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RisingStone
‘Glasgow Chant’ — a customary happening at the local rock concert — would usually go, “Here we, here we, here we fxxkin’ go!”
At the O2 Academy Glasgow Last night, the 2,500-capacity room was awash with “Chappell, Chappell, Chappell fxxkin’ Roan!”
Quite a ‘femininomenal’ night.
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[www.thenational.scot]
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TheBluesHadaBabyQuote
RisingStone
‘Glasgow Chant’ — a customary happening at the local rock concert — would usually go, “Here we, here we, here we fxxkin’ go!”
At the O2 Academy Glasgow Last night, the 2,500-capacity room was awash with “Chappell, Chappell, Chappell fxxkin’ Roan!”
Quite a ‘femininomenal’ night.
[www.reddit.com]
[www.thenational.scot]
Redditers seem very happy.
The National review struck me as a bit noncommittal, but maybe that's just to my ear and amounts to relative positivity towards a newbie outsider. I think of the Scot default national tone as something akin to skepticism.
What'd you think? I contend that whether you like girly pop or not (90+% of 'em I do not) you're at minimum going to have fun at a Chappell Roan show.
Our May venue changed from 1.5k cap to a 6.5k outdoor site... and could have sold 5k more tickets easily.
I'd have maybe not killed but might have injured somebody to see her in this her breakout year in just a 2.5k cap theater!
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RisingStone
I am another noncommittal, newbie outsider TBHWY. My motivation was pure curiosity, “What’s all this fuss about?” I even didn’t pay for the entrance. Some unfortunate event at the venue previously ended up putting me on the guest list for a night of my choice for compensation and a complimentary ticket. Blessing in disguise or talk about luck. Now you can kill me!
The show started with a ‘support’ from three drag queens, all British and hired locally. In front of the enthusiastic crowd, they gave a dance performance to thumping music in turn. Did they indicate things to come later? Well, not really.
It is no news that Chappell Roan has built her career on the LGBTQ scene and a strong connection to and backup from it. Her stage presentation, though, was rather simple and there was little flashiness or flamboyance one can easily associate from her background. No visuals, no backdrop, no props, no pyrotechnics and no attire changes after the second song until the end of the encore. Just some lighting. Only three musicians backed her up, all young female players, guitar, bass and occasional keyboards, and drums. Plenty of sampling sounds filled the space, loud and massive, though.
And Chappell. She looked enjoying every moment and the way she did was so infectious. Time is on her side.
Chappell Roan’s meteoric, skyrocketing rise to stardom reminds the general public of Lady Gaga some fifteen years ago. Gaga has survived in the business after all the hype was gone mainly because she is blessed with a genuine talent of singing first and foremost of all. Whether the same thing will happen to Chappell remains to be seen.
Another glowing review (there are some factual errors, though):
[www.glasgowtimes.co.uk]