Not for me.
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I liked this cover.
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I must admit Wiltern is leaving me with frustration. I watch Licked Live In NYC and I don't hear the same band playing. For the club gigs better to stick with the stripped ones.
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QuoteRollingFreak QuoteValeswood QuoteKeithNacho Is it Gilmour or Snowy White?? I believe it is Snowy White who also played the solo on the 1977 Tour. Correct, its Snowy White. Excellent solo, no idea why it wasn't Gilmour but Snowy did fantastic. Snowy was auditionned for the tour before Animals was completed. At the time of the audition one of David's solo had been erased by er
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I watched it once and I can't really say I enjoyed it compared to the 1995 club show.
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The documentary is Jodorowsky's Dune by Frank Pavich - 2013 Although the storyboards is just insane I get serious doubt about this transcribed on screen by that man. I highly recommand to watch it.
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I would tend to say that ABKCO seems not to be totaly at liberty to remix their Rolling Stones catalogue. I mean if they were, they would have already done it.
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Quotetommycharles Looking forward to this immensely. Licks was the last gasp of something, I think. I feel the same. When I heard some 2006 shows something did not sound right.
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Quoteangee Does no one besides me love Animals? Likely mentioned up thread a ways... For my part I do prefer both WYWH and Animals over TDSOTM. But TDSOTM is the iconic album from Pink Floyd, there is a before and an after that album. Cornerstone album. Fact over personal taste.
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There are no "one best album of all time" Otherwise if it should have one, let say it is The Freewheelin' and subjectively declare case closed.
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Right, Lady Gaga is truly talented but she isn't the most memorable GS performer. I am a bit sad having to write this. Well I enjoy her duetting with Tony Bennett
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Ordered. "THE WILTERN" name always remind me of Tom Petty & The HeartBreakers live footage from 1985.
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Quotejahisnotdead I've probably written this on this thread before but this arrangement of satisfaction has always been my favorite. Wasn't The Rolling Stones covering Otis recreating Satisfaction ? My fave live version is the one from the next tour performed on the Les Paul.
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All that we need is every involved businessmen really willing to get the recorded material released.
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That said using formal english helps non native speakers. Sometimes I read some post written in street language and I wonder what does it means.
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I have forgoten the number of french rooted words is modern english but that is quite a lot. And french in its turn includes some arabian terms.
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"Exit on men's street" is a Rolling Stones album, "way out" an ABB song.
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We should consider GYYYO expanded release to be a miracle.
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There are very good things on John's Rock N Roll album.
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QuoteGasLightStreet Quoteds1984 7th of July and Rolling Stones '90 (Tokyo feb 26) sounded both like the real deal. I was left speechless by Flashpoint. OK. I'll take the bait for everyone else: In a good way? Doesn't seem like it. You read it right. I have heard Rolling Stones '90 bootleg month before and was anticipating the Flashpoint release as an improvemen
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If Canada becomes IORR speaking reference alors il faut inclure le french.
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7th of July and Rolling Stones '90 (Tokyo feb 26) sounded both like the real deal. I was left speechless by Flashpoint.
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AI will be able to do it soon but not yet.
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I'd like to see if a commercial exploitation in Europe of The Beatles Live at Stowe School by an established reissue label - such as for example Bear Family Records - will see the light. If they can do it without being sued or not.
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Quoteslewan Quoteds1984 Quoteslewan Quoteds1984 You mean an UNlawful fixation can become lawful? of course not. but once the copyright has expired the question of lawfully recorded or not has become irrelevant. The logic behind this is: Once the copyright has expired, you can no longer infringe it I would say if such a case happened, doing commercial exploitation of unlawful fixed work af
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Quoteslewan Quoteds1984 You mean an UNlawful fixation can become lawful? of course not. but once the copyright has expired the question of lawfully recorded or not has become irrelevant. The logic behind this is: Once the copyright has expired, you can no longer infringe it I would say if such a case happened, doing commercial exploitation of unlawful fixed work after 50 years, would end
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Quoteslewan Quoteds1984 Quoteslewan Note that it doesn't matter – (only) for the question of copyright expiration – whether the recording was/is made legally or illegally. Well in case of unlawful fixation the artist has the moral right to prevent the tape to be published. Unlawful fixation is not the point of the law about "copyright duration" By definition an unlawful fi
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Quoteslewan Note that it doesn't matter – (only) for the question of copyright expiration – whether the recording was/is made legally or illegally. Well in case of unlawful fixation the artist has the moral right to prevent the tape to be published. Unlawful fixation is not the point of the law about "copyright duration" By definition an unlawful fixation can't be cop
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QuoteTheflyingDutchman QuoteRicky 2,223 now Maybe if it reaches 2500... +1 +2
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My radio did broadcast the song and I surprised me doing foot tapping while listening to it.
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