Tell Me :
Talk
Yep - awesome performance!
I've got some news for you, Kennedy... Unless, of course, you meant the full show.
He even played with a local band from Southern Germany, Black Cat Bone, and recorded an album 'Taylor Made' with them. When I was young I knew their guitarist, Hans Joerg Mueller, who once played for me in his living room.
Here is one song, if you like it you can look for others at youtube:
The Stumble- Black Cat Bone featuring Mick Taylor
[www.youtube.com]
Edited 1 time(s). Last edit at 2017-08-17 18:26 by saltoftheearth.
Yes, I'd nearly watched the whole thing before I realized "Oh, that's where I saw this before.". But totally worth watching again.
Talk about your favorite band.
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Re: OT fantastic video, worth own thread -Paris -1968 - plethora of rock legends
Posted by:
mosthigh
()
Date: July 14, 2017 01:22
Saw this years ago. Some of it is overdubbed (Small Faces), and it is strange to see people dancing (and blocking the camera) like its a disco or something.
That said, it is an incredible time capsule with some great (mostly live) performances. Joe Cocker is a standout.
That said, it is an incredible time capsule with some great (mostly live) performances. Joe Cocker is a standout.
Re: OT fantastic video, worth own thread -Paris -1968 - plethora of rock legends
Posted by:
Cristiano Radtke
()
Date: July 14, 2017 01:23
Re: OT fantastic video, worth own thread -Paris -1968 - plethora of rock legends
Posted by:
The Joker
()
Date: July 14, 2017 10:08
Here is another clip of the show
[www.youtube.com]
Just find and ordered a full version - 2 DVD - 216 minutes, which includes much more than the 94 minutes set list featured on Youtube.
[www.modcinema.com]
And some thoughts about it..
[dangerousminds.net]
SPEND NEW YEAR’S EVE 1968 WITH THE WHO, SMALL FACES, FRANÇOISE HARDY & PINK FLOYD
New Years Eve, Paris, 1968. Amidst a volatile political climate of civil unrest that nearly brought the entire country to a virtual halt, rock ‘n’ roll music was still prevailed as “teenage entertainment” before being overthrown by the hippie culture of Woodstock the following year. The 3 1/2 hour New Years Eve Surprise Partie broadcast from the ORTF Studios (the only French TV channel at the time) is a beautiful, ultra-mod, time capsule that features rare performances by Jacques Dutronc, The Troggs, Françoise Hardy, Aphrodite’s Child, Johnny Hallyday, Fleetwood Mac, The Who, The Small Faces, P.P. Arnold, Booker T & The MGs, The Pink Floyd, Marie Laforet, The Equals, and many others. The invitation-only guest list included hundreds of fashionably dressed Parisian partygoers wearing the latest styles, and casually lounging about every inch of a cool, modern, space-age set.
Many of the artists here are documented during a very specific transition period in their careers. The Who lip-sync to “I Can See for Miles,” “Magic Bus,” and the rare Jigsaw Puzzle version of “I’m a Boy” with high energy despite the fact they had just suffered a year long dry spell devoid of commercial hits. Just a few months later they would switch gears with the musical Tommy and go on to become one of greatest stadium rock bands of the ‘70s. Later, during the Small Faces performance Keith Moon and Pete Townshend can be seen sitting behind Kenney Jones’ drum riser grooving to the music and having a good time without drawing attention to themselves. The Small Faces didn’t even bother to plug their gear in—they were only weeks away from breaking up—and performed tracks from their final album Ogden’s Nut Gone Flake.
The Pink Floyd can be seen still finding their way after the loss of vocalist and songwriter Syd Barrett just one year prior. In 1969 they would get back on track becoming the premiere live space rock band, incorporating their success into their fourth album Ummagumma, recorded five months later. The Equals (notable for being one of England’s first racially integrated bands) perform their million-selling chart-topper, “Baby, Come Back,” with guitarist Eddy Grant looking as if he had just time traveled from the 1981 punk scene, sporting bleached blonde hair and an orange vinyl suit. Eddy Grant‘s futuristic vision would serve him years later with a very successful solo career that included the platinum single “Electric Avenue.” Fleetwood Mac is also in wonderful form here with Jeremy Spencer taking the lead on two of the three songs, he would abruptly leave the band just two years later to join a religious group called the Children of God.
In an impressive television debut, English singing, French-based rock band Les Variations belt out some classic ‘60s garage tunes in front of a wildly enthusiastic home crowd. In his memoirs, guitarist Marc Tobaly remembers everyone getting a little bit drunk at the canteen down the street from ORTF Studios, insisting that the viewers at home were indeed watching a “real” party on television. American soul singer P.P. Arnold sang her interpretation of the Bee Gees song, “To Love Somebody.” Sadly, her performance here suffers from a poor sound mix, and she is not joined by The Small Faces for “If You Think You’re Groovy” despite the fact that they played on the recording and were present at the TV studio during the taping. While YouTube videos of Surprise Partie are constantly being removed because of content-ID matching, the fine folks over at Modcinema are selling a fantastic looking transfer on DVD as a 2-disc set. Dig it!
[strangerthanknown.blogspot.com]
New Year's Eve 1968 "Surprise Partie" with The Who, Small Faces, Booker T, Pink Floyd, Joe Cocker, Fleetwood Mac... Dawn of the Rock Revolution
“Surprise-Partie” (see clip below) was broadcast on French TV on December 31st 1968 from the ORTF Studios in Paris and features The Who, The Small Faces, Booker T and the MGs, The Pink Floyd, The Troggs, The Equals, Joe Cocker, Fleetwood Mac and French band Les Variations.
Nowadays New Year's Eve TV pop / rock specials are the norm - in the UK Jools Holland's Hootenanny has been running for nearly 20 years now - but back in the 60s Rock music was not accepted as mainstream family entertainment nor as prevalent on TV as it is now so this program is actually pretty cool and progressive for its time. Auntie BBC certainly weren't doing this kind of thing in the late 60s.
The Who
The Pipers at the Gates of Dawn
The program may have been a novel idea for its time but it also seems to show mid 60s pop culture in the last throes of its show-business trappings and on the cusp of the new age of rock. 1968 is remembered as a chaotic and revolutionary year - in France it almost brought the downfall of the government - but a musical revolution was also brewing which would affect all the bands here. 1968 can be seen as the last year in which rock'n'roll would still be seen as teenage "entertainment". The rock revolution of 1969 was about to turn it into an "art form" to be taken seriously and the hitherto "underground" hippy culture would go mainstream at Woodstock. The stage was set for change and some of the bands seen here, like The Who and Fleetwood Mac, would reinvent themselves and ride the new wave. Others, like The Troggs or The Equals, would soon find themselves cast adrift by the new rock cognoscenti who found their lightweight punk pop to be frivolous and ephemeral.
The transformation of The Who is perhaps the best example of the changes about to occur. They'd had a run of top 20 hit singles from 1965 to 1967 but had suffered a year long commercial dry spell in 1968. They were even starting to look washed-up. Yet at the time of this (mimed) performance of old hits they were just months away from releasing their rock opera Tommy, triumphing at the Woodstock festival and becoming one the great 1970s stadium rock bands.
It's also worthy of note that this show took place only 3 weeks after the band's stunning and show-stealing live performance in the Rolling Stones Rock'n'Roll Circus film. They didn't know it yet but The Who were about to have their most successful year ever in 1969.
The Small Faces
Unfortunately for the The Small Faces things looked bleaker. They were only weeks away from breaking up and this performance is possibly their last for TV. Singer and guitarist Steve Marriott, aware of the way rock was about to change and frustrated at being unable to shake off the band's Lazy Sunday / Itchycoo Park novelty "pop" image, went off to form rock boogie kings Humble Pie and conquer America. The Small Faces eventually cracked it by recruiting Rod Stewart and Ron Wood and reinventing themselves as the Faces.
Note - Look closely here, you can see Pete Townshend and Keith Moon sitting at the back of the stage - no doubt offering encouragement or the occasional acerbic witticism.
Fleetwood Mac were about to leave the blues behind and find considerable crossover success with chart hits like Albatross and Man of the World.
The Pink Floyd, however, were still finding their way after the loss of Syd Barrett 12 months earlier and were now on the way to becoming the premier live space rock band of 1969 - to which the live half of Ummagumma (recorded 5 months later) would be excellent testament.
Joe Cocker, like The Who, was to find super-stardom the following summer when he put in a stunning performance at the Woodstock festival.
The Troggs and The Equals, who might be about to find the new rock revolution a little tougher going, are certainly on fine form here and perhaps act as a portent of the late 70s punk era's return to the ethics of power and simplicity.
Fleetwood Mac
France's Les Variations are worth noting. This show was actually their TV debut and they soon left behind their rather splendid garage punk posturing here and started to write harder rock material that showed a strong north African and Moroccan influence. They became one of France's most successful bands of the early 70s and also the first French rock band to tour America and sign with an American label.
Booker T and the MGs
The Performances
All performances are live except The Who and The Small Faces who mimed for some reason. Did their gear get lost on the Channel ferry?
The Booker T and the MGs set is outstanding although there seems to be a bit of a mystery with regard to the date. The Stax / Volt tour of Europe with the MGs, Otis Redding, Eddie Floyd, Carla Thomas and Sam and Dave was in early 1967. Did the MGs return on their own the following year?
The Equals, who were one the UK's first racially integrated bands, perform a frantic set of soul stompers. Fleetwood Mac are also on fine form with Jeremy Spencer, in full-on Elmore James mode, taking the lead on two of the three songs.
Les Variations are simply classic 60s garage rock. Playing before an, at times, wildly enthusiastic home crowd this is an impressive TV debut. I'm sure many of those present would even have claimed that they stole the show.
Les Variations
All in all, this is great stuff. Like Hugh Hefner's "Playboy After Dark" it is another classic example of late 60s grooviness from a glittering day-glo era which was just about to change into a darker shade of denim and take itself far more seriously...
See below for artist order and tracklisting.
The WHO
01 - I’m A Boy
02 - I Can See For Miles
03 - Magis Bus
Roger Daltrey : vocals
Peter Townshend : guitar, vocals
John Entwistle : bass
Keith Moon : drums
The SMALL FACES
01 - Odgen’s Nut Gone Flake
02 - Song Of A Baker
03 - Rollin’ Over
Steve Marriott : guitar, vocal
Ian McLagan : keyboards
Ronnie Lane : bass
Kenny Jones : drums
BOOKER T & The MGs live at “Bibelot", unknown date”
01 - Green Onions
02 - Hooker Loo
Booker T Jones : organ
Steve Cropper : guitar
Donald “Duck” Dunn : bass
Al Jackson : drums
PINK FLOYD live at “Bilboquet" - Paris, Sept 7, 1968
01 - Let There Be More Light
David Gilmour : guitar, vocals
Richard Wright : keyboards, vocals
Roger Waters : bass, vocals
Nick Mason : drums
The EQUALS
01 - Softly Softly
02 - Equality
03 - Baby Come Back
Derv Gordon - lead vocals
Lincoln Gordon - guitar
Eddy Grant - guitar
Pat Lloyd - bass guitar
John Hall - drums
Les VARIATIONS
01 - Around & Around
02 - Everybody Needs Somebody
To Love
03 - Satisfaction
Joe Lebb : vocals
Marc Tobaly : guitar
Jacques “Petit Pois” Grande : bass
Jacky Bitton : drums
The TROGGS
01 - I Can’t Control Myself
02 - Peggy Sue
03 - Somewhere My Girl Is Waiting
Reg Presley : vocals
Chris Britton : guitar
Pete Staples : bass
Ronnie Bond : drums
JOE COCKER live at "Tour de Nesle" - Paris, unknown date
01 - I Shall Be Released
02 - With A Little Help From My Friends
FLEETWOOD MAC
01 - Homework
02 - My Baby's Sweet
03 - Dust My Broom
Peter Green : guitar, vocals
Jeremy Spencer : slide guitar, piano, vocals
Danny Kirwan : guitar
John McVie : bass
Mick Fleetwood : drums
Edited 1 time(s). Last edit at 2017-07-14 10:09 by The Joker.
[www.youtube.com]
Just find and ordered a full version - 2 DVD - 216 minutes, which includes much more than the 94 minutes set list featured on Youtube.
[www.modcinema.com]
And some thoughts about it..
[dangerousminds.net]
SPEND NEW YEAR’S EVE 1968 WITH THE WHO, SMALL FACES, FRANÇOISE HARDY & PINK FLOYD
New Years Eve, Paris, 1968. Amidst a volatile political climate of civil unrest that nearly brought the entire country to a virtual halt, rock ‘n’ roll music was still prevailed as “teenage entertainment” before being overthrown by the hippie culture of Woodstock the following year. The 3 1/2 hour New Years Eve Surprise Partie broadcast from the ORTF Studios (the only French TV channel at the time) is a beautiful, ultra-mod, time capsule that features rare performances by Jacques Dutronc, The Troggs, Françoise Hardy, Aphrodite’s Child, Johnny Hallyday, Fleetwood Mac, The Who, The Small Faces, P.P. Arnold, Booker T & The MGs, The Pink Floyd, Marie Laforet, The Equals, and many others. The invitation-only guest list included hundreds of fashionably dressed Parisian partygoers wearing the latest styles, and casually lounging about every inch of a cool, modern, space-age set.
Many of the artists here are documented during a very specific transition period in their careers. The Who lip-sync to “I Can See for Miles,” “Magic Bus,” and the rare Jigsaw Puzzle version of “I’m a Boy” with high energy despite the fact they had just suffered a year long dry spell devoid of commercial hits. Just a few months later they would switch gears with the musical Tommy and go on to become one of greatest stadium rock bands of the ‘70s. Later, during the Small Faces performance Keith Moon and Pete Townshend can be seen sitting behind Kenney Jones’ drum riser grooving to the music and having a good time without drawing attention to themselves. The Small Faces didn’t even bother to plug their gear in—they were only weeks away from breaking up—and performed tracks from their final album Ogden’s Nut Gone Flake.
The Pink Floyd can be seen still finding their way after the loss of vocalist and songwriter Syd Barrett just one year prior. In 1969 they would get back on track becoming the premiere live space rock band, incorporating their success into their fourth album Ummagumma, recorded five months later. The Equals (notable for being one of England’s first racially integrated bands) perform their million-selling chart-topper, “Baby, Come Back,” with guitarist Eddy Grant looking as if he had just time traveled from the 1981 punk scene, sporting bleached blonde hair and an orange vinyl suit. Eddy Grant‘s futuristic vision would serve him years later with a very successful solo career that included the platinum single “Electric Avenue.” Fleetwood Mac is also in wonderful form here with Jeremy Spencer taking the lead on two of the three songs, he would abruptly leave the band just two years later to join a religious group called the Children of God.
In an impressive television debut, English singing, French-based rock band Les Variations belt out some classic ‘60s garage tunes in front of a wildly enthusiastic home crowd. In his memoirs, guitarist Marc Tobaly remembers everyone getting a little bit drunk at the canteen down the street from ORTF Studios, insisting that the viewers at home were indeed watching a “real” party on television. American soul singer P.P. Arnold sang her interpretation of the Bee Gees song, “To Love Somebody.” Sadly, her performance here suffers from a poor sound mix, and she is not joined by The Small Faces for “If You Think You’re Groovy” despite the fact that they played on the recording and were present at the TV studio during the taping. While YouTube videos of Surprise Partie are constantly being removed because of content-ID matching, the fine folks over at Modcinema are selling a fantastic looking transfer on DVD as a 2-disc set. Dig it!
[strangerthanknown.blogspot.com]
New Year's Eve 1968 "Surprise Partie" with The Who, Small Faces, Booker T, Pink Floyd, Joe Cocker, Fleetwood Mac... Dawn of the Rock Revolution
“Surprise-Partie” (see clip below) was broadcast on French TV on December 31st 1968 from the ORTF Studios in Paris and features The Who, The Small Faces, Booker T and the MGs, The Pink Floyd, The Troggs, The Equals, Joe Cocker, Fleetwood Mac and French band Les Variations.
Nowadays New Year's Eve TV pop / rock specials are the norm - in the UK Jools Holland's Hootenanny has been running for nearly 20 years now - but back in the 60s Rock music was not accepted as mainstream family entertainment nor as prevalent on TV as it is now so this program is actually pretty cool and progressive for its time. Auntie BBC certainly weren't doing this kind of thing in the late 60s.
The Who
The Pipers at the Gates of Dawn
The program may have been a novel idea for its time but it also seems to show mid 60s pop culture in the last throes of its show-business trappings and on the cusp of the new age of rock. 1968 is remembered as a chaotic and revolutionary year - in France it almost brought the downfall of the government - but a musical revolution was also brewing which would affect all the bands here. 1968 can be seen as the last year in which rock'n'roll would still be seen as teenage "entertainment". The rock revolution of 1969 was about to turn it into an "art form" to be taken seriously and the hitherto "underground" hippy culture would go mainstream at Woodstock. The stage was set for change and some of the bands seen here, like The Who and Fleetwood Mac, would reinvent themselves and ride the new wave. Others, like The Troggs or The Equals, would soon find themselves cast adrift by the new rock cognoscenti who found their lightweight punk pop to be frivolous and ephemeral.
The transformation of The Who is perhaps the best example of the changes about to occur. They'd had a run of top 20 hit singles from 1965 to 1967 but had suffered a year long commercial dry spell in 1968. They were even starting to look washed-up. Yet at the time of this (mimed) performance of old hits they were just months away from releasing their rock opera Tommy, triumphing at the Woodstock festival and becoming one the great 1970s stadium rock bands.
It's also worthy of note that this show took place only 3 weeks after the band's stunning and show-stealing live performance in the Rolling Stones Rock'n'Roll Circus film. They didn't know it yet but The Who were about to have their most successful year ever in 1969.
The Small Faces
Unfortunately for the The Small Faces things looked bleaker. They were only weeks away from breaking up and this performance is possibly their last for TV. Singer and guitarist Steve Marriott, aware of the way rock was about to change and frustrated at being unable to shake off the band's Lazy Sunday / Itchycoo Park novelty "pop" image, went off to form rock boogie kings Humble Pie and conquer America. The Small Faces eventually cracked it by recruiting Rod Stewart and Ron Wood and reinventing themselves as the Faces.
Note - Look closely here, you can see Pete Townshend and Keith Moon sitting at the back of the stage - no doubt offering encouragement or the occasional acerbic witticism.
Fleetwood Mac were about to leave the blues behind and find considerable crossover success with chart hits like Albatross and Man of the World.
The Pink Floyd, however, were still finding their way after the loss of Syd Barrett 12 months earlier and were now on the way to becoming the premier live space rock band of 1969 - to which the live half of Ummagumma (recorded 5 months later) would be excellent testament.
Joe Cocker, like The Who, was to find super-stardom the following summer when he put in a stunning performance at the Woodstock festival.
The Troggs and The Equals, who might be about to find the new rock revolution a little tougher going, are certainly on fine form here and perhaps act as a portent of the late 70s punk era's return to the ethics of power and simplicity.
Fleetwood Mac
France's Les Variations are worth noting. This show was actually their TV debut and they soon left behind their rather splendid garage punk posturing here and started to write harder rock material that showed a strong north African and Moroccan influence. They became one of France's most successful bands of the early 70s and also the first French rock band to tour America and sign with an American label.
Booker T and the MGs
The Performances
All performances are live except The Who and The Small Faces who mimed for some reason. Did their gear get lost on the Channel ferry?
The Booker T and the MGs set is outstanding although there seems to be a bit of a mystery with regard to the date. The Stax / Volt tour of Europe with the MGs, Otis Redding, Eddie Floyd, Carla Thomas and Sam and Dave was in early 1967. Did the MGs return on their own the following year?
The Equals, who were one the UK's first racially integrated bands, perform a frantic set of soul stompers. Fleetwood Mac are also on fine form with Jeremy Spencer, in full-on Elmore James mode, taking the lead on two of the three songs.
Les Variations are simply classic 60s garage rock. Playing before an, at times, wildly enthusiastic home crowd this is an impressive TV debut. I'm sure many of those present would even have claimed that they stole the show.
Les Variations
All in all, this is great stuff. Like Hugh Hefner's "Playboy After Dark" it is another classic example of late 60s grooviness from a glittering day-glo era which was just about to change into a darker shade of denim and take itself far more seriously...
See below for artist order and tracklisting.
The WHO
01 - I’m A Boy
02 - I Can See For Miles
03 - Magis Bus
Roger Daltrey : vocals
Peter Townshend : guitar, vocals
John Entwistle : bass
Keith Moon : drums
The SMALL FACES
01 - Odgen’s Nut Gone Flake
02 - Song Of A Baker
03 - Rollin’ Over
Steve Marriott : guitar, vocal
Ian McLagan : keyboards
Ronnie Lane : bass
Kenny Jones : drums
BOOKER T & The MGs live at “Bibelot", unknown date”
01 - Green Onions
02 - Hooker Loo
Booker T Jones : organ
Steve Cropper : guitar
Donald “Duck” Dunn : bass
Al Jackson : drums
PINK FLOYD live at “Bilboquet" - Paris, Sept 7, 1968
01 - Let There Be More Light
David Gilmour : guitar, vocals
Richard Wright : keyboards, vocals
Roger Waters : bass, vocals
Nick Mason : drums
The EQUALS
01 - Softly Softly
02 - Equality
03 - Baby Come Back
Derv Gordon - lead vocals
Lincoln Gordon - guitar
Eddy Grant - guitar
Pat Lloyd - bass guitar
John Hall - drums
Les VARIATIONS
01 - Around & Around
02 - Everybody Needs Somebody
To Love
03 - Satisfaction
Joe Lebb : vocals
Marc Tobaly : guitar
Jacques “Petit Pois” Grande : bass
Jacky Bitton : drums
The TROGGS
01 - I Can’t Control Myself
02 - Peggy Sue
03 - Somewhere My Girl Is Waiting
Reg Presley : vocals
Chris Britton : guitar
Pete Staples : bass
Ronnie Bond : drums
JOE COCKER live at "Tour de Nesle" - Paris, unknown date
01 - I Shall Be Released
02 - With A Little Help From My Friends
FLEETWOOD MAC
01 - Homework
02 - My Baby's Sweet
03 - Dust My Broom
Peter Green : guitar, vocals
Jeremy Spencer : slide guitar, piano, vocals
Danny Kirwan : guitar
John McVie : bass
Mick Fleetwood : drums
Edited 1 time(s). Last edit at 2017-07-14 10:09 by The Joker.
Re: OT fantastic video, worth own thread -Paris -1968 - plethora of rock legends
Posted by:
His Majesty
()
Date: July 14, 2017 15:07
Sympath For The Devil live at Altamont banned from youtube
Posted by:
S.T.P
()
Date: July 15, 2017 01:20
Sympathy from '69 is not available anymore on youtube...
Any hopes for a release?
Any hopes for a release?
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
Milan
()
Date: July 15, 2017 01:25
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
Aquamarine
()
Date: July 15, 2017 01:26
"Not available anymore" and "Banned from" are two different things . . .
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
timmyj3
()
Date: July 15, 2017 01:32
Watched it today about non while on the treadmill. It was up then.
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
RollingFreak
()
Date: July 15, 2017 01:38
Its all over Youtube still.
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
Jah Paul
()
Date: July 15, 2017 01:39
It's up here (in the U.S.)...I watched it just now.
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
stonehearted
()
Date: July 15, 2017 01:40
It could be that one particular account it was on was discontinued for whatever reason. YouTubers come and go all the time.
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
Stonesfan13
()
Date: July 15, 2017 02:11
Here it is [m.youtube.com]
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
Kennedy
()
Date: July 15, 2017 18:53
Really a shame that it would be so un-PC to release this show commercially. Based on some of the boots I have, it is clear that the boys were on fire at this show, even more so than MSG....especially after the dark cloud was dealt with by security, where at that point you could literally feel the tension of the crowd and band be lifted and they got into a real groove with no further incident. Historic document that should get the Clearmountain treatment.
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
His Majesty
()
Date: July 15, 2017 18:55
Gimme Shelter is so good from this. Raw, dark and heavy! 
Edited 1 time(s). Last edit at 2017-07-15 18:56 by His Majesty.
Edited 1 time(s). Last edit at 2017-07-15 18:56 by His Majesty.
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
Straycat13
()
Date: July 15, 2017 23:54
Wow. From the Under My Thumb footage, right after Mick sings, "I pray that it's alright, I pray that it's alright," it looks like Alan Passaro saves Mick's life. Just sayin'. (I'm sure it's been gone over and discussed a million times, but I never knew that and just saw that in the footage.) I read the Stones had to pay MH's mother $10,000, but there could have been a whole different ending there. (flashes of JL) Prayer does work. Mick's prayer, in that moment, was answered. That was a very close call. MH was approaching the stage right in front of Mick with his gun drawn. AP used his left hand to lower the gun and his right hand to stab him. It was a very quick reflex. AP was Mick's angel that day. Mick said earlier that whenever they start SFTD, the people go crazy. It's the demons that get all riled up. The reality of angels and demons and answered prayer. Right there. I'm sorry for the death of MH, but it looks like MJ averted imminent danger, himself. So thanks be to God for hearing and answering Mick's prayer, probably innocent of the fact that he was singing it over himself.
If you watch the video, MH got himself right in straight shot of Mick. That's how I see it.
[youtu.be]
If you watch the video, MH got himself right in straight shot of Mick. That's how I see it.
[youtu.be]
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
Eleanor Rigby
()
Date: July 16, 2017 04:45
Quote
His Majesty
Gimme Shelter is so good from this. Raw, dark and heavy!
Yep - awesome performance!
Re: Sympath For The Devil live at Altamont banned from youtube
Posted by:
BeforeTheyMakeMeRun
()
Date: July 16, 2017 17:21
Quote
Kennedy
Really a shame that it would be so un-PC to release this show commercially. Based on some of the boots I have, it is clear that the boys were on fire at this show, even more so than MSG....especially after the dark cloud was dealt with by security, where at that point you could literally feel the tension of the crowd and band be lifted and they got into a real groove with no further incident. Historic document that should get the Clearmountain treatment.
I've got some news for you, Kennedy... Unless, of course, you meant the full show.
Re: YouTube Post a NEW or FAVORITE video(s)
Posted by:
Palace Revolution 2000
()
Date: July 24, 2017 21:22
[youtu.be]
I don't know what happened to Taylor in those years;why he took these low gigs. I don't know Adam Bomb; for all I know he's a nice guy, but musically he's a moron.
There's several of these videos of MT in this studio with Jack Douglas producing. It's a head shaker because I don't know how this guy got a deal,got a producer, and got Mick Taylor to o/d lead guitar on Stones covers.
What is great though is just how freakin good he is; Mick Taylor, I mean. They do a version of "Its only rockn roll" and I say that MT plays some of the most lethal licks ever. Especially in the chorus, when it goes "I know its only.." he goes up to around 12th fret ans turns out this fierce lick.
I don't know what happened to Taylor in those years;why he took these low gigs. I don't know Adam Bomb; for all I know he's a nice guy, but musically he's a moron.
There's several of these videos of MT in this studio with Jack Douglas producing. It's a head shaker because I don't know how this guy got a deal,got a producer, and got Mick Taylor to o/d lead guitar on Stones covers.
What is great though is just how freakin good he is; Mick Taylor, I mean. They do a version of "Its only rockn roll" and I say that MT plays some of the most lethal licks ever. Especially in the chorus, when it goes "I know its only.." he goes up to around 12th fret ans turns out this fierce lick.
Re: YouTube Post a NEW or FAVORITE video(s)
Posted by:
saltoftheearth
()
Date: July 28, 2017 10:04
Quote
Palace Revolution 2000
[youtu.be]
I don't know what happened to Taylor in those years; why he took these low gigs. ...
He even played with a local band from Southern Germany, Black Cat Bone, and recorded an album 'Taylor Made' with them. When I was young I knew their guitarist, Hans Joerg Mueller, who once played for me in his living room.
Here is one song, if you like it you can look for others at youtube:
The Stumble- Black Cat Bone featuring Mick Taylor
[www.youtube.com]
Edited 1 time(s). Last edit at 2017-08-17 18:26 by saltoftheearth.
Re: YouTube Post a NEW or FAVORITE video(s)
Posted by:
HankM
()
Date: July 28, 2017 23:05
there’s not a single good song on it,
Stones aint made a good album since whats-his-name left,
they should have stopped long ago, blah blah blah ..... pfft!!!
[www.youtube.com]
STONES!!!
Stones aint made a good album since whats-his-name left,
they should have stopped long ago, blah blah blah ..... pfft!!!
[www.youtube.com]
STONES!!!
Re: YouTube Post a NEW or FAVORITE video(s)
Posted by:
Palace Revolution 2000
()
Date: July 29, 2017 12:36
[youtu.be]
Love this video. Of this great, great track.
BTW I cant figure out how to show the actual video in my post.
Love this video. Of this great, great track.
BTW I cant figure out how to show the actual video in my post.
Beacon 2006 Rehearsals
Posted by:
IrelandCalling4
()
Date: July 25, 2017 00:40
Just enjoying this gem on Youtube; not sure if posted here already but definitely worth another viewing 
[youtu.be]
[youtu.be]
Re: Beacon 2006 Rehearsals
Posted by:
shortfatfanny
()
Date: July 25, 2017 02:51
It's some bonus stuff from the SAL DVD if I remember correctly...haven't watched it for years.
Re: Beacon 2006 Rehearsals
Posted by:
Aquamarine
()
Date: July 25, 2017 03:32
Quote
shortfatfanny
It's some bonus stuff from the SAL DVD if I remember correctly...haven't watched it for years.
Yes, I'd nearly watched the whole thing before I realized "Oh, that's where I saw this before.". But totally worth watching again.
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