league here. Fabulous playing. Well done! It’s Ronnie’s best album in a long time. I can understand why he was so excited about it.
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Quotegeorgelicks Final US sales predictions are in, it looks like the album will sell more in the UK this week... Drake’s For All the Dogs (OVO/Republic) is headed back to #1 after being supplanted in its second week by Bad Bunny’s nadie sabe lo que va a pasar mañana (Rimas), which will now fall to #3. Meanwhile, Columbia’s blink-182 is set to arrive at #2 with an impressive six-digit bow, and
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“Almost positive,” eh?
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Jeremy Bares with a spot-on cover of Keith’s part:
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This guy does amazing work on YouTube. Here is his “Tell Me Straight” cover: Keith is open G and plays Dadd9 and Cadd9 before playing that haunting Bm with a sharp five.
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My favorite track on the album, by some distance. Keith’s background vocals. Ronnie’s B-bender guitar licks. And Mick’s melody. Infectious. Some of the lyrics on the album make me cringe. These are simple and predictable, but the way they’re phrased and delivered — they just sit in the pocket so beautifully.
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It’s also kind of a rocked up version of Always Suffering. Keith plays almost the exact same solo on both.
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QuoteMelBelli QuoteMathijs Very reminiscent of a 1978 Pathe Marconi outtake, but I can remember which one. Mathijs “Golden Caddy.” Also “Part of the Night.” Never mind. I thought I was in the Tell Me Straight thread!
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QuoteMathijs Very reminiscent of a 1978 Pathe Marconi outtake, but I can remember which one. Mathijs “Golden Caddy.” Also “Part of the Night.”
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Quoteopen-g Quotehockenheim95 Angry is in a different key than the Studio version It is indeed half a step down Do I hear Darryl tuned down to Eb on the low string? That sounds pretty cool.
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QuoteJimmyTheSaint Knives out at pitchfork. 4.5/10 I had actually forgotten that Pitchfork exists.
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Quotebitusa2012 I’m still very interested to know where on the album Keith plays the piano he’s credited with. Anyone have a clue/idea? Or better yet, KNOW? I don’t know if he’s credited, but that’s definitely him on Tell Me Straight. More or less the same Floyd Cramer-esque licks he plays on This Place Is Empty.
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Quotemakustone Quotedonvis Quotemakustone Ronnie Solo What song???? Jumping Jack Flash maybe ? That’s what it sounded like to me.
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QuoteDandelionPowderman QuoteMelBelli Quotekeefriffhards QuoteMusicwinn The complete album is available on YouTube now. Ir sounds fantastic, will be listening to it the whole day, enjoy folks. Hackney Diamonds album on youtube It's just the two singles and then says 10 hidden tracks, its just click bait. Red flag for bv: Stay away from that guy’s garbage YouTube channel. Didn&#
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Quotekeefriffhards QuoteMusicwinn The complete album is available on YouTube now. Ir sounds fantastic, will be listening to it the whole day, enjoy folks. Hackney Diamonds album on youtube It's just the two singles and then says 10 hidden tracks, its just click bait. Red flag for bv: Stay away from that guy’s garbage YouTube channel.
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QuoteMisterDDDD QuoteTopi Who's on backing voc on Mess It Up? A gospel choir is involved according to this review.. "And “Mess It Up,” although edging closer to corny than anything else here, in the end makes good use of both a gospel choir and a disco beat. (“You think I’d mess it up, mess it up, mess it up all for you?” Jagger sings to an aspiring mistress who, per the lyrics, s
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QuoteCJFP Why do people think Mess It Up would be released today? Mick indicated this in an interview with Mark Goodman on SiriusXM.
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Quotestanlove Quotebye bye johnny Ronnie interview with NME It would be cool if the interviewer wasn’t off by 10 years. LOL, yes.
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QuoteMonkeyMan2000 QuoteMelBelli Keith tells Paul Sexton that he wanted to write a song around the unusual chord found in “Tell Me Straight.” It’s a B minor with a sharp five. He’s been intrigued by that chord for many years. You can hear him work with it on “Part of the Night” from the Fully Finished Outtakes set. It's basically the same arpeggio of the same chord he plays in the verse
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Quotebig4 QuoteMelBelli Keith tells Paul Sexton that he wanted to write a song around the unusual chord found in “Tell Me Straight.” It’s a B minor with a sharp five. He’s been intrigued by that chord for many years. You can hear him work with it on “Part of the Night” from the Fully Finished Outtakes set. Part of the Night is a strong tune. Evolved from Golden Caddy, right? I think that’s
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Keith tells Paul Sexton that he wanted to write a song around the unusual chord found in “Tell Me Straight.” It’s a B minor with a sharp five. He’s been intrigued by that chord for many years. You can hear him work with it on “Part of the Night” from the Fully Finished Outtakes set.
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QuoteTooTight QuoteMelBelli Where is Mick going in “Driving Me Too Hard”? Morocco and … ? The corner bar. Ah, good line. Maybe my favorite of the bunch. Great melody, sweet Keith harmony, and Ronnie on B-bender.
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Where is Mick going in “Driving Me Too Hard”? Morocco and … ?
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QuoteIrelandCalling4 From the Independent, the over praising of current album, negating basically everything said about previous. Be an interesting read at least. Behind the paywall; some kind soul will hopefully post the text here at some point Critics criticizing critics — the worst genre of all!
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QuoteStoneage I actually think many of the interviews in so called renowned newspapers are pretentious, repetitious and boring. Why bring up the sixties and seventies again when there have been tons of books written about it? Do they assume that the reader is totally unaware of the band's history? Sure, you can find some nuggets in it also. If you can find them in the mass of texts... Th
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YouTube clips are rolling out: “Rolling Stone Blues”: Grandpa Gus: Charlie (with brief snippet of Live by the Sword): Satisfaction:
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Some great stuff in there. Of the new tunes we haven’t heard yet, Howard played clips of Tell Me Straight, Live By the Sword, and Rolling Stone Blues.
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