Re: Charlie's solo material: what is the best?
Date: October 6, 2005 19:31
1, Live At Fullham Town Hall ('86) is his 32 piece big band doing mostly bop or pre-bop standards. Nice souvenir; I saw the Orchestra in late '86 or early '87.
2, From One Charlie ('91, box set w/ CW's 1964 Parker book, a cd, & a nice C. Parker print) is Parker-inspired original material by the fine CW Quintet,- jazz critic Scott Yanow (AMG) said he'd give it 5 stars if the cd was not just under 30 minutes.
3, Tribute to C. Parker with Strings ('92) features the Quintet live on material from the preceding cd plus a few covers of Parker classics showing the group in fine form, plus Bernard links the material w/readings from Watts' book, & he sings one song. A nice tribute.
4, Both 'Warm & Tender' ('93) & 'Long Ago & Far Away' ('96) feature the Watts Quintet plus Bernard on vocals performing jazz/pop classics from the pre-rock era - way better, more nuanced & committed, than other recent stars' efforts at doing 'american songbook' type projects - these guys love this stuff, & it shows. (BTW Warm & Tender features tres cool elaborate artwork including a beautiful booklet color shot of CW w/ a baby Seraphina (the cover model) circa '69) On both of these albums Charlie mostly uses brushes btw, the material mostly classic ballads. Great late night listening. Bernard, who was filling in for Mick & Rod on the Ron W tour during this period, & fronting his Zep-meets-Funkadelic band Nickelbag too, is a f*cking chameleon, & sounds just as fine on these timeless songs as on "Hots On For Nowhere" or "Hit It & Quit". Never oversings.
5, "Charlie Watts/Jim Keltner Project" (2000), is different from all other Watts cds, begun during the Bridges 2 Babylon sessions, CW lays down grooves w/ JK adding colorful percussive & Eno-esque effects & (as on B2B, but more so) the pair embracing cut-ups, techno, ambient, etc for a cool, unique synthesis of 'world' type music & modern production techniques. But it is never bland or new-agey. Charlie's drums are mixed front & center, the music defies catagorization - not really jazz, and some of it is beautiful (check out the long "Tony Williams" or "The Elvin Suite" - with otherworldly 'voices' it is exquisite, haunting, w/ a sense of grief & loss. Some of this music picks up where the end of "How Can I Stop" or 'Thief In the Night' leave off. These long tracks all have strong grooves, & lots of inventive goings on. Mick plays keys/synth (think of the droning style of 'Continental Drift' or his score for 'Invocation of My Demon Brother'). Keith is on here too, as well as Blondie Chaplin & other Stone-in-laws. There is a ltd edition w/ a 2nd disc of remixes. I like this album a lot. BY THE WAY, tho most tracks are written by Watts/Keltner, the 12 minute 'Tony Williams' may be a first w/ its credit: "Charlie Watts/Mick Jagger/Jim Kelter"...
6, "Watts At Scott's" (2004), is CW's Tentet live, continuing to evolve out of the fine bop/post-bop homage of the Parker-themed Quintet albums into a more confident musical identity. Strong performances & mix of new material/covers (Ellington, Monk)including a terrific jazz reinterpretion of his other group's biggest hit ever, here called "Faction"...Some pretty well known Jazz critics have praised Charlie's solo stuff ("without the Stones' association...still absolutely deserves his place in any guide to jazz recordings...")