Re: OT: Roxy Music
Date: October 14, 2006 00:12
Erik_Snow Wrote:
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> Nikolai Wrote:
> --------------------------------------------------
> -----
> > Interesting pick of Siren, as your favourite.
> I
> > consider it their weakest. My favourites are
> the
> > first three, Viva, Manifesto and Avalon. All
> > masterpieces, with Viva being one of the three
> > greatest live albums ever made.
> >
> > Country Life was great, but Ferry really did
> sound
> > a little bored during Siren. It had some
> cracking
> > moments - Love is The Drug, Sentimental Fool,
> Both
> > Ends Burning, but you could hear the dregs
> > rattling around the bottom of the creative cup
> at
> > that moment. Manifesto, to me, is a hugely
> > underrated album; it's transitional in the very
> > best sense of the word.
>
>
> I'll have to give Manifesto another spin, I really
> didn't like that one. Listened to it 4-5 times,
> but I didn't get it. Avalon...More Than This is
> terrific, but I didn't like the rest.
> When it comes to Siren, there's only one weak song
> in my eyes, "End of The Line".
> I became interested in them just by seeing Do The
> Strand on the TV, fantastic.
> Brian Eno did some great stuff in the 70s, very
> far away from Roxy Music's work, but I suppose you
> know that. Another Green World and Before And
> After Science...amazing stuff.
> In other words....1972-1976 does it for me. But
> I'll look up Manifesto again in your honour.
Thank you sir! Don't forget that in its original vinyl incarnation, Manifesto was split between East (European) and West (American) sides. Thus Manifesto starts off with a Krautrock tribute (the title track), a power pop dismissal of punk (Trash), before moving off into standard off-kilter Roxy territory recast as modern pop. Things get pretty interesting from Ain't That So onwards, because not only is that half of the album a virtual blueprint for the sound Roxy would adopt over their next two albums (and Ferry's next FOUR), but it's a great pastiche of modern American music of the time, a cross between disco and soft rock - without sounding like either. Fascinating album.
Ferry's voice also changed on this album. He started turning into the crooner he is today around the previous year's solo album, The Bride Stripped Bare (his break-up with Jerry album), and his voice matured on Manifesto.
I agree with you about Eno. I love his vocal albums. Touch and go with the ambient stuff though. Some of its superb (Music for Airports, Music For Films, My Life in the Bush of Ghosts), but some of it is really aimless, to the point where you start wondering if, under the boffinish demeanour, Eno isn't just really a smirking charlatan.
Edited 2 time(s). Last edit at 2006-10-14 00:19 by Nikolai.