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Hairball
In addition to the Mick Taylor factor, if it was announced that 95% of the setlist would be songs that have never or rarely been played live, many would decide to go!
Might not please most of the casual fans, but most diehards would be ready and willing. As it stands though, it's the nostalgia factor that sells tickets - how else can the stagnant setlists be explained?
I have received my e-ticket for Edinburgh.Quote
PaintMonkeyManBlack
Did anyone receive e tickets for one of the shows already?
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GazzaQuote
Hairball
In addition to the Mick Taylor factor, if it was announced that 95% of the setlist would be songs that have never or rarely been played live, many would decide to go!
Might not please most of the casual fans, but most diehards would be ready and willing. As it stands though, it's the nostalgia factor that sells tickets - how else can the stagnant setlists be explained?
Laziness. They could realistically play three shows in a row of 20-song setlists with not one song duplicated and the recognition factor in the audience would be high for each one.
That, plus the fact that its quite realistic that at this stage in their career some of the band members no longer have the chops to do a wide variety of songs justice. Which, in fairness, is somewhat understandable
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chriseganstar
I think this could be the last "hurrah" for the band, maybe one final US fw gigs, but there is only so many times you can roll out the same show and expect everyone to pay exorbitant ticket prices. Personally I would have been happy to have seen the band finish in Havana, on a high.
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MisterDDDDQuote
chriseganstar
I think this could be the last "hurrah" for the band, maybe one final US fw gigs, but there is only so many times you can roll out the same show and expect everyone to pay exorbitant ticket prices. Personally I would have been happy to have seen the band finish in Havana, on a high.
Can't really speak to No Filter 1, but the Desert Trip shows were also pretty epic and yet another personal "high" for me. I wouldn't bet on there not being more opportunities to leave on a high.
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bye bye johnny
Rolling Stones facing empty seats despite cut-price concert tickets
[image]
Nick Bramhill
April 30 2018
The Rolling Stones’ hopes of playing to a full stadium at Croke Park are starting to fade away after a heavily publicised discounted ticket promotion for their Dublin gig failed to attract fans.
With less than three weeks to go until Mick Jagger and his bandmates arrive in Dublin, it is looking more and more likely that the gig — the biggest on the next leg of the tour — will have a large number of empty seats. Sluggish sales have led to heavy publicising of the Dublin show, with radio and television adverts and ticket giveaways.
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stoneheartedQuote
bye bye johnny
Rolling Stones facing empty seats despite cut-price concert tickets
[image]
Nick Bramhill
April 30 2018
The Rolling Stones’ hopes of playing to a full stadium at Croke Park are starting to fade away after a heavily publicised discounted ticket promotion for their Dublin gig failed to attract fans.
With less than three weeks to go until Mick Jagger and his bandmates arrive in Dublin, it is looking more and more likely that the gig — the biggest on the next leg of the tour — will have a large number of empty seats. Sluggish sales have led to heavy publicising of the Dublin show, with radio and television adverts and ticket giveaways.
This is perhaps one of the side effects of no longer releasing new material and striving to be a "current" act.
Used to be the Rolling Stones still represented the present moment.
The release of a new album was itself cause for widespread media speculation, and you were wondering if it would live up to all the expectation.
Then the big press conference, an event in itself, would ensure that everyone knew that the boys were out on the road again.
But at some point, time stood still for the Rolling Stones.
They stopped being associated with anything present.
Now they are but rusty reminders of yesteryear.
So when Ireland hears that the venerable Stones are planning a gig, it's like a lost great uncle who's dropping by for tea in the garden to tell stories from long ago, ones you've already heard many times.
For many it would be more fun to meet with generational peers for a raucous time down at the pub, laughing and trading gossip of current goings-on, thinking about the things more centered on your day to day.
Because for the Rolling Stones time is standing still.
It was their staying power as recording artists, as an album-generating rock band, that gave them license to become the industry's premiere big concert live act.
But lately it seems they thought they could have one without the other.
Perhaps the Rolling Stones even take themselves for granted.
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GAFFQuote
stoneheartedQuote
bye bye johnny
Rolling Stones facing empty seats despite cut-price concert tickets
[image]
Nick Bramhill
April 30 2018
The Rolling Stones’ hopes of playing to a full stadium at Croke Park are starting to fade away after a heavily publicised discounted ticket promotion for their Dublin gig failed to attract fans.
With less than three weeks to go until Mick Jagger and his bandmates arrive in Dublin, it is looking more and more likely that the gig — the biggest on the next leg of the tour — will have a large number of empty seats. Sluggish sales have led to heavy publicising of the Dublin show, with radio and television adverts and ticket giveaways.
This is perhaps one of the side effects of no longer releasing new material and striving to be a "current" act.
Used to be the Rolling Stones still represented the present moment.
The release of a new album was itself cause for widespread media speculation, and you were wondering if it would live up to all the expectation.
Then the big press conference, an event in itself, would ensure that everyone knew that the boys were out on the road again.
But at some point, time stood still for the Rolling Stones.
They stopped being associated with anything present.
Now they are but rusty reminders of yesteryear.
So when Ireland hears that the venerable Stones are planning a gig, it's like a lost great uncle who's dropping by for tea in the garden to tell stories from long ago, ones you've already heard many times.
For many it would be more fun to meet with generational peers for a raucous time down at the pub, laughing and trading gossip of current goings-on, thinking about the things more centered on your day to day.
Because for the Rolling Stones time is standing still.
It was their staying power as recording artists, as an album-generating rock band, that gave them license to become the industry's premiere big concert live act.
But lately it seems they thought they could have one without the other.
Perhaps the Rolling Stones even take themselves for granted.
Incredibly well said.
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GAFFQuote
stoneheartedQuote
bye bye johnny
Rolling Stones facing empty seats despite cut-price concert tickets
[image]
Nick Bramhill
April 30 2018
The Rolling Stones’ hopes of playing to a full stadium at Croke Park are starting to fade away after a heavily publicised discounted ticket promotion for their Dublin gig failed to attract fans.
With less than three weeks to go until Mick Jagger and his bandmates arrive in Dublin, it is looking more and more likely that the gig — the biggest on the next leg of the tour — will have a large number of empty seats. Sluggish sales have led to heavy publicising of the Dublin show, with radio and television adverts and ticket giveaways.
This is perhaps one of the side effects of no longer releasing new material and striving to be a "current" act.
Used to be the Rolling Stones still represented the present moment.
The release of a new album was itself cause for widespread media speculation, and you were wondering if it would live up to all the expectation.
Then the big press conference, an event in itself, would ensure that everyone knew that the boys were out on the road again.
But at some point, time stood still for the Rolling Stones.
They stopped being associated with anything present.
Now they are but rusty reminders of yesteryear.
So when Ireland hears that the venerable Stones are planning a gig, it's like a lost great uncle who's dropping by for tea in the garden to tell stories from long ago, ones you've already heard many times.
For many it would be more fun to meet with generational peers for a raucous time down at the pub, laughing and trading gossip of current goings-on, thinking about the things more centered on your day to day.
Because for the Rolling Stones time is standing still.
It was their staying power as recording artists, as an album-generating rock band, that gave them license to become the industry's premiere big concert live act.
But lately it seems they thought they could have one without the other.
Perhaps the Rolling Stones even take themselves for granted.
Incredibly well said.
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laertisflash
Please, remind me about the “new material” that “allowed” the Stones to fill every stadium they played in 2014, 2015, 2016, 2017….
You can criticize (less, more or none) the absence of new material, itself. You can criticize the prices, the number of the gigs they have scheduled in the UK, everything you want. But when you say that the slow sales for Dublin concert are the result of “no longer releasing new material”, then we know the foolery No 2 of the current discussions. Because the foolery No1 does remain irresistible: “Bring back Mick Taylor to increase the sales…”.
How childish can some claims be, when fans want to tailor violently the reality to their criticism?
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laertisflash
You can criticize (less, more or none) the absence of new material, itself. You can criticize the prices, the number of the gigs they have scheduled in the UK, everything you want.
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timbernardis
relax, Eric.
plexi
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laertisflash
Really folks? The sales for Dublin gig are slow and you come to (or support) the conclusion that “this is perhaps one of the side effects of no longer releasing new material”?
Oh, what an “argument”… Please, remind me about the “new material” that “allowed” the Stones to fill every stadium they played in 2014, 2015, 2016, 2017….
Unless you believe that people, who are forming the audiences, woke up a nice morning and thought: «What the hell have I forgot in the last 4-5 years? I forgot to buy new car, I forgot to find new girl friend, and I forgot to look for a better job and… OMG, I forgot to punish the Stones for not having new material…”.
You can criticize (less, more or none) the absence of new material, itself. You can criticize the prices, the number of the gigs they have scheduled in the UK, everything you want. But when you say that the slow sales for Dublin concert are the result of “no longer releasing new material”, then we know the foolery No 2 of the current discussions. Because the foolery No1 does remain irresistible: “Bring back Mick Taylor to increase the sales…”.
It’s so crazy, as the hypothetical claim that many concerts of 2006/2007 sold poorly, and in some cases very poorly for the Stones standards, because the band had new material then (ABB album)…
How childish can some claims be, when fans want to tailor violently the reality to their criticism?
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PaintMonkeyManBlack
Yes but still it just does not make sense.
A. No big supports
B. They could have had an exit opportunity when they sold tickets without a licence. That was a golden opportunity to cancel the gig without any questions about ticket sales.
OR the sales are just not as bad as we assume
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laertisflash
"...Good news is there are no real clues the other shows are selling bad"
PaintMonkeyManBlack, I think Dublin is a "touch game" for the reasons mentioned by Gazza. And, as for the prices, I suppose we have to consider that Ireland is among the countries which lived a painful financial crisis, in the last years. Since 2010-11, i think. Maybe not as painful, as the crisis had been (and still is) in other countries, like Greece, but for sure painful enough...
By the way, if the Stones were willing to organize a kind of "NO EXPENSIVE TOUR", charging lower bails from the promoters, then they could easily fill another 12- 14 stadiums in South and East Europe. Let's say, in cities like Porto (last time they played there was in 2006), Athens (1998) or Thessaloniki (in the second case it would be a concert for a mix- Balcan audience), Naples, Zagreb, etc. Just saying...