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MelBelli
Time to give Mick Taylor some love. Here I look at some tasty lines MT played in Dorian mode as well as the natural minor scale. Check it out!
[youtu.be]
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ReaganQuote
MelBelli
Time to give Mick Taylor some love. Here I look at some tasty lines MT played in Dorian mode as well as the natural minor scale. Check it out!
[youtu.be]
So glad to see you back!
With new content too! (Although I must admit that I miss the video from years ago where you broke down Taylor's work on Brussels Affair.)
I look forward to giving everything in your channel a listen. Thanks!
-R
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MelBelliQuote
ReaganQuote
MelBelli
Time to give Mick Taylor some love. Here I look at some tasty lines MT played in Dorian mode as well as the natural minor scale. Check it out!
[youtu.be]
So glad to see you back!
With new content too! (Although I must admit that I miss the video from years ago where you broke down Taylor's work on Brussels Affair.)
I look forward to giving everything in your channel a listen. Thanks!
-R
Thanks, Reagan!
When Rolling Stone gave the old channel some attention, I kind of got embarrassed — felt like I needed to professionalize it. So I took it down. And then ... life took over. Dumb move on my part! Thanks for giving it a look.
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MonkeyMan2000
Another two great episodes! I especially like how you put the Spanish-style episode together. Hope I didn't come off as a know-it-all with that B7, that wasn't my intention.
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DandelionPowderman
Keith had a Fm6 in Make No Mistake, no?
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rollmopsQuote
DandelionPowderman
Keith had a Fm6 in Make No Mistake, no?
When playing No Mistake in A, I think the chord you are referring to is made of ;f.a.d.g#.b and f. I don't know what its name is but I like it!
Rockandroll,
Mops
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DandelionPowdermanQuote
rollmopsQuote
DandelionPowderman
Keith had a Fm6 in Make No Mistake, no?
When playing No Mistake in A, I think the chord you are referring to is made of ;f.a.d.g#.b and f. I don't know what its name is but I like it!
Rockandroll,
Mops
I'm pretty sure Keith only plays E/F (dark string), F (d-string), D (b-string), F/E (e-string), F (d-string) and D (b-string) in an arpeggio on MNM - although he touches that A (g-string) a couple of times to fill out.
Probably not exactly the same chord, but it has a somewhat similar effect.
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zQuote
DandelionPowdermanQuote
rollmopsQuote
DandelionPowderman
Keith had a Fm6 in Make No Mistake, no?
When playing No Mistake in A, I think the chord you are referring to is made of ;f.a.d.g#.b and f. I don't know what its name is but I like it!
Rockandroll,
Mops
I'm pretty sure Keith only plays E/F (dark string), F (d-string), D (b-string), F/E (e-string), F (d-string) and D (b-string) in an arpeggio on MNM - although he touches that A (g-string) a couple of times to fill out.
Probably not exactly the same chord, but it has a somewhat similar effect.
You mean Ab, not A... But there's also a B in there which makes it more of an Fdim. With a pinch of maj7 thrown in.
E/F - low string; open D string; G# (g string); open B string; F/E (high string); D (b string).
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rollmops
Fantastic MelBelli your analysis of the new song. That Fm6 is very "appropriate" as it evoques a feeling of suspens, danger,mystery. Some chords have thatpower to trigger almost specific emotions, it seems a sort of mimesis. Do you identify special chords that you use to carry specific emotions when writing music?
Keep on rockin" Melbelli!
Rockandroll,
Mops
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liddas
Good one, only I think it’s Keith on piano on Sleep Tonight
C
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MelBelliQuote
liddas
Good one, only I think it’s Keith on piano on Sleep Tonight
C
Man, I don’t know. Sounds to me like Chuck.
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liddasQuote
MelBelliQuote
liddas
Good one, only I think it’s Keith on piano on Sleep Tonight
C
Man, I don’t know. Sounds to me like Chuck.
Of course I don't know either, but the opening piano does sound a lot like what Keith plays on the 77 Toronto recordings.
C
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DandelionPowderman
From timeisonourside.com:
Drums: Ron Wood
Bass: Keith Richards
Acoustic guitar: Keith Richards
Electric guitars: Keith Richards
Lead vocal: Keith Richards
Background vocals: Keith Richards, Ron Wood, Bobby Womack & Don Covay
Piano: Keith Richards
Synthesizer: Chuck Leavell
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MelBelliQuote
DandelionPowderman
From timeisonourside.com:
Drums: Ron Wood
Bass: Keith Richards
Acoustic guitar: Keith Richards
Electric guitars: Keith Richards
Lead vocal: Keith Richards
Background vocals: Keith Richards, Ron Wood, Bobby Womack & Don Covay
Piano: Keith Richards
Synthesizer: Chuck Leavell
I’ve seen this before, and I think it’s just supposition — based on quote from Keith that he wrote it on piano. But the playing is too fluid, too “pro,” as FooltoCry says. I would love to think that that it’s Tom Waits. But it sounds like Chuck — especially in those quick, blues-gospel-ish changes through Am and Gm.
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audun-eg
I wish Keith didn`t release Sleep Tonight with Ron`s drumtrack. Let´s face it. He ain`t no drummer... It is a beautiful tune, but I just can`t see past those horrible unsteady drums.