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Juniorjackflash
Quite a cool review of the song by Justin Hawkins (lead singer of The Darkness).
He has a great ear for finding the note/key so quickly and was cool to see him genuinely loving the song.
Below for those who are interested!
video: [youtu.be]
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LeonidPQuote
Rocky Dijon
Ronnie continually stated there will be a second album from the sessions to follow...
On Fallon? Or elsewhere? All I recall on Fallon was the mention that they recorded 23 tracks, but there was never any mention of a 2nd album
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treaclefingersQuote
LeonidPQuote
Rocky Dijon
Ronnie continually stated there will be a second album from the sessions to follow...
On Fallon? Or elsewhere? All I recall on Fallon was the mention that they recorded 23 tracks, but there was never any mention of a 2nd album
[www.noise11.com]
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LeonidP
On Fallon? Or elsewhere? All I recall on Fallon was the mention that they recorded 23 tracks, but there was never any mention of a 2nd album
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NilsHolgersson
I think all it needs now is a remix with Dua Lipa to get to the youth
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VoodooLounge13
13MM Views I see - paused my looping for just a sec to update the totals. Not bad! Hoping to get to 20MM before too long!!! And now back to looping!
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georgelicksQuote
VoodooLounge13
13MM Views I see - paused my looping for just a sec to update the totals. Not bad! Hoping to get to 20MM before too long!!! And now back to looping!
Except on YouTube, the song doesn't have the impact it needs to get a hit in both the USA and England, the market is 80% streaming on Spotify/Apple Music, 10% YouTube, 5% physical or digital sales and 5% of radio airplay.
Angry is doing well in the smallest part of the market and no hits are achieved there unless it has massive physical or digital sales, which is not the case. In Spotify or Apple Music the numbers are not even Top 300.
It has very good numbers on YouTube but they count for very little in the way the charts are made and it is almost impossible for it to appear in the UK or US Top 100.
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treaclefingersQuote
georgelicksQuote
VoodooLounge13
13MM Views I see - paused my looping for just a sec to update the totals. Not bad! Hoping to get to 20MM before too long!!! And now back to looping!
Except on YouTube, the song doesn't have the impact it needs to get a hit in both the USA and England, the market is 80% streaming on Spotify/Apple Music, 10% YouTube, 5% physical or digital sales and 5% of radio airplay.
Angry is doing well in the smallest part of the market and no hits are achieved there unless it has massive physical or digital sales, which is not the case. In Spotify or Apple Music the numbers are not even Top 300.
It has very good numbers on YouTube but they count for very little in the way the charts are made and it is almost impossible for it to appear in the UK or US Top 100.
Wow...that's too bad. So no 'hit single' after all?
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georgelicks
For the record, here's Angry on the digital market, numbers updated every day:
[kworb.net]
After 5 days, Angry is Top 200 on Spotify in only 4 countries and Spotify has over 50% of the Singles chart market.
Good numbers on iTunes are nothing in 2023, a #1 song on UK iTunes sell less than 1000 copies in a week and only a bit better in the US, no one buy tracks anymore.
Ghost Town had way better numbers on iTunes (#1 during 4-5 days) and in streaming services (Top 200 on Spotify UK/US during 3 days) and it only charted at #63 in the UK and #106 in the US.
Sadly, that's how the market works today.
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Doxa
Being a hardcore fan of this band means that one dislikes 'war horses' and leading singles of the albums. Those are just meant for ignorant casual fans. For true hardcore fans and their educated ears the true greatness of the Rolling Stones lies in somewhere else, in deep cuts and loose studio out-takes from bootlegs.
But no need to worry yet. There probably is a new "Slave" or "Pretty Beat Up" somewhere there on the new album.
- Doxa
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tiffanybluQuote
georgelicks
For the record, here's Angry on the digital market, numbers updated every day:
[kworb.net]
After 5 days, Angry is Top 200 on Spotify in only 4 countries and Spotify has over 50% of the Singles chart market.
Good numbers on iTunes are nothing in 2023, a #1 song on UK iTunes sell less than 1000 copies in a week and only a bit better in the US, no one buy tracks anymore.
Ghost Town had way better numbers on iTunes (#1 during 4-5 days) and in streaming services (Top 200 on Spotify UK/US during 3 days) and it only charted at #63 in the UK and #106 in the US.
Sadly, that's how the market works today.
yes. I have been posting a lot on its progress in the last couple of days. Streamning is not really on the level one would expect after its first good run on YT (which have slowed downed considerably in the last 48 - that though was expected). As I have been saying before: one need to consider the "low" streaming numbers a bit, a sign on that the younger generation don't really get exposed to The Rolling Stones atm.
If we look upon monthly listeners (Stones is right now at its peak on almost 26 m) they are behind Bee Gees, ABBA, Queen, The Police, Elton John, Beatles, AC/DC, Creedence (that is btw having a steady top 200 stream in "Have you even seen the rain"), Guns N' Roses, Fleetwood Mac etc. Many of these artists have had a latter day revivial.
I am hoping though that the new album with guests etc. will spark an interest into the Stones catalogue and the new music.
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powerage78Quote
tiffanybluQuote
georgelicks
For the record, here's Angry on the digital market, numbers updated every day:
[kworb.net]
After 5 days, Angry is Top 200 on Spotify in only 4 countries and Spotify has over 50% of the Singles chart market.
Good numbers on iTunes are nothing in 2023, a #1 song on UK iTunes sell less than 1000 copies in a week and only a bit better in the US, no one buy tracks anymore.
Ghost Town had way better numbers on iTunes (#1 during 4-5 days) and in streaming services (Top 200 on Spotify UK/US during 3 days) and it only charted at #63 in the UK and #106 in the US.
Sadly, that's how the market works today.
yes. I have been posting a lot on its progress in the last couple of days. Streamning is not really on the level one would expect after its first good run on YT (which have slowed downed considerably in the last 48 - that though was expected). As I have been saying before: one need to consider the "low" streaming numbers a bit, a sign on that the younger generation don't really get exposed to The Rolling Stones atm.
If we look upon monthly listeners (Stones is right now at its peak on almost 26 m) they are behind Bee Gees, ABBA, Queen, The Police, Elton John, Beatles, AC/DC, Creedence (that is btw having a steady top 200 stream in "Have you even seen the rain"), Guns N' Roses, Fleetwood Mac etc. Many of these artists have had a latter day revivial.
I am hoping though that the new album with guests etc. will spark an interest into the Stones catalogue and the new music.
On spotify, no Stones track has yet passed the 1 billion listener mark. But this will soon be true for Paint In Black,
This is the case for Queen (4!), AC/DC (3), Metallica (2), The Beatles (1, Here Comes The Sun), David Bowie (1, Under Pressure).
Start me Up is at 542 million, being the group's last worldwide hit, I would have said much more.
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Stoneage
How much does the artist or/and record company earn per Spotify spin? I imagine one billion listenings would add up to something...
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StonedRambler
Maybe the can't win on the streaming market with a single but for sure the album will sell great and with all the physical copies that Stones fans buy they might have a good change at reaching no. 1 in the album category