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Testify
...let's hope not! I love Miss You played live, it's one of the best moments of the concert, wonderful versions of Miami 94.
I never went to the toilet during a concert or even to the bar, with what it costs me I want to enjoy everything, it does not last 5 hours and I can hold myself for 2 hours I'm not a child or a 90-year old!Quote
corriecasQuote
Testify
...let's hope not! I love Miss You played live, it's one of the best moments of the concert, wonderful versions of Miami 94.
Yeah, Time to have a piss and get some water.
jeroen
Looks like they have been reading our moans hereQuote
Irix
Review by German Hifi-Magazine STEREO - 2/2019, p.157:
Music/Content: 3.5 out of 5 Stars, Audio-Quality: 2 out of 5 Stars, Picture-Quality: 1.5 out of 5 Stars
"In so weithin verunglücktem Murks-Mix wurde noch kein Auftritt der Rolling Stones vorgelegt: Mick Jagger ist absurd laut in den Vordergrund gemischt, die Instrumente hingegen sind oft akustisch 'unterbelichtet' bis unhörbar. Immerhin wartet die Setlist des Konzerts vom November 1994 mit live selten musizierten Songs und Auftritten von Bo Diddley (bei 'Who Do You Love') und Robert Cray (sehr gelungene Deutung von Robert Johnsons 'Stop Breaking Down'-Blues) auf. Die immer wieder unscharfe Optik unterbietet in ihrer 'historischen' Qualität noch die des Pariser 'Paradiso'-Mitschnitts von 1995."
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Irix
Review by German Hifi-Magazine STEREO - 2/2019, p.157:
Music/Content: 3.5 out of 5 Stars, Audio-Quality: 2 out of 5 Stars, Picture-Quality: 1.5 out of 5 Stars
"In so weithin verunglücktem Murks-Mix wurde noch kein Auftritt der Rolling Stones vorgelegt: Mick Jagger ist absurd laut in den Vordergrund gemischt, die Instrumente hingegen sind oft akustisch 'unterbelichtet' bis unhörbar. Immerhin wartet die Setlist des Konzerts vom November 1994 mit live selten musizierten Songs und Auftritten von Bo Diddley (bei 'Who Do You Love') und Robert Cray (sehr gelungene Deutung von Robert Johnsons 'Stop Breaking Down'-Blues) auf. Die immer wieder unscharfe Optik unterbietet in ihrer 'historischen' Qualität noch die des Pariser 'Paradiso'-Mitschnitts von 1995."
See I agree and actually like it sound and audio !Quote
Spud
I still don't think the sound is bad .
It just suits the minority taste ...including mine.
The acoustic set was very good and Ronnie played his tail off and ditto for Keith and Micks vocals and harp playing on Sweet Virginia along with Bobby Keys killer sax solo which is to die for !!!!!!!!!!!!!!!!Quote
Testify
In the acoustic set Ronnie was great with his acoustic guitar, I love his solo in Dead Flowers! Ronnie played well in this concert.
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Erik_Snow
Well I think it's awful. I actually threw it in garbage (not kidding) jut like A Bigger Bang.
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Erik_Snow
Well I think it's awful. I actually threw it in garbage (not kidding) jut like A Bigger Bang.
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Erik_Snow
Well I think it's awful. I actually threw it in garbage (not kidding) jut like A Bigger Bang.
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jbwelda
So these are basically front-of-house stereo mix soundboard tapes?
jb
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tommycharles
This release, as well as San Jose and both Bridges releases, make it pretty clear that they didn’t remix these for release. I don’t believe for a moment they’d have let these go out like this if they were mixing them from scratch, it’s just that in this case they either didn’t have the multi tracks or didn’t want to spend the money to mix them again, and they had existing serviceable mixes they could release.
I’m still glad we got these shows, especially San Jose, but it was a missed opportunity for sure.
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ironbelly
I did it long ago and can repeat it again
I Go Wild from CD single VSCDX 1539, 1995 (CD Made in UK by EMI Swindon)
[www.dropbox.com]
I Go Wild from Voodoo Lounge Uncut, 2018 (2CD+DVD version, CD manufactured by optimal media GmbH)
[www.dropbox.com]
This is the same track from the very same show. Just different approach to mastering 1995 vs. 2018.
Only about 1 minute is presented. You know, a sample.
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Testify
In the acoustic set Ronnie was great with his acoustic guitar, I love his solo in Dead Flowers! Ronnie played well in this concert.