For information about how to use this forum please check out forum help and policies.
Quote
Rocky Dijon
Yeah, I'm among the crowd that see "Cried Out" as a stop on the road that became "Laugh? I Nearly Died." The same as "Highway Bound" became "Bitch" and "Good Time Women" became "Tumbling Dice." I understand better educated folks who play instruments saying no, but it's easier for me to hear this than it was to understand the connection between "Sweet Thing" and "Honest Man." I hear it now that I look for it, but on my own I might never have noticed because one is funk and the other is a bluesy rocker. I think it's a fundamental difference between those who play music and those who just listen to it. Without "hearing" notes or chords the way an educated person would, it just isn't the same. So from my uneducated vantage, "Cried Out" is definitely part of the process that evolved into "Laugh? I Nearly Died."
Quote
doitywoik
..., there are similarities but IMHO "Cried Out" could as well exist as a song in its own right. Cried Out has a riff that isn't there in Laugh (although it sounds like I heard it before). Also the opening chord change in the verse isn't the same. In Laugh, the second chord goes down a major third, in Cried Out it's a fourth. Then both songs go follow different paths anyway. So it's rather the vibe than the music that is similar, I'd say.
But no matter what - for me, "Cried Out" is the highlight and the true standout of the bunch. Gives me the goosebumps, really!
Quote
retired_dogQuote
Rocky Dijon
Yeah, I'm among the crowd that see "Cried Out" as a stop on the road that became "Laugh? I Nearly Died." The same as "Highway Bound" became "Bitch" and "Good Time Women" became "Tumbling Dice." I understand better educated folks who play instruments saying no, but it's easier for me to hear this than it was to understand the connection between "Sweet Thing" and "Honest Man." I hear it now that I look for it, but on my own I might never have noticed because one is funk and the other is a bluesy rocker. I think it's a fundamental difference between those who play music and those who just listen to it. Without "hearing" notes or chords the way an educated person would, it just isn't the same. So from my uneducated vantage, "Cried Out" is definitely part of the process that evolved into "Laugh? I Nearly Died."
Count me in. Despite belonging to those "educated folks who play instruments (and also sing in my case)" I can hear it, too. Being "better educated" is not necessarily a virtue, though. Some are simply too much focussed on technical details like a different chord or different small lick and tend to overlook the general picture, that is that in the process of creating a song, a rough sketch or basic idea can go through many changes and variations, and that of course includes the omission or addition of chords or certain notes, licks and melody lines.
Quote
doitywoik
Different chord progression, slightly similar vibe.
Quoting myself (we discussed this already a year ago):Quote
doitywoik
..., there are similarities but IMHO "Cried Out" could as well exist as a song in its own right. Cried Out has a riff that isn't there in Laugh (although it sounds like I heard it before). Also the opening chord change in the verse isn't the same. In Laugh, the second chord goes down a major third, in Cried Out it's a fourth. Then both songs go follow different paths anyway. So it's rather the vibe than the music that is similar, I'd say.
But no matter what - for me, "Cried Out" is the highlight and the true standout of the bunch. Gives me the goosebumps, really!
Quote
DandelionPowdermanQuote
retired_dogQuote
Rocky Dijon
Yeah, I'm among the crowd that see "Cried Out" as a stop on the road that became "Laugh? I Nearly Died." The same as "Highway Bound" became "Bitch" and "Good Time Women" became "Tumbling Dice." I understand better educated folks who play instruments saying no, but it's easier for me to hear this than it was to understand the connection between "Sweet Thing" and "Honest Man." I hear it now that I look for it, but on my own I might never have noticed because one is funk and the other is a bluesy rocker. I think it's a fundamental difference between those who play music and those who just listen to it. Without "hearing" notes or chords the way an educated person would, it just isn't the same. So from my uneducated vantage, "Cried Out" is definitely part of the process that evolved into "Laugh? I Nearly Died."
Count me in. Despite belonging to those "educated folks who play instruments (and also sing in my case)" I can hear it, too. Being "better educated" is not necessarily a virtue, though. Some are simply too much focussed on technical details like a different chord or different small lick and tend to overlook the general picture, that is that in the process of creating a song, a rough sketch or basic idea can go through many changes and variations, and that of course includes the omission or addition of chords or certain notes, licks and melody lines.
We're in the same boat, then. And musicians are hearing different things, too. It's not about education, being «good at something» or having the definite answer of anything. Music is music. It's art, and it's up for interpretation by the listener. Sometimes, people who don't play an instrument can hear things seasoned musicians will miss. And the other way around, of course.
However, I refuse to be dismissed as someone who «doesn't see the bigger picture» just because I practically can sing the verses and the bridge from Sweet Thing while having Honest Man on. It's not a stray thought, an over-focus on small details or a hangup. It's just how it is: The structure of those songs are built up the same way.
There are other examples of similarities like Cried Out / Laugh, I Nearly Died. Take Coming Down Again and Sleep Tonight. The piano intros are different technically, yet they are very similar in feel - almost identical in feel.
And I must add: There is a difference between similarities and claiming «Cried Out» is a demo of what eventually became Laugh, I Nearly Died. That's what I'm objecting to, as Cried Out is a song in its own right, with soundscapes, parts and riffs that never made Laugh, I Never Died. But, as mentioned before, I agree on Mick taking some of the atmosphere and feel from Cried Out with him and added some of that in Laugh, I Nearly Died. But that's a different thing.
I don't want to repeat myself, or stir up anything, but I felt I had to explain this a bit better than I already had. Hope I succeeded
[www.youtube.com]
Quote
DandelionPowdermanQuote
retired_dogQuote
Rocky Dijon
Yeah, I'm among the crowd that see "Cried Out" as a stop on the road that became "Laugh? I Nearly Died." The same as "Highway Bound" became "Bitch" and "Good Time Women" became "Tumbling Dice." I understand better educated folks who play instruments saying no, but it's easier for me to hear this than it was to understand the connection between "Sweet Thing" and "Honest Man." I hear it now that I look for it, but on my own I might never have noticed because one is funk and the other is a bluesy rocker. I think it's a fundamental difference between those who play music and those who just listen to it. Without "hearing" notes or chords the way an educated person would, it just isn't the same. So from my uneducated vantage, "Cried Out" is definitely part of the process that evolved into "Laugh? I Nearly Died."
Count me in. Despite belonging to those "educated folks who play instruments (and also sing in my case)" I can hear it, too. Being "better educated" is not necessarily a virtue, though. Some are simply too much focussed on technical details like a different chord or different small lick and tend to overlook the general picture, that is that in the process of creating a song, a rough sketch or basic idea can go through many changes and variations, and that of course includes the omission or addition of chords or certain notes, licks and melody lines.
We're in the same boat, then. And musicians are hearing different things, too. It's not about education, being «good at something» or having the definite answer of anything. Music is music. It's art, and it's up for interpretation by the listener. Sometimes, people who don't play an instrument can hear things seasoned musicians will miss. And the other way around, of course.
However, I refuse to be dismissed as someone who «doesn't see the bigger picture» just because I practically can sing the verses and the bridge from Sweet Thing while having Honest Man on. It's not a stray thought, an over-focus on small details or a hangup. It's just how it is: The structure of those songs are built up the same way.
There are other examples of similarities like Cried Out / Laugh, I Nearly Died. Take Coming Down Again and Sleep Tonight. The piano intros are different technically, yet they are very similar in feel - almost identical in feel.
And I must add: There is a difference between similarities and claiming «Cried Out» is a demo of what eventually became Laugh, I Nearly Died. That's what I'm objecting to, as Cried Out is a song in its own right, with soundscapes, parts and riffs that never made Laugh, I Never Died. But, as mentioned before, I agree on Mick taking some of the atmosphere and feel from Cried Out with him and added some of that in Laugh, I Nearly Died. But that's a different thing.
I don't want to repeat myself, or stir up anything, but I felt I had to explain this a bit better than I already had. Hope I succeeded
[www.youtube.com]