The 1969 USA tour has been on my radar for nearly 50 years. I bought ‘Get yer ya Ya’s out’ on LP and loved it. Later when the ‘Gimme Shelter’ movie arrived on the big screen I viewed the band (on the screen with the loud soundtrack) many times over that summer, and it cemented the one way relationship the Rolling Stones and I have to this day.
In retrospect it seemed wrong that Altamont was the focus of the movie for me, and I always wanted to actually view one of the full concerts, any one would do from the many (great) sounding LP bootlegs I collected in the 1970’s from the 1969 tour. I started learning video editing as a hobby in 2014, and since have worked on many (Rolling Stones) concerts, but never considered a 1969 project due to lack of good video or audio.
It came to pass that I decided a year ago, after meeting and chatting with Sam Cutler at a local event, to finally consider a real ‘50th Anniversary 1969 USA tour video’, one where Altamont is framed away from the successful concerts the band put on as they roared through the States.
In the past year I have been sent recordings from other good people who won’t be named (for their reasons) who were interested in the project and wanted to help. Some were too grainy or too jerky. I managed to squeeze out some good bits. Others like ‘Sympathy for the devil’ and ‘Live In Vain’ were coaxed from ‘other recordings’ - the Midimannz reimagined edit- but will serve for this purpose. Much has also been coloured to fit the times.
The holy grail arrived late this year from IORR in an almost complete beautiful Audio recording from the BOSTON 1969 2nd show show. Sincere thanks due to "intercepter' for the IORR upload - this shows the 'power of the team'. This ones for you mate !!
I renewed the task, my goal was to have a full concert out before the Boston 29 November 1969 50th Anniversary.
After all, this is a celebration of THAT event, not the later Altimont tragedy.
Video was synced (or amended) to fit the non-overdubbed audio, overall sounds have been somewhat balanced, and merged for continuity during the fade in/fade out of the chapters.
Beautiful DVD BluRay covers from Jurgen
I could keep ‘massaging’ it, but it’s finally good enough for me to enjoy on the 50th Anniversary of my first ‘live’ introduction to the Band we all love.
Now you can have it too
Happy Christmas friends......
Midimannz 29.11.2019
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youtu.be]
THIS IS UNLISTED to prevent the 'copyright takedown' 30 of my other shows have suffered
UPDATE: its already blocked .........
MP4 for download [
wetransfer.com]
1 item, 969 MB in total ? Will be deleted on 6 December, 2019
1969.11.26 Boston DVD5 part 1
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1969.11.26 Boston DVD5 part 2
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1969.11.26 Boston DVD5 part 3
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1969.11.26 Boston DVD5 part4
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Will be deleted on 6 December, 2019
1969.11.26 Boston DVD9 part 1
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1969.11.26 Boston DVD9 part 2
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1969.11.26 Boston DVD9 part 3
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1969.11.26 Boston DVD9 part 4
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1969.11.26 Boston DVD9 part 5
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1969.11.26 Boston DVD9 part 6
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Will be deleted on 6 December, 2019
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FROM 'GIGINJAPAN' notes
this time we’re releasing the November 29 Boston show. The show is held twice a day, but the sound quality is excellent and it is the second show that is sufficient for release on this limited press CD. It was a well-known sound source among manias in the middle game of the 69’s American Tour. The rare sound source recorded by the BootlegerTM OQ team’s dub, even in the area of ??Oakland and San Diego, is a sufficiently high level for 1969 audience recording, and several items have been released in the past is.
It is the familiar name of the sound source that was recorded, Joe Maloney. As a result of the sound source by him spread widely in the 21st century, the DAC label “SOME SATANIC TOUR” based on it is considered to be the best. More than a decade has passed since the sound source distribution and release, and it was the first generation copy of the Maloney sound source that was newly added last year when this release was released. It was the familiar Krw_co that published it. In terms of sound quality, the previous version is of sufficiently high quality, and this version does not necessarily have a dramatic upper feeling, but the natural degree is clearly improved. The original sound source was accompanied by a major drawback that the pitch was extremely raised when copied from the master, but it was also precisely adjusted when released. However, in order to respect the high sound quality unique to Maloney, no extra equalization etc. have been added.
However, it is the first sound source in the recording by Maloney living in Boston, and the vintage feeling that there is 69 years combined is attractive there, conversely speaking it is not the area of ??Oakland or San Diego, but overall freshness It is a recording that can be felt coarser than.
Still this is a name recording that you can listen to enough, but what you say is full of what you listen to. I think that the 69-year tour is divided into “before MSG” and “after MSG” in which the atmosphere of the performance was recorded for live album, but for this day it is a highly complete performance just after MSG The stage goes on in the middle. However, in the third of “Sympathy For The Devil” (the “Kenydi”), Mick sang the melody in an unstable manner, whether it was messed up with the melody up to the second, or the monitor was out of order Because of that, as usual shouts were too few and finished without boiling down. However, it was Taylor who knocked down with great play as if reading the air. Unlike in the first half of the tour, he came to be able to play a solo, too, is a sight only after MSG.
Mick and Keith are two songs played by only two people, but for some reason, it is very valuable to play in the form that added a pickup to a 12-string acoustic guitar only for this day (And the atmosphere is pastoral). Because this form of performance becomes a regular style in the 70-year European tour, it is because only Boston was trying it in ’69. In addition, the scene where Mick screams like a roar of Indians after finishing the performance of “Prodigal Son”, which was not heard in the items of the past.
But did not his fortune be limited to this day? This time, Mick starts to blow the harmonica to start “Midnight Rambler”, but the trouble is that every time he plays a sound, howling sounds and the performance can not start. It is an unforeseeable problem with the American tour of 72 and 75 years, but it is one of the PA problems that could have happened in 69 years. However, the performance itself is wonderful, and here too, the strength of the MSG uniqueness is overwhelmed. And Charlie’s Basdora play that was won with “Live With Me”, which was remarkable on the first day of MSG, was a series of consecutive strikes from that day’s interval play, while here in Boston I’ve been stroking from the very end of the day Please listen to the wonderful Charlie’s footsteps.
After all MSG Stones’s performance is really high level, it is a real document by Maloney’s famous recording that the band itself is in excellent condition here in Boston. By the recording of the pedigree-written version of the first generation, it is recorded to the scene of the first appearance slightly, but it is suitable to be called the new definitive edition of Boston 69. At the same time, while including the happenings (all due to Mick is a laugh), the first time the band played with MSG tension is really great!
Edited 9 time(s). Last edit at 2019-11-29 20:44 by midimannz.