Gazza Wrote:
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> His Majesty Wrote:
> --------------------------------------------------
> -----
> > I didn't know Kieth did that, anyone care to
> give
> > me a quick run down on what Keith did? What he
> > wiped?
>
>
> around that time? Marlon and Angela's arses,
> mostly....
Not wiped: sponged.
Incidentally, I don't write them. I just copy them from the Internet:
"Such tunings and capo transpositions can cause the performer a great deal more trouble than the casual listener might suppose, at worst bringing the entire show to a halt. Witness Keith Richards’ early attempt to take his open tunings onstage, at Hyde Park 1969, where the resultant confusion caused a reticent, teenage Mick Taylor to cross the stage gingerly and offer to help The Great Man work out which fret to capo. Strangely, this sequence has been excised from the film. Dylan’s solution to a similar basic problem avoided the need for any emergency Robertson aid.
Much of the distinctive sound of Dylan’s ’66 acoustic guitar comes from his altered tunings. The two alt. tunings most commonly used in blues, folk and rock are Open E (or D) and Open G. Open E is the ‘Elmore James’ style much used by 60’s British Blues bands (done to death many would say, by Peter Green’s Jeremy Spencer-era Fleetwood Mac) but also put to more original use on songs like the Stones ‘Gimme Shelter’. Open G (especially the 5 string variant) became a staple of the Stones post-‘Honky Tonk Women’ sound. It seems to have entered mainstream British use via Ry Cooder who played on the Let It Bleed album filling Brian Jones’s chair and whose guitar parts mysteriously vanished, only to re-appear, played almost note for note by Keith Richards (a technique known in the trade as a ‘Sponge Job’)."
[www.judasmagazine.com]
stonesrule Wrote:
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> Don't you think that if Mick and Keith were being
> unfair to Mick or cheating him of credit, that
> Charlie, especially, and Bill might have spoken
> up?
What have they ever challenged Mick and Keith on?
> Or the guts to have told Mick and or Keith, "I
> would like more credit for my input?"
The story seems to be he had the guts, Jagger told him the credits would be given, they were not, and he walked. In various interviews, he said that the
major complaint was that he was told they would be given. So, as least as
relayed by him, the issue is not whether he deserved them, but whether
the leaders would follow through on a promise.
> Mick never looked very happy playing with the
> Stones, and I saw several gigs from Hyde Park on.
I've listened to many of the live shows. He often sounds very happy.
Might you also think that every string quartet playing Beethoven is unhappy to do so from their dour expressions? Often the poker face comes from concentration, not depression. While Taylor may have been bored as he claimed, I would not assume too much from any particular facial expression from a musician who concentrated so well like he did. Incidentally, many of the old times blues musicians sang with expressionless faces on the videos I've seen: the truth was in the sound, not the sight.