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Ronnie with the toilet guitar. I think it is in Open D, haha.. only Ronnie would actually have toilet in open tuning.
One thing that I always love about the Faces is something that isn't mentioned too often: what a great bassist Ronnie Lane was. Besides Jamerson I can't really think of anyone else (maybe, maybe Greg Ridley) who played such rumbling counterpoint. He would never play 'with' Ron wood; as in doubling up; or following. He totally was out on his own. So in a way, the Faces' construct was even more fragile than the Stones.
If you think of it - "Stay with Me", the verses, when Rod is singing are a rhythmic nightmare. Right on the verge.
But the main concert - I am not even so sure I've seen this one before. It is fantastic.
"Angel" was Ron Wood at top of his chording.
"I'd rather go blind" - that is what all got lost when Ronnie joined the Stones - all that breathing room, for him to develop something; alone at center stage.
Somebody please tell me about Kenney Jones. I have always been on the fence about him. He has played in the greatest bands in the world, been at the very center of things. And obviously knows his stuff. But his whole approach to the 'beat' bothers me so much. His snare hits come at the LAST possible increment of what can still be called 'on'. During "Blind" his snare hits are to the point where they are actually just late and distracting. he needed some lessons with Clde Stubblefield.