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Four Stone Walls
What a Fantastic track!
From which album's sessions?
I don't know answer to your question but that might give a clue.
If DW sessions ,- very possibly someone else.
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MelBelli
I believe it’s Chuck Leavell.
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ProfessorWolf
might it be steve jordan?
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CooltopladyQuote
MelBelli
I believe it’s Chuck Leavell.
Wow that was really funny……geez
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MelBelliQuote
CooltopladyQuote
MelBelli
I believe it’s Chuck Leavell.
Wow that was really funny……geez
I’m not kidding. It’s true.
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Four Stone Walls
What a Fantastic track!
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ProfessorWolfQuote
MelBelliQuote
CooltopladyQuote
MelBelli
I believe it’s Chuck Leavell.
Wow that was really funny……geez
I’m not kidding. It’s true.
wow really!
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MelBelli
I don’t think the version cut with Mick on vocals is from DW, so probably not Jordan. Sounds to me like it could be from Voodoo Lounge.
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Mathijs
The versions are from DW sessions in 1985. I always thought it is Ron Wood on drums, it really is his style. I have no idea about how Chuck Leavell sounds on drums.
Mathijs
SOTW????Quote
doitywoikQuote
Four Stone Walls
What a Fantastic track!
Yeah, the riff was nicked from one of the best (Richie Blackmore, SOTW) ...
Some fiery playing indeed but unfortunately the song consists just of the riff and nothing else.
I was as surprised about this as I was hearing it's chuck on drums.Quote
KeithNachoSOTW????Quote
doitywoikQuote
Four Stone Walls
What a Fantastic track!
Yeah, the riff was nicked from one of the best (Richie Blackmore, SOTW) ...
Some fiery playing indeed but unfortunately the song consists just of the riff and nothing else.
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WhaleI was as surprised about this as I was hearing it's chuck on drums.Quote
KeithNachoSOTW????Quote
doitywoikQuote
Four Stone Walls
What a Fantastic track!
Yeah, the riff was nicked from one of the best (Richie Blackmore, SOTW) ...
Some fiery playing indeed but unfortunately the song consists just of the riff and nothing else.
The source is chuck again?
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MelBelli
I get the resemblance to Smoke on the Water, but I doubt that’s what Keith, or Chuck, or anyone was thinking.