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RollingFreak
Oh I absolutely don't take any of that away from Roger. He 100% deserves to do it, and I have zero problem and never did with the moniker "the BRAINS behind Pink Floyd" which is how he was advertised in 2006 in the States. He wrote it all, and I had zero problem with him performing Dark Side in full when I saw him even though he sings very little of it.
I think where I got peeved is somehow perceiving Gilmour isn't as good, solo material or not. Both their solo material isn't so great, and they both do the shows they do. I don't begrudge either, but I think knocking one is strange. Gilmour is as much Floyd as Roger is. All 4 of them are. That was the whole point of Pink Floyd. When you hear that guitar, its as much Pink Floyd as it is seeing Roger sing all the songs he wrote.
Same as most bands, solo stuff is bad quality.Quote
noughties
Gilmour`s solo stuff is always a poor man`s Pink Floyd. I see little reason for it. Why buy it? The same with Robert Plant, -ouch... -Have no knowledge of Roger Waters, but I guess we get an idea when listening to Pink Floyd`s The Final Cut.
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noughties
Gilmour`s solo stuff is always a poor man`s Pink Floyd. I see little reason for it. Why buy it? The same with Robert Plant, -ouch... -Have no knowledge of Roger Waters, but I guess we get an idea when listening to Pink Floyd`s The Final Cut.
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Hairball
It's known that Roger presented both the initial concepts that he wrote for both The Wall and the Final Cut to the band, and they voted unanimously for The Wall.
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Hairball
It's known that Roger presented both the initial concepts that he wrote for both The Wall and the Final Cut to the band, and they voted unanimously for The Wall.
The story I'm familiar with is that he presented the band with The Wall and The Pros and Cons of Hitch Hiking. Not a particularly difficult choice for the band to make. Pros and Cons is arguably one of the worst albums ever recorded, and with so many words, and so little actual music, Gilmour would have been left with very little room in which to improve it. I actually like The Final Cut. In some ways, I think it succeeds where The Wall fails. It's too bad Waters has never performed it in its entirety, but I guess he knows The Wall is always going to sell more tickets.
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Hairball
It's known that Roger presented both the initial concepts that he wrote for both The Wall and the Final Cut to the band, and they voted unanimously for The Wall.
The story I'm familiar with is that he presented the band with The Wall and The Pros and Cons of Hitch Hiking. Not a particularly difficult choice for the band to make. Pros and Cons is arguably one of the worst albums ever recorded, and with so many words, and so little actual music, Gilmour would have been left with very little room in which to improve it. I actually like The Final Cut. In some ways, I think it succeeds where The Wall fails. It's too bad Waters has never performed it in its entirety, but I guess he knows The Wall is always going to sell more tickets.
Yeah Pros & Cons was the alternative offering. Bits n pieces of the Final Cut had been in Waters head for years but the catalyst for it going in to production was the Falklands conflict. In an interview he gave the main reason for The Final Cut was part of therapy he was undergoing at the time and some kind of cathartic project for allowing him to 'let go of his father'. I love The Final Cut but it's deffo not music to cheer good spirit or get up and boogie to!
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Spud
I play Pros & Cons from time to time...
...but only because it has in places some tasty guitar playing from EC
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Hairball
Roger's Amused To Death featuring Jeff Beck on guitar is fantastic, and I prefer it as a whole to The Final Cut which is also fantastic but also a bit eccentric both lyrically and musically.
And at the time of release it was somewhat of a letdown after The Wall.
It's known that Roger presented both the initial concepts that he wrote for both The Wall and the Final Cut to the band, and they voted unanimously for The Wall.
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keefriff99I've been lucky enough to see the Dark Side (2007), Wall (2012) and Us and Them (2017) tours...they were all phenomenal, but they are 100% Roger living on his Pink Floyd glory years...and he totally has a right to. He wrote the bulk of the damn material and works with amazing visual artists to bring the stage shows to life.Quote
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rlj1010
I didn't think either album was particularly great, but I preferred Gilmour's Rattle That Lock to Waters' Is This The Life We Really Want.
Both albums suck. They, unfortunately, are not very good separately and never have been. I listen to a Gilmour album and think THERE is that guitar tone I've been missing all these years. But the lyrics are pure shit. Roger can still write a damn good tune, but can't write a melody to save his life. The one good song that I remember from his last album was basically a rip off of something else he'd written, forget what it was. Its unfortunate. They are pointless on their own.
Touringwise, Roger gets lucky with the Floyd stuff. He does it amazingly, and always has a great show, but to say its NOT used as a crutch is a bit of a stretch. I love him to death, his Dark Side of the Moon tour and The Wall show are some of my favorites ever. And if Gilmour refuses to tour with him Roger has all the right to do it and do it well. But hey, its not really original and its just living off your glory years. Its great, but as a massive fan I still know its 100% a gimmick. Gilmour I at least respect cause his new stuff's shit, but he's not going out there just playing stuff from 40/50 years ago. He's giving you new stuff he believes in whether you like it or not, which I really do find admirable, if not a bit disappointing.
Yeah, he's sprinkled some new songs in there the way the Stones play Doom and Gloom or Don't Stop. The fact is that very few artists in their 60s and 70s have the artistic will and stubbornness to force new material on their audiences, and even fewer are capable of creating vital new material that their fans actually want to hear.
Let's face it: to even GET to the point where you've created two hours worth of "golden oldies" that thousands of fans want to hear (even if the material is 40-50 years old) is a tremendous achievement in itself that very few artists accomplish. Might as well celebrate it.
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keefriff99I've been lucky enough to see the Dark Side (2007), Wall (2012) and Us and Them (2017) tours...they were all phenomenal, but they are 100% Roger living on his Pink Floyd glory years...and he totally has a right to. He wrote the bulk of the damn material and works with amazing visual artists to bring the stage shows to life.Quote
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rlj1010
I didn't think either album was particularly great, but I preferred Gilmour's Rattle That Lock to Waters' Is This The Life We Really Want.
Both albums suck. They, unfortunately, are not very good separately and never have been. I listen to a Gilmour album and think THERE is that guitar tone I've been missing all these years. But the lyrics are pure shit. Roger can still write a damn good tune, but can't write a melody to save his life. The one good song that I remember from his last album was basically a rip off of something else he'd written, forget what it was. Its unfortunate. They are pointless on
Touringwise, Roger gets lucky with the Floyd stuff. He does it amazingly, and always has a great show, but to say its NOT used as a crutch is a bit of a stretch. I love him to death, his Dark Side of the Moon tour and The Wall show are some of my favorites ever. And if Gilmour refuses to tour with him Roger has all the right to do it and do it well. But hey, its not really original and its just living off your glory years. Its great, but as a massive fan I still know its 100% a gimmick. Gilmour I at least respect cause his new stuff's shit, but he's not going out there just playing stuff from 40/50 years ago. He's giving you new stuff he believes in whether you like it or not, which I really do find admirable, if not a bit disappointing.
Yeah, he's sprinkled some new songs in there the way the Stones play Doom and Gloom or Don't Stop. The fact is that very few artists in their 60s and 70s have the artistic will and stubbornness to force new material on their audiences, and even fewer are capable of creating vital new material that their fans actually want to hear.
Let's face it: to even GET to the point where you've created two hours worth of "golden oldies" that thousands of fans want to hear (even if the material is 40-50 years old) is a tremendous achievement in itself that very few artists accomplish. Might as well celebrate it.
That's fair comment. Only a select few of the 'classic acts' can get away with doing new material for the bulk of a show I'd say Neil Young, Van Morrison and mibbe Springsteen to name a few. Think Dylan makes up his setlist half an hour before the gig!
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TornAndFried
Gilmore recently auctioned off a large number of his guitars for charity (including his famous black Fender Stratocaster used on every album and tour since DSOM). No doubt he has copies of some of these guitars but it seems to be a sign he is heading for retirement.
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keefriff99Roger Waters' The Wall tour from 2010-2013 is the 6th highest grossing tour of all time.Quote
jlowe
Yes ,Roger Waters has made 'stupid money'from his recent solo tours.
Somehow, I cannot imagine a Mick solo tour being so successful.
Any views?
If Mick could have gotten ANYWHERE close to that, he would have done it already. I think it's more than self-evident that Mick would have nowhere near that level of success.
By the way, I just found out that little hobbit Ed Sheeran has broken U2's all-time tour grossing record. What a sad day for rock'n'roll.
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jlowe
Surely with inflation, money records will always get broken.
I would have thought it is attendance figures that matter the most.
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djgab
maybe the question has already been proposed: "How David Gilmour would tour after having sold lot of (all?) his legendary guitars?"
Oh I know. You can drill down into the stats and break it out by attendance, number of shows, ticket prices, etc., but he's at the top of the list at the end of the day and that's what most people will see.Quote
GasLightStreetQuote
keefriff99Roger Waters' The Wall tour from 2010-2013 is the 6th highest grossing tour of all time.Quote
jlowe
Yes ,Roger Waters has made 'stupid money'from his recent solo tours.
Somehow, I cannot imagine a Mick solo tour being so successful.
Any views?
If Mick could have gotten ANYWHERE close to that, he would have done it already. I think it's more than self-evident that Mick would have nowhere near that level of success.
By the way, I just found out that little hobbit Ed Sheeran has broken U2's all-time tour grossing record. What a sad day for rock'n'roll.
Did you see how many shows he had to do, though? 129 MORE SHOWS than U2.
Not exactly breaking the record. Barely broke the money amount, and the attendance is just shy of a million more because... of so many more shows.
When U2 broke the Stones BANG record it was shows 73 and 75 (something like that, 2 shows in the 70 range) for attendance and money. U2 did 110 shows. The Stones did 144 shows - so even more impressive that U2 did it before show 100... and blew it out of the water with only 10 more shows.