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crholmstrom
Why mess with perfection? 1 of the greatest singles ever, right up there with "Good Vibrations". If these remixers are so great, why aren't they doing their own work on something original?
Im not sure that’s totally accurate. There is also a blues harp or a mellotron that sounds like a blues harp at the end of the song.On the isolated tracks cd you can hear it and what also sounds like more than 3 guitars. On the software app where you can remove the vocals it sounds like more than 3 guitarsQuote
WeLoveYou
Listen with earphones. This guy has digitally processed the song to extract and separate the instruments.
You can hear two drum tracks - the original drums plus Keith’s acoustic guitar quite faintly in the left channel and which was recorded on the Phillips cassette recorder and later transferred to the studio multitrack recorder, and the overdubbed drum track in the centre. The electric guitar to right - I’ve always thought there was a piano in there reinforcing the riff, am I right?
It turns out that the instrumentation is actually quite sparse - only two guitars, drums x2, bass, and possible piano during the first half of the song. The official release is somewhat murkier and blurred together which gives the impression there’s more going on. Later on a third guitar, maracas and organ are added.
A great recording that was built up by adding each instrument separately, rather than the whole band recording live together in the studio as they did on almost every other recording. Street Fighting Man was recorded the same way. If only they’d utilised this approach for more songs.
Jumpin’ Jack Flash (2021 Stereo Remix / Remaster) - Rolling stones - Youtube
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crholmstrom
Why mess with perfection? 1 of the greatest singles ever, right up there with "Good Vibrations". If these remixers are so great, why aren't they doing their own work on something original?
Hmmm, I wouldn't put Good Vibrations anywhere near JJF.
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WeLoveYou
The original London release of Got Live is good, on vinyl and CD. Find it on file sharing bittorrent sites.
The current official CD and streaming version that’s been out for quite a while is dreadful.
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ProfessorWolfQuote
WeLoveYou
The original London release of Got Live is good, on vinyl and CD. Find it on file sharing bittorrent sites.
The current official CD and streaming version that’s been out for quite a while is dreadful.
i have the original vinyl release in stereo and mono (several copies of the stereo) plus several versions on cd
and i still find the mixes pretty poor
what i did is i recorded the the stereo vinyl with my computer and then i split the the track into two separate tracks with audacity
then deleted the left channel with mostly mick's vocals and doubled the right channel and recombinded it into one track
this is my current favorite way to listen to gliywi
mick's vocals are still there but there much more level with the band then on the official mono versions and it gives it a bit more omph!
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WeLoveYou
Thanks, posted again
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ProfessorWolfQuote
WeLoveYou
The original London release of Got Live is good, on vinyl and CD. Find it on file sharing bittorrent sites.
The current official CD and streaming version that’s been out for quite a while is dreadful.
i have the original vinyl release in stereo and mono (several copies of the stereo) plus several versions on cd
and i still find the mixes pretty poor
what i did is i recorded the the stereo vinyl with my computer and then i split the the track into two separate tracks with audacity
then deleted the left channel with mostly mick's vocals and doubled the right channel and recombinded it into one track
this is my current favorite way to listen to gliywi
mick's vocals are still there but there much more level with the band then on the official mono versions and it gives it a bit more omph!
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falo01Quote
ProfessorWolfQuote
WeLoveYou
The original London release of Got Live is good, on vinyl and CD. Find it on file sharing bittorrent sites.
The current official CD and streaming version that’s been out for quite a while is dreadful.
i have the original vinyl release in stereo and mono (several copies of the stereo) plus several versions on cd
and i still find the mixes pretty poor
what i did is i recorded the the stereo vinyl with my computer and then i split the the track into two separate tracks with audacity
then deleted the left channel with mostly mick's vocals and doubled the right channel and recombinded it into one track
this is my current favorite way to listen to gliywi
mick's vocals are still there but there much more level with the band then on the official mono versions and it gives it a bit more omph!
The issues with AI is, that once you have mono, you won't get separated guitars. The only AI software I know that can separate acoustic and electric guitar is LALAL. But even there, instruments sometimes switch from one channel
to the other, which gives you a hard time listening to it (at least on headphones).
So if you wanna have some stereo effekt in the instruments, you have to do some weird arrangements. With that I mean putting bass, drums or vocals in one channel, although they all should be centered.
So long story cut short: I guess you won't get a satisfying result right now
by working on mono recordings with AI.
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ProfessorWolf
imagine somebody going over all the outtakes that mick has added vocals to over the last decade and altering his vocals so it sound like they were recorded by him in the 70's instead of by him in his 70's
or altering his voice on live recordings made in the last couple years to make it sound like him in the early 60's
..........
i don't know if i should be appalled or excited by this idea
but i do think it's gonna happen eventually
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ProfessorWolf
imagine somebody going over all the outtakes that mick has added vocals to over the last decade and altering his vocals so it sound like they were recorded by him in the 70's instead of by him in his 70's
or altering his voice on live recordings made in the last couple years to make it sound like him in the early 60's
..........
i don't know if i should be appalled or excited by this idea
but i do think it's gonna happen eventually
Professor! I have long thought this, because the "sharp" "nasal" vocals of Mick since the Exile outtakes included on its bonus disc sound, well, out of place and very "21st Century" vox on 20th Century music. (Well, they are 21st Century vox, after all!) Between these, and Mick's "affectations" such as singing Beast of "bah-din" instead of Beast of "burr-den" are noticeable and, to me, detract from the trax' being as good as they could be.
Still, to some degree, I think that this has been addressed on trax such as those on Tattoo You's bonus material, because thereon, Fiji Jim may be the best and most classic Stones' sounding track (along with Rough Justice and Claudine) that the band has released for the past 35 years.
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Big Al
I wonder if this person used the mono mix, or the original, 1968 stereo-mix of Jumpin’ Jack Flash as the source. I ask, as I do notice that on their page, they’re seemingly remixing mono-only tracks: Come On, Carol, etc.
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Big Al
I wonder if this person used the mono mix, or the original, 1968 stereo-mix of Jumpin’ Jack Flash as the source. I ask, as I do notice that on their page, they’re seemingly remixing mono-only tracks: Come On, Carol, etc.
It hasn’t been remixed. As I stated before it just been re EQ d. You can do some work by isolated different frequencies. But as far as the original 8 tracks or so it is impossible to do without the original in mixed tracks. This is why George Martins son can do the work on Beatles material. He has access to the original tracks
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CooltopladyQuote
Big Al
I wonder if this person used the mono mix, or the original, 1968 stereo-mix of Jumpin’ Jack Flash as the source. I ask, as I do notice that on their page, they’re seemingly remixing mono-only tracks: Come On, Carol, etc.
It hasn’t been remixed. As I stated before it just been re EQ d. You can do some work by isolated different frequencies. But as far as the original 8 tracks or so it is impossible to do without the original in mixed tracks. This is why George Martins son can do the work on Beatles material. He has access to the original tracks
Sorry to say this, but you're wrong. This new technique isn't about just EQing by "isolating different frequencies", it's about extracting certain instruments and vocals so you can in fact create a true stereo mix from a mono source without access to the original multitrack tapes.
That said, there are indeed limitations. If you have for example two guitars like in nearly all Stones mono mixes it is close to impossible to separate them because the guitar frequencies are usually in the same frequency range, so you can't create a stereo mix with the two guitars panned left and right in the stereo spectrum.
However, the Tiger Rogers YouTube channel has quite a few excellent stereo mixes of early Stones material that are only available in mono so far. Just listen and decide for yourself if it was worth the effort.