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mrpaulincanada
Here's the link to the youtube video of the song.
Heartbreaker breakdown
Who's playing the funky guitar riff? Keith or Mick T?? I think it's Keith but it's a little too funky for him (to my ears).
Thanks
PinC
At what point in the song can you hear Taylor’s guitar? I only hear one guitar played throughout the song along with Taylor’s two solos.Quote
TheflyingDutchmanQuote
mrpaulincanada
Here's the link to the youtube video of the song.
Heartbreaker breakdown
Who's playing the funky guitar riff? Keith or Mick T?? I think it's Keith but it's a little too funky for him (to my ears).
Thanks
PinC
That's Keith Richards playing the E-minor pentatonic notes.
Taylor comes in with the brutal wawa pedal E7/9-Eb7/9/-E7/9 chords.
Preston doing a splendid job at the very moment.
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Taylor1At what point in the song can you hear Taylor’s guitar? I only hear one guitar played throughout the song along with Taylor’s two solos.Quote
TheflyingDutchmanQuote
mrpaulincanada
Here's the link to the youtube video of the song.
Heartbreaker breakdown
Who's playing the funky guitar riff? Keith or Mick T?? I think it's Keith but it's a little too funky for him (to my ears).
Thanks
PinC
That's Keith Richards playing the E-minor pentatonic notes.
Taylor comes in with the brutal wawa pedal E7/9-Eb7/9/-E7/9 chords.
Preston doing a splendid job at the very moment.
Quote
TheflyingDutchmanQuote
Taylor1At what point in the song can you hear Taylor’s guitar? I only hear one guitar played throughout the song along with Taylor’s two solos.Quote
TheflyingDutchmanQuote
mrpaulincanada
Here's the link to the youtube video of the song.
Heartbreaker breakdown
Who's playing the funky guitar riff? Keith or Mick T?? I think it's Keith but it's a little too funky for him (to my ears).
Thanks
PinC
That's Keith Richards playing the E-minor pentatonic notes.
Taylor comes in with the brutal wawa pedal E7/9-Eb7/9/-E7/9 chords.
Preston doing a splendid job at the very moment.
Likely right from the beginning, or it's Keith's echo. At 0:33 he comes in playing short melodic counter lines, and later on. For the rest he's playing along with Jagger's vocal lines, octave based lines, power chords, 7/9 chords during the bridge and of course solos. He's all over the place.
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Eleanor Rigby
Mathijs mentioned a while back during the rotterdam rehearsals that we finally recognise what Keith would have played on stage.
Or am i confused with another song?
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Mathijs
To me, Heartbreaker and Gimme Shelter from Wembley and Midnight Rambler, YCAGWYW and Angie from Brussels remain the best 30 live minutes the Stones have ever done -even after listening to it for more than 40 years it still amazes me how perfect it is.
Mathijs
You should write a book .Your knowledge is impressiveQuote
MathijsQuote
Eleanor Rigby
Mathijs mentioned a while back during the rotterdam rehearsals that we finally recognise what Keith would have played on stage.
Or am i confused with another song?
I don't remember exactly, but on the Rotterdam Rehearsals you can hear Keith playing the part he did on the record, and developing it further.
As said above, Taylor is playing the notes of the Em7 and Am7 chords, as harmonics and as connecting melodic lines countering the vocals and Keith's part. For the chorus he doubles the main melody of the clavinet and doubles the vocal line. He uses the Wah cocked to get a deep burly sound. Keith is playing the main chords of both the verses and chorus, and he plays the funk part.
To me, Heartbreaker and Gimme Shelter from Wembley and Midnight Rambler, YCAGWYW and Angie from Brussels remain the best 30 live minutes the Stones have ever done -even after listening to it for more than 40 years it still amazes me how perfect it is.
Mathijs
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TheflyingDutchmanQuote
Mathijs
To me, Heartbreaker and Gimme Shelter from Wembley and Midnight Rambler, YCAGWYW and Angie from Brussels remain the best 30 live minutes the Stones have ever done -even after listening to it for more than 40 years it still amazes me how perfect it is.
Mathijs
I agree on that although Gimme Shelter Philly'72 is amazing as well, but the sound quality sucks. .

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rockdoc8885
Mathijs,
You are so correct. I would add All Down the Line from Philly in ‘72 to your list and a version
of Brown Sugar and JJFlash from 72 or 73 as absolute nirvana when it comes to live performances by the Greatest Band in the World.
I read somewhere that Keith said playing the first chords of JJF brings him sheer joy. I have the same reaction and so do millions of people.