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retired_dogQuote
DandelionPowderman
They started the broadcast with two slow numbers?
Well, the original Keep Your Motor Running vinyl bootleg from the early 80's (1983?) has the following running order:
A1 All Down The Line
A2 Bitch
A3 Sweet Virginia
A4 Tumbling Dice
B1 Bye Bye Johnny
B2 Rip This Joint
B3 Gimme Shelter
B4 You Can't Always Get What You Want
Makes a bit more sense keeping in mind that it was going to be a single album (by omitting Brown Sugar, Happy, Uptight/Satisfaction).
As this vinyl bootleg contains overdubbed tracks, it was obviously not dubbed from the WMMS broadcast as there's no way that WMMS could have overdubbed tracks within a couple of weeks after the tour in August, when any overdub sessions supposedly did not happen before October.
It's more likely that the WMMS broadcast was a mere compilation of tracks that were chosen for further work, hence the random running order that has nothing to do with a finalised LP tracklist.
Therefore, Nico's entry should better read:
"Broadcast of a compilation of tracks chosen for the unreleased 1972 tour live-album" instead of misleading into thinking that the broadcast was in fact the finalised album.
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GasLightStreet
They took January of 1974 off!
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retired_dog
Looking at the running time (5:00) I suppose it's actually two tracks - Bye Bye Johnny / Rip This Joint.
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retired_dogQuote
DandelionPowderman
They started the broadcast with two slow numbers?
Well, the original Keep Your Motor Running vinyl bootleg from the early 80's (1983?) has the following running order:
A1 All Down The Line
A2 Bitch
A3 Sweet Virginia
A4 Tumbling Dice
B1 Bye Bye Johnny
B2 Rip This Joint
B3 Gimme Shelter
B4 You Can't Always Get What You Want
Makes a bit more sense keeping in mind that it was going to be a single album (by omitting Brown Sugar, Happy, Uptight/Satisfaction).
As this vinyl bootleg contains overdubbed tracks, it was obviously not dubbed from the WMMS broadcast as there's no way that WMMS could have overdubbed tracks within a couple of weeks after the tour in August, when any overdub sessions supposedly did not happen before October.
It's more likely that the WMMS broadcast was a mere compilation of tracks that were chosen for further work, hence the random running order that has nothing to do with a finalised LP tracklist.
Therefore, Nico's entry should better read:
"Broadcast of a compilation of tracks chosen for the unreleased 1972 tour live-album" instead of misleading into thinking that the broadcast was in fact the finalised album.
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Father Ted
Sorry to go all collector-completist on the thread but are the tracks on Keep Your Motor Running the same as those on Very Ancient, Thank You Kindly?
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exilestones
I also thought LYL would be a stronger album if it was a single album but I’m glad to have all of the tracks!
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DandelionPowdermanQuote
Father Ted
Are there any legal issues that would prevent the 1972 live album being released today?
From 1977 and on they could release new live renditions of ABKCO stuff.
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GasLightStreet
It's unlikely since LADIES AND GENTLEMEN... was released in 2017 on CD.
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Mathijs
They did overdubs for the L&G movie, and they did overdubs for a possible LP release. Jagger wanted to have two sides, one with the Stones and one with Stevie Wonder, which Klein did not want and he vetoed the release. Same issue with 1973 tour: they wanted to release a mix of Wembley and Brussels, but couldn't reach an agreement with Klein. So the finished mixes went to KBFH for broadcast. For Love You Live there was less Klein owned material so an agreement could be met. The release was stalled due to Billy Preston demanding more money. Exit Preston.
Mathijs

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CaptainchaosQuote
DandelionPowdermanQuote
Father Ted
Are there any legal issues that would prevent the 1972 live album being released today?
From 1977 and on they could release new live renditions of ABKCO stuff.
Out of the gloom of possibly no future tours anymore, or even (worse case scenario) the stopping of playing live anymore. Could it give better chance to the releasing of things like this? That would be one thing good to come out of this as a fan of their live work, more peak live performance & recordings of Jones, Taylor, & Wood eras would be amazing