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mike567Quote
gotdablouseQuote
mike567Quote
bye bye johnny
Ronnie interview with NME
So it sounds like they had some kind of rehearsals of the new songs the week after the Hackney Empire press conference? (Or at least they had planned to do that)
Where are you hearing that in the interview?
Steve and Matt were reported to be in Hackney but they would be there as Mick and Keith's "right hand man".
Around the 6 minute mark Ronnie says: "the next thing we gonna do is next week see how they (the new songs) translate live“
And the interviewer refers to the press conference with "yesterday Jimmy Fallon…", so the interview was obviously taped back in September
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MelBelliQuote
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MelBelli
Keith tells Paul Sexton that he wanted to write a song around the unusual chord found in “Tell Me Straight.” It’s a B minor with a sharp five.
He’s been intrigued by that chord for many years. You can hear him work with it on “Part of the Night” from the Fully Finished Outtakes set.
Part of the Night is a strong tune. Evolved from Golden Caddy, right?
I think that’s right, yes!
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drewmaster
I just got this in my email. Not sure I have the patience to wait almost 13 more years!
Hello Andrew,
We're writing because a schedule change has occurred in delivering the album listed below:
Title: Hackney Diamonds [Explicit]
Link to the album: [www.amazon.com]
The new expected release date is: Friday, September 5, 2036.
We'll keep your pre-order open on your account and deliver the title as soon as it is released. As a reminder, you can always change, cancel, or view the status of your orders in Your Account here:
[www.amazon.com]
We hope to see you again soon.
Amazon.com
WHY WAS MY ORDER DELIVERY DATE CHANGED? We do our best to always communicate accurate delivery estimates based on the latest information we have received from our suppliers. Occasionally, suppliers unlock content early or experience delays due to unexpected issues, resulting in changes to product release dates.
Drew
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bye bye johnny
Ronnie interview with NME
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stanloveQuote
bye bye johnny
Ronnie interview with NME
It would be cool if the interviewer wasn’t off by 10 years.
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bye bye johnny
Parts 1 & 2 of the interview with Anthony Mason of CBS
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EasterMan
Driving Me Too Hard sounds like something Keith would sing. Feels like a slowed down mellow version of "How I Wish".
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HardRiffinQuote
EasterMan
Driving Me Too Hard sounds like something Keith would sing. Feels like a slowed down mellow version of "How I Wish".
I was thinking the same. Imo it's a Keef song.
I really like it!
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EasterMan
Driving Me Too Hard sounds like something Keith would sing. Feels like a slowed down mellow version of "How I Wish".
I was thinking the same. Imo it's a Keef song.
I really like it!
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gotdablouseQuote
HardRiffinQuote
EasterMan
Driving Me Too Hard sounds like something Keith would sing. Feels like a slowed down mellow version of "How I Wish".
I was thinking the same. Imo it's a Keef song.
I really like it!
Talking of Keith songs, Mick says around the 8'45" mark that Keith brought in a song and he names something that sounds like "Tumble with Me"?
MIU reminds me a lot of "We don't wanna go home" in the beginning, fortunately it improves after that!
Talking of old songs brought back to life, WWW reminds me of the old "Never Too Into" outtake!
As for "Golden Caddy" doesn't it even date back to the GHS sessions?
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kid killowatt
These are first impressions.
Angry - 8.5
Get Close - 9
Depending On You - 8.5
Bite My Head Off - 6.5
Whole Wide World - 8
Dreamy Skies - 9
Mess it up - 6
Live By The Sword - 7
Driving Me Too Hard - 7.5
Tell Me Straight - 9
Sweet sounds of heaven - 7.5
Rolling Stone Blues - 8.5
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WuudyQuote
kid killowatt
These are first impressions.
Angry - 8.5
Get Close - 9
Depending On You - 8.5
Bite My Head Off - 6.5
Whole Wide World - 8
Dreamy Skies - 9
Mess it up - 6
Live By The Sword - 7
Driving Me Too Hard - 7.5
Tell Me Straight - 9
Sweet sounds of heaven - 7.5
Rolling Stone Blues - 8.5
How did you mange to listen to the whole album already?
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MadMetaphoricalMax
That sullen Swede needs his ears seen to! I'd guess he was instructed to demolish the album, but the closing summation, after the basic idiocy of the rest of it, is a farrago of nonsense! HOWEVER 'The wooden goat' is such a good phrase though, even if i am not sure what it means!
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micha063Quote
WuudyQuote
kid killowatt
These are first impressions.
Angry - 8.5
Get Close - 9
Depending On You - 8.5
Bite My Head Off - 6.5
Whole Wide World - 8
Dreamy Skies - 9
Mess it up - 6
Live By The Sword - 7
Driving Me Too Hard - 7.5
Tell Me Straight - 9
Sweet sounds of heaven - 7.5
Rolling Stone Blues - 8.5
How did you mange to listen to the whole album already?
There was radioshow some days ago.
New Stone Age Sun 15th October Planet Rock.
Try this link:
[wetransfer.com]
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yeababyyea
Dagens Nyheter (Swedish newspaper) :
2/5
No rock'n'rollator in the world can help the Rolling Stones groove forward
"Hackney diamonds" could have been a last reminder of what once made The Rolling Stones the world's best band. Instead, producer Andrew Watt has gotten away with the cleaning agent and sterilized the entire soundscape, writes Mattias Dahlström.
"Hackney diamonds" is London slang for the pieces of glass you find on the ground after you have had your windscreen smashed in the London borough of Hackney. It's an album title that should signal a return - from being an arena rock band with real gems to trying to recreate the simple life, when Mick Jagger and Keith Richards were just young British lads head over heels in love with American blues, soul, r 'n'b and country.
"Hackney diamonds" could also have been a final reminder of what is deep inside Jagger, Richards and Ron Wood, far beyond all the stadium fluff. A final discharge of the band that was the best in the world for fifteen years, from the mid-60s to the early 80s (and then lived on that reputation for another 40).
From a craft perspective, it's also the Rolling Stones' most focused collection of songs in a long time. With Charlie Watts - whose jazzy smooth drumming has been a central part of the band - death in 2021 hanging over the recordings, lyrics like "too young for dying/too old to lose" in "Depending on you" or the powerful single ballad with the telling title "Sweet sound of heaven” feel more meaningful. The guest artists are also true rock royalty – Paul McCartney, Stvie Wonder, Elton John and Lady Gaga – although it's really only the latter, whose soulful vocals lift the mentioned single, that really leaves any mark on the result.
Had someone in the Stones circle only called in, say, Rick Rubin as producer, the group's first self-titled album in eighteen years could have been a grandiose, if predictable, potential finale.
Now they chose the wooden goat Andrew Watt instead, the music industry's cherished answer to Killinggängets sound-fetishist therapist Uncle Barbro. And that is the main reason why the music on "Hackney diamonds" never lives up to the story of the album after all.
Watt is a perennial Grammy-winning producer who, whether he's producing Justin Bieber, Ozzy Osbourne, Camilla Cabello, Iggy Pop or the Stones, applies the same scrubbed filter to everything, with the sole aim of impressing the guys at the hi-fi store. Or possibly Patrick Bateman.
Stone's groove has always arisen because there is dirt and oil in the nooks and crannies, but Watt has dipped a tip in disinfectant and meticulously cleaned every single note. Large parts of the soundscape on "Hackney diamonds" are thus so clinically sterile, rigid and unimaginably unswinging that no rock'n'rollator in the world can help it move forward.
Best track: "Sweet sound of heaven"
Mattias Dahlström
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yeababyyea
Dagens Nyheter (Swedish newspaper) :
Watt is a perennial Grammy-winning producer who, whether he's producing Justin Bieber, Ozzy Osbourne, Camilla Cabello, Iggy Pop or the Stones, applies the same scrubbed filter to everything, with the sole aim of impressing the guys at the hi-fi store. Or possibly Patrick Bateman.
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HardRiffinQuote
yeababyyea
Dagens Nyheter (Swedish newspaper) :
2/5
No rock'n'rollator in the world can help the Rolling Stones groove forward
"Hackney diamonds" could have been a last reminder of what once made The Rolling Stones the world's best band. Instead, producer Andrew Watt has gotten away with the cleaning agent and sterilized the entire soundscape, writes Mattias Dahlström.
"Hackney diamonds" is London slang for the pieces of glass you find on the ground after you have had your windscreen smashed in the London borough of Hackney. It's an album title that should signal a return - from being an arena rock band with real gems to trying to recreate the simple life, when Mick Jagger and Keith Richards were just young British lads head over heels in love with American blues, soul, r 'n'b and country.
"Hackney diamonds" could also have been a final reminder of what is deep inside Jagger, Richards and Ron Wood, far beyond all the stadium fluff. A final discharge of the band that was the best in the world for fifteen years, from the mid-60s to the early 80s (and then lived on that reputation for another 40).
From a craft perspective, it's also the Rolling Stones' most focused collection of songs in a long time. With Charlie Watts - whose jazzy smooth drumming has been a central part of the band - death in 2021 hanging over the recordings, lyrics like "too young for dying/too old to lose" in "Depending on you" or the powerful single ballad with the telling title "Sweet sound of heaven” feel more meaningful. The guest artists are also true rock royalty – Paul McCartney, Stvie Wonder, Elton John and Lady Gaga – although it's really only the latter, whose soulful vocals lift the mentioned single, that really leaves any mark on the result.
Had someone in the Stones circle only called in, say, Rick Rubin as producer, the group's first self-titled album in eighteen years could have been a grandiose, if predictable, potential finale.
Now they chose the wooden goat Andrew Watt instead, the music industry's cherished answer to Killinggängets sound-fetishist therapist Uncle Barbro. And that is the main reason why the music on "Hackney diamonds" never lives up to the story of the album after all.
Watt is a perennial Grammy-winning producer who, whether he's producing Justin Bieber, Ozzy Osbourne, Camilla Cabello, Iggy Pop or the Stones, applies the same scrubbed filter to everything, with the sole aim of impressing the guys at the hi-fi store. Or possibly Patrick Bateman.
Stone's groove has always arisen because there is dirt and oil in the nooks and crannies, but Watt has dipped a tip in disinfectant and meticulously cleaned every single note. Large parts of the soundscape on "Hackney diamonds" are thus so clinically sterile, rigid and unimaginably unswinging that no rock'n'rollator in the world can help it move forward.
Best track: "Sweet sound of heaven"
Mattias Dahlström
I think you have serious hearing problems!!
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Christos
Mess It Up is going to be a dance hit. You can tell Charlie's on it.
It's the one Mick had posted some time ago, that seemed to go like "really wanna tell the truth".
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Christos
Mess It Up is going to be a dance hit. You can tell Charlie's on it.
It's the one Mick had posted some time ago, that seemed to go like "really wanna tell the truth".