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keefgotsoul
It was nice to hear him talk about his brother Andy at the end too.

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GasLightStreet

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keefgotsoul
It was nice to hear him talk about his brother Andy at the end too.

Yes, that was great. The acknowledgement is fantastic.

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Big Al
GasLightStreet, of the top-of-my-head, I don’t recollect how Johns articulates, but I suspect it could be - what is known as - ‘received pronounciation’; or ‘BBC English’ It’s all rather educated, and rarely spoken anymore; you won’t even hear it on the BBC; which has become urbanised and intentionally less educated and middle-class across much of its broadcasting.

Edit: I didn’t read your post properly. So he sounds like Charlie? Well, again, you won’t come across that accent in anyone under around 60.

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GasLightStreet

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Big Al
GasLightStreet, of the top-of-my-head, I don’t recollect how Johns articulates, but I suspect it could be - what is known as - ‘received pronounciation’; or ‘BBC English’ It’s all rather educated, and rarely spoken anymore; you won’t even hear it on the BBC; which has become urbanised and intentionally less educated and middle-class across much of its broadcasting.

Edit: I didn’t read your post properly. So he sounds like Charlie? Well, again, you won’t come across that accent in anyone under around 60.

His speech reminded me of Charlie, that dismissive aspect, that is only of the English (a sweeping aspect I realize) - (edited) and yes, of a generation that is disappearing.

It's absolutely not disrespectful. It's just something I heard and it fits, I suppose, of a particular 'of way' behaviour.

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Big Al

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GasLightStreet

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Big Al
GasLightStreet, of the top-of-my-head, I don’t recollect how Johns articulates, but I suspect it could be - what is known as - ‘received pronounciation’; or ‘BBC English’ It’s all rather educated, and rarely spoken anymore; you won’t even hear it on the BBC; which has become urbanised and intentionally less educated and middle-class across much of its broadcasting.

Edit: I didn’t read your post properly. So he sounds like Charlie? Well, again, you won’t come across that accent in anyone under around 60.

His speech reminded me of Charlie, that dismissive aspect, that is only of the English (a sweeping aspect I realize) - (edited) and yes, of a generation that is disappearing.

It's absolutely not disrespectful. It's just something I heard and it fits, I suppose, of a particular 'of way' behaviour.

No, you’ve stated nothing disrespectful at all. I’m glad you acknowledge the disappearance; especially, considering you’re across the pond and a direct witness.

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Taylor1

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Big Al

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GasLightStreet

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Big Al
GasLightStreet, of the top-of-my-head, I don’t recollect how Johns articulates, but I suspect it could be - what is known as - ‘received pronounciation’; or ‘BBC English’ It’s all rather educated, and rarely spoken anymore; you won’t even hear it on the BBC; which has become urbanised and intentionally less educated and middle-class across much of its broadcasting.

Edit: I didn’t read your post properly. So he sounds like Charlie? Well, again, you won’t come across that accent in anyone under around 60.

His speech reminded me of Charlie, that dismissive aspect, that is only of the English (a sweeping aspect I realize) - (edited) and yes, of a generation that is disappearing.

It's absolutely not disrespectful. It's just something I heard and it fits, I suppose, of a particular 'of way' behaviour.

No, you’ve stated nothing disrespectful at all. I’m glad you acknowledge the disappearance; especially, considering you’re across the pond and a direct witness.

I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

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Taylor1

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

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Taylor1

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Taylor1

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

Thanks for the link.But other than the Beatles , he did not work with any bands that were bigger than the Stones because there were none

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Mathijs

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Taylor1

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Taylor1

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

Thanks for the link.But other than the Beatles , he did not work with any bands that were bigger than the Stones because there were none

Led Zeppelin was way bigger than the Stones in the 1970's...

Mathijs

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Ket

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Mathijs

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Taylor1

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Taylor1

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

Thanks for the link.But other than the Beatles , he did not work with any bands that were bigger than the Stones because there were none

Led Zeppelin was way bigger than the Stones in the 1970's...

Mathijs

yes they sold more records in the 70's than the stones and we're probably equal as a concert draw but the stones were bigger in the 60s and we're also big after Zeppelin after broke up so I'm not sure you could claim Zeppelin were a much bigger band overall.

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The Worst.
I find Rick Beato a bit boring, a typical music teacher who knows theory and all that but doesn't get the magic of a rock and roll band like The Rolling Stones with its unique groove and swing etc. I find it obvious that he doesn't know or care much about Rolling Stones. Yes, he made a video about Angie, but he had Steve Jordan on for an hour (before he joined the Stones) and didn't ask one single question about Keith or Winos. When Dave Natale was on, it was Dave himself who brought up the Stones and talked about them, not Rick Beato. And there was many missed opportunities to ask Dave interesting follow-up questions, if you care about Stones. I haven't watched this interview with Glyn Johns, but I expect Rick Beato not to ask anything Stones-related.

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Mathijs

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Taylor1

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Taylor1

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

Thanks for the link.But other than the Beatles , he did not work with any bands that were bigger than the Stones because there were none

Led Zeppelin was way bigger than the Stones in the 1970's...

Mathijs

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GasLightStreet

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The Worst.
I find Rick Beato a bit boring, a typical music teacher who knows theory and all that but doesn't get the magic of a rock and roll band like The Rolling Stones with its unique groove and swing etc. I find it obvious that he doesn't know or care much about Rolling Stones. Yes, he made a video about Angie, but he had Steve Jordan on for an hour (before he joined the Stones) and didn't ask one single question about Keith or Winos. When Dave Natale was on, it was Dave himself who brought up the Stones and talked about them, not Rick Beato. And there was many missed opportunities to ask Dave interesting follow-up questions, if you care about Stones. I haven't watched this interview with Glyn Johns, but I expect Rick Beato not to ask anything Stones-related.

As said earlier to similar, he's a recording engineer/mixer/producer/musician. He's not into the mythology, only into how it works. The video wasn't about the Stones.

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Taylor1

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Mathijs

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Taylor1

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Taylor1

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

Thanks for the link.But other than the Beatles , he did not work with any bands that were bigger than the Stones because there were none

Led Zeppelin was way bigger than the Stones in the 1970's...

Mathijs

Led may have sold more records but their music is inferior .And the Stones 1972 tour was not just the biggest live tour of the year , it was probably the biggest tour in America in the1970s.It was the entertainment event of the summer.The Stones received huge media coverage.Famous writers like Terry Southern and Capote reported on the tour.Their shows were celebrity filled events.They were on the cover of magazines like Time and Newsweek..Led never had a tour that generated that interest or coverage.In fact, Led was touring that summer in America in the shadow of the Stones.And I’d assume Johns would not think Led was bigger or more important because they sold more albums

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Taylor1

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Mathijs

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Taylor1

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Taylor1

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

Thanks for the link.But other than the Beatles , he did not work with any bands that were bigger than the Stones because there were none

Led Zeppelin was way bigger than the Stones in the 1970's...

Mathijs

Led may have sold more records but their music is inferior .And the Stones 1972 tour was not just the biggest live tour of the year , it was probably the biggest tour in America in the1970s.It was the entertainment event of the summer.The Stones received huge media coverage.Famous writers like Terry Southern and Capote reported on the tour.Their shows were celebrity filled events.They were on the cover of magazines like Time and Newsweek..Led never had a tour that generated that interest or coverage.In fact, Led was touring that summer in America in the shadow of the Stones.And I’d assume Johns would not think Led was bigger or more important because they sold more albums

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Mathijs

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Taylor1

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Taylor1

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Mathijs

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Taylor1
I found it not very interesting,especially since they spoke for over an hour.The interviewer asked almost no interesting questions.He could have asked him about Brian, who I believe he worked with on his solo album, as well on A Degree of Murder soundtrack.Could have asked more in depth questions about the making of Aftermath, Beggars Banquet, Let it Bleed. How he got the great sound on Get Yer Ya Yas Out.

He engineered and produced a gazillion albums, including bands much bigger than the Stones, so what do you expect?

Here's Glyn on Brian:

[www.goldminemag.com]

Mathijs

Thanks for the link.But other than the Beatles , he did not work with any bands that were bigger than the Stones because there were none

Led Zeppelin was way bigger than the Stones in the 1970's...

Mathijs

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GasLightStreet
...Stones had the least and they're not in the Top Ten most selling albums of the 1970s unlike Zep and Pink Floyd (no point in mentioning The Beatles since they've always sold the most). So that makes ten acts bigger than the Stones in the 1970s.