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Bjorn
I can´t see no one else - has nothing to do with One hit (to the body) as far as I´m concerned. To me it´s just one of those fast Keith-songs: Wanna hold you, Can´t be seen and Heartstopper - or even Connection. But One hit? There´s no similarity at all.
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MrEcho"Dirty Work" as released in 1986 is my favorite album by the band. So, no, the above suggestions won't do it for me.Quote
Spodlumt
Ditch "Hold Back," "Winning Ugly," "Back To Zero" and "Too Rude," and replace with "Nobody's Perfect," "Strictly Memphis," "Putty In Your Hands and "I Can't See No One Else," and you have a great album. Three covers, but no turkeys. My two cents...
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bakersfield
I absolutely love Winning Ugly. Good tune, great guitar work committed vocal good lyric. What’s not to like?????
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MadMax
Victor Hugo instead of Too Rude and it's a 10 outta 10 for me. I've never understood the slagging off of this album, it ain't Exile but it's an angry little gem.
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bakersfield
I've said it before. Replace Hold back with Deep Love and Too Rude with Strictly Memphis and you have' a really solid album. I cannot understand how so many contributors here slag it and praise Undercover which was a phoned-in mess, packed with insipid filler like 'Too Tough' with its pallid guitars and by-numbers arrangement and 'All the Way Down' which the Faces would have rejected as B Si, the trite like 'Wanna Told You' and the forgettable 'Pretty Beat Up'.
Dirty Work was a major return to form, alive with engaged vocals, thrilling guitars and good songs. That's how it was received at the time. if only they'd included Deep Love and Strictly Memphis it could have been truly great. I can only imagine that both were casualties of the bitter feud between the Glimmer Twins.
I'll leave the last word to Keith Richards, in an interview with Mat Snow for NME on the release of Dirty Work:
Snow: 'Your last album (Undercover) was dull, it didn't happen at all
Richards: No, it didn't
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TravelinMan
Putty is so good. Classic Stones. Could have been recorded by any incarnation of the band, and definitely would have helped Dirty Work.
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bakersfield
I absolutely love Winning Ugly. Good tune, great guitar work committed vocal good lyric. What’s not to like?????
It's chintzy. Remove the horrendous keyboards, chooky slap bass and the ridiculous club sounding drums as well as the horrible "committed" singing with the 8 year old schoolboy lyrics... there's a decent tune in there but it's below average, a toss off, it's only decent because of the guitaring. That's not enough to make it a good tune.
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GazzaQuote
bakersfield
I've said it before. Replace Hold back with Deep Love and Too Rude with Strictly Memphis and you have' a really solid album. I cannot understand how so many contributors here slag it and praise Undercover which was a phoned-in mess, packed with insipid filler like 'Too Tough' with its pallid guitars and by-numbers arrangement and 'All the Way Down' which the Faces would have rejected as B Si, the trite like 'Wanna Told You' and the forgettable 'Pretty Beat Up'.
Dirty Work was a major return to form, alive with engaged vocals, thrilling guitars and good songs. That's how it was received at the time. if only they'd included Deep Love and Strictly Memphis it could have been truly great. I can only imagine that both were casualties of the bitter feud between the Glimmer Twins.
I'll leave the last word to Keith Richards, in an interview with Mat Snow for NME on the release of Dirty Work:
Snow: 'Your last album (Undercover) was dull, it didn't happen at all
Richards: No, it didn't
'Undercover' is actually the album that I'd call a 'missed opportunity'. Whilst I think its much superior to DW and has three tracks that I personally think are superb (the title track, Too Much Blood, Feel on Baby), there are indeed some songs, especially on side 2 that are filler.
[...]
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TravelinMan
Putty is so good. Classic Stones (...) and definitely would have helped Dirty Work.
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deardoctor
As I wrote often:
DW needs a new mix to get rid of the trashy reverb and the whole 80s production. Then it´s a masterpiece
Apart that MY DW would include some more forgotten tracks:
One hit
Strictly Memphis
Invitation
Fight
Harlem shuffle (London Mix)
Deep Love
Winning ugly (London Mix)
What am I gonna do with you
Back to zero (alternate Take without trashy synths)
Dirty work
Had it with you
You´re too much
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deardoctor
As I wrote often:
DW needs a new mix to get rid of the trashy reverb and the whole 80s production. Then it´s a masterpiece
Apart that MY DW would include some more forgotten tracks:
One hit
Strictly Memphis
Invitation
Fight
Harlem shuffle (London Mix)
Deep Love
Winning ugly (London Mix)
What am I gonna do with you
Back to zero (alternate Take without trashy synths)
Dirty work
Had it with you
You´re too much
Invitation
[youtu.be]
You're toouch
[youtu.be]
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deardoctor
As I wrote often:
DW needs a new mix to get rid of the trashy reverb and the whole 80s production. Then it´s a masterpiece
Apart that MY DW would include some more forgotten tracks:
Invitation
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bakersfield
I've stood up for Dirty Work over and over here, so i won't waste time trying to persuade those who don't get it.
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bakersfield
I've stood up for Dirty Work over and over here, so i won't waste time trying to persuade those who don't get it. Instead I'll mention my one gripe, and that's the drumming. 'One Hit' as 'Gotdablouse' described above starts thrillingly but then the drumming is pedestrian, almost lifeless. I believe Charlie was out of sorts and so various drummers sat in. Does anyone out there know who played drums on what track?
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bakersfield
Hey shortfatfsnny no offence meant )
I’m sure I heard that Anton Fig played drums on DW and at least one other drummer?
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Rockman
LD said the Wasted cuts deeper ... hurts more everyday ...