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engerling23
Do you also have the feeling that the ticket sales are weak for this tour?
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syrel
People's views of whether sales are strong and weak reflects their prejudices/assumptions from before the process started. We have no meaningful data to draw conclusions from.
Also, remember from a promoter's point of view, selling out quickly is bad: selling out on the day of the show, with the highest prices the market can stand, is their best result.
syrel
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syrel
People's views of whether sales are strong and weak reflects their prejudices/assumptions from before the process started. We have no meaningful data to draw conclusions from.
Also, remember from a promoter's point of view, selling out quickly is bad: selling out on the day of the show, with the highest prices the market can stand, is their best result.
syrel
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stargroover
If the Gold circle does not sell out ,they will fill it up with General admission
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syrel
People's views of whether sales are strong and weak reflects their prejudices/assumptions from before the process started. We have no meaningful data to draw conclusions from.
Also, remember from a promoter's point of view, selling out quickly is bad: selling out on the day of the show, with the highest prices the market can stand, is their best result.
syrel
I can draw on my own experiences and I have never had as much time to select exactly where I want to sit. This time round I wanted a pit ticket, golden circle and I got them. And I went back to check later on the same day to see if there were further purchase options and there were.
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stereomanicQuote
syrel
People's views of whether sales are strong and weak reflects their prejudices/assumptions from before the process started. We have no meaningful data to draw conclusions from.
Also, remember from a promoter's point of view, selling out quickly is bad: selling out on the day of the show, with the highest prices the market can stand, is their best result.
syrel
This is very true.
Im wondering also if they can adjust the golden circle/general admission ratio as time goes on too. If GC doesnt sell out they could make that area smaller and open up more GA.
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thecitadel
The promoters hate the secondary market sellers (viagogo and the others) because they disturb their own selling plan - and take more of the money punters (us) will pay.
The promoters far from hate them. 1. Getmein and Seatwave are owned by Live Nation - The biggest promoter in the business. 2. They also sell their tickets on Viagogo and Stubhub and split the profits. Other promoters do the same.
Individual scalpers account for a small percentage of secondary sales. And some of those individuals work or know people who work at ticket companies and get early access to the best seats.
You constantly hear the likes of Ticketmaster going on about bots and ticket sweeping and although it does happen its largely a smokescreen to deflect the attention from themselves.
My comments are totally subjective.They are based solely on observing and digesting the output of numerous media outlets and talking to people for decades. I have not missed a Euro tour since 73 and will be very happy to see full stadia, a raucous but appreciative audience covering several generations. Kind of what we have relished thru the years in Scotland.Quote
laertisflash
"Methinks the citizens of the UK fell out of love with the Stones years ago. They are significantly less appreciated and marginalised compared with their reputation in most European countries".
Belld, I wonder which indications your conclusion is based on. Last Stones album, "Blue and Lonesome", has been a hugest commercial success in the UK. Their last London gigs were successful too.
By the current ticket prices, sales couldn’t not be fast, as they were in the past. Many, many people do know the… modern ticket sales “game”, so they are probably waiting for some reduced prices. In addition the Stones are going to do not two, not three but 8 gigs in the UK, so the demand is divided, as fans have more choices and possibilities to select venues and get better prices.
And, I suppose that, as Harlem Suffler says, if the sales were poor, they would not add new gigs, as they did…
Last year we heard comments and “estimates” about “poorest” sales for Spielberg. But finally the Stones played in front of 95,000 people there…
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laertisflash
"I don't have time to check, but I would imagine that B&L still sold less than Dirty Work".
I don't have time to check too, but even if "B&L" has sold, let's say, 10% lesser than DW, that does mean "B&L" is much, much more successful, considering the current level of album sales. If I remember correctly, georgelicks wrote that "B&L" is one of the 3,4 or 5 best selling albums in the entire Stones history, in the UK.
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syrelQuote
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syrel
People's views of whether sales are strong and weak reflects their prejudices/assumptions from before the process started. We have no meaningful data to draw conclusions from.
Also, remember from a promoter's point of view, selling out quickly is bad: selling out on the day of the show, with the highest prices the market can stand, is their best result.
syrel
I can draw on my own experiences and I have never had as much time to select exactly where I want to sit. This time round I wanted a pit ticket, golden circle and I got them. And I went back to check later on the same day to see if there were further purchase options and there were.
I would agree with that, but I think a couple of things are in play here: 1) Why have the pit tickets been hidden on a completely different site to the normal ticket sales? Most people - including many people on this site - simply haven't found them. So that is one reason why it has been easier to get pit tickets; 2) the 'presale' wasn't really a presale, it seemed to be just an early release of normal inventory. I still haven't worked out why, but normally presale tickets are quite restricted which makes it feel more manic; 3) prices - it's possible they are a bit overpriced (I mean that strategically not morally!) but, as I said in my initial comment, we can't judge whether they have got the pricing wrong until the end of the process.
syrel
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georgelicks
B&L has sold 337,000 copies in the UK so far, certified Platinum, their best selling studio album in the UK since Tattoo You.
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georgelicks
B&L has sold 337,000 copies in the UK so far, certified Platinum, their best selling studio album in the UK since Tattoo You.